I remember as a kid looking at a group of other kids who were making lots of noise when one of them called out ‘Why don’t you take a picture?’ If that happened today I might be tempted but who wants to get charged with invasion of privacy or worse being accused of being some sort of child perv. I don’t do long or second looks anymore, in public.
When I moved to Toronto one of the guys I met in recovery had decorated his house with pictures of nude men – paintings, charcoal sketches, photographs. Most were flaccid. He said he liked potential. I, being so fresh to the scene, as it were, preferred the proudly erect fulfillment, not the potential. This did change as I aged, as I saw enough images, engaged enough with the real thing. Porn no longer gets me hard but I enjoy it.
Rather I enjoy photos of the naked male. Note ‘photos’ not gifs or movies. I get bored with watching men engage in sex, even amateurs, on the screen. Live sex shows? Haven’t seen one, yet. Video creates an artificial expectation of sex – I’ve met too many guys who wanted to duplicate that action who felt our inability to do was a lack on a personal level. They didn’t like being told these were not instructional videos, that they were not done in single shot set-up.
There are some who shame those of us who like to look at ‘smut.’ I don’t pretend I look for spiritual reasons but I’m not going to be shamed either. I’ve come realize that part of reason for looking is that in the flesh, in person-to-person contact there is no distance. One can’t just stop to look for long before the other person says something like ‘what are you looking at?’ ‘is there some thing wrong?’ Live people get self-conscious. A photo lets you look as long as you want, doesn’t blush or even have the right to say ‘don’t look at me you old queen.’ One gets to look at men, who in the flesh, wouldn’t invite a first, let alone a second look.
The Golden Triangle
I wonder where they are
that background – what is it
why that wall paper
why those paintings
the men in the picture
naked sometimes hard
sometimes with fly open enough
to let their business out
or pants pulled down enough
to see pubic flourish
with that aching member arching
into the camera’s eye
my eye
wandering away from the pivotal point
the golden triangle not holding me
as I wonder
where did they get those curtains
where is the light coming from
how long have they squirmed on that couch
that weirdly colored rug
while someone
clicks and focusses
getting them to turn this way that
ooh that’s good
getting them to pout to smile
grimaces that only convey
how uneasy they are in front of a camera
with faces that reveal nothing
not even discomfort
sometimes a splash of stoned
the goofy far away look of someone
who has once again
retreated to some other moment
while someone with a camera
zeros in on the part of them
that tells viewers nothing
that may make mouths water
but it ends there
I wonder what next
did they go for drinks
was there money exchanged
paying their way through college
or
are they just hapless street boys
lost and being prayed upon
are they confident hustlers
aware of the power of their sweet grins
firm chins and eager eyes
is there pleasure there
more than a rote factory of okay
if you ran into one of them on the street
saw him sitting across from you on a bus
or serving you a coffee
what do you say
do you recognize that face
does it seem familiar
but you just can’t place it
without those curtains behind it
if you remember
then what can you say
‘I really dug your PornHub spread’
do they know there are men
out there who know
their photographic pixilated flat screen bodies
better than they know their own flesh
viewer and viewed
strangers in a circle
a lens
that captures them both
one in a moment that never changes
each time it is viewed it is the same
no new light no new angle
can fall on the image
no matter how often
I count the petals on the rose curtains
study the business
that is never put back in its pants
I can never taste it
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