While I was performing my ode to disco “Oogie Inferno” I realized that disco is truly the music of revolution – it was pop music that fearlessly opted to ignore the macho stance of rock’n’roll, c&w and even r&b. When the ‘disco sucks’ movement was burning Bee Gees albums before baseball games it seems like a futile gesture – today I realized that what the statement really was/is ‘disco sucks cock.’
As I read I saw the ode as a protest piece and that charged it with a different energy. Protest songs are usually strident and angry, this piece isn’t. Like much of disco music it extolled the sheer joy of dance, of being alive – which in a culture that sees pessimism as realistic and that pleasure is shallow plus its its intrenched sexophobia, disco joy is a subtle defiance. While protest music (& most r’n’r) is heterosexist in your face, disco is queer sex in your pants.
What other music form has allowed for transgressive performers like Sylvester, Divine, Grace Jones while giving new life to the careers of Aretha, Patti & even life support to Madonna. ‘Disco sucks’ because it gave women with big voices even bigger songs to sing.
Beautiful & Damned at Pride 2012 gave each of us the opportunity to share our voices in the midst of this corporate celebration of a queer demographic that isn’t geared to spoken-word. But we where there. Taking the stage in the heat and bringing our own heartbeat to the throb. It worked.
The disco revolution may not be in your face, or even in your pants but it is certainly in your feet.
………..……
Oogie Inferno
if you’re thinkin’ I’m too cool to boogie
boy oh boy have I got news for you
I love the sweaty potential of the dance floor
the solid mass of men mobile shifting
eagerly crammed crowded by the bass line
the righteous revival fever of a contralto
everybody here tonight must boogie
let me tell ya’ I was no exception to the rule
the heat was on (burnin’), rising to the top, huh!
<>
eyes closed hands open
shirtless strutters in sweat soaked satin shorts
muscles bloated bellies no one cares
as flesh wound around pulled by the driving
boogie oogie oogie
an endless moment of contact high
thigh to thigh contact
the heat was on, rising to the top
where the keyboard was underfoot
put your feet to the beat
peak after peak of solid state sweat
turn this beat around
no voice heard that wasn’t amplified
<>
no time to waste, let’s get this show on the road
listen to the music and let our bodies flow
yowsa yowsa yowsa
dance dance dance
shame shame shame
<>
we were shimmering glittering
ready to take on the future
beep beep toot toot
I love the moment of stepping into the mass
the sooner I begin the longer I’ve got to groove
listen to the music and let bodies move
make a space for myself
get approving once overs
then not care who’s lookin’
but when my spark got hot
I heard somebody say
Burn baby burnin’ the house down
gonna boogie oogie oogie
till you just can’t boogie no more
<>
I love the blur as I am transported
out the body out of the mind
satisfaction (uhu hu hu) in the chain reaction
released from all sense of self
except for the one caught immersed
push push in the bush bush
lost for hours
boogie oogie oogie
taking a breather wet glistening
asked what are you on
having my answer of nothing disbelieved
as if the music and testosterone
aren’t enough for me to
burn that cocksucker down
because have I got news for you
this could be the last dance
everybody here tonight must
boogie oogie oogie
Reblogged this on Lizzie Violet.
Ha! I know almost every song lyric in this piece. Put a smile on my face remembering those last days of disco as I grew up. Nicely done Duncan, nicely done. 🙂
http://soundcloud.com/amoebastarfishperc/live-at-pride-toronto-2012-the
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