AutoCorrected Perfection

AutoCorrected Perfection

there’s always something

my eyes don’t catch everything

words lose there meaning

thanks to auto spell

I often don’t know what I’ve just said

or if what you’ve written

is what you’ve written

so I don’t feel so responsible

for those little typos

that change love to leave

that change emotionally comithtemnt

I mean commitment

to being committed for emotionally disfunction

there’s always something

that’s why I count on your eyes

to pick up what mine miss

trust me no matter how right it appears

it needs you to make more better right

I couldn’t do it without

those sharp insightful comments of yours

you find what slips between the lines

while I’m so busy

making sure those lines are straight

to your perfect heart

Has this every happened to you – you type quiet & come back to edit & see that it is quite or even quit – that somewhere between your thinking, your fingers, the page & the push to get it out something is replaced in transmission. Concern become concerto thanks to auto spell – that algorithm that takes over your thinking to fill in what it thinks you have started or if you’ve, as I often do, switch two letters as you type jumps to concussions I mean conclusions.

There have been times I’ve let either the typo or the auto spell word stay – ‘head in the coulds’ is much more poetic than ‘head in the clouds’. I let it stand because by the time I come to edit a piece months may have passed & I no longer remember what it was I set out say anyway. So I jump on the coulds easily & gratefully. Right now autocorrect wants to change coulds either to singular or to colds.

This piece also plays on the notion of Freudian slip of accidentally saying what you don’t mean to say. Those verbal slips when one says “sure I want to leave you” when intending to say ‘sure I love you’. Or our frequent habit of saying one thing when we mean another ‘I’m busy that day’ when you mean ‘I don’t want to be there.’

In editing it’s always wise to have another set of eyes read before final product is published. In going back over Lazarus Kiss the number typos that even auto spell missed is amazing to me. I never said I was a copy editor. I don’t write a lot of directly romantic poetry so I pushed this one into what I hope is an unexpectedly cornball direction. I enjoy taking cliches and bending them into new shapes, in this case the shape of a heart.

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