‘Quieting the colonial hum’

 

The Hot Damn! season 5 finale filled Buddies in Bad Times to the rafters. The house filled so rapidly that the event actually started on time !! Yes, a spoken word event that started on time 🙂 House music was provided by DJ Sofia Fly, who also supplied great entrance & exit music for the slammers. Not that the energy of the house needed any help 🙂

 

The show opened with Charlie Petch’s land acknowledgment followed a set of songs by Ogichidaa Kwe. The song about the warning heard but not believed resonates in our political climate as we deal with governments who feel warnings are not to be believed without the right corporate backing.

I was one of the lucky poets who participated in Nasra Adem’s Mirror of Tarot workshop the night before at Unit 2 so I was ready to see their feature set. In a flashing of red and gold Nasra’s set was spokenword alternating with songs and a dash of political anger. 

some moments from that set: the sun looks up & catches my glint – I just want to ride my intentions – I quiet the colonial hum around me – how loud men are with their fear – healing only happens when I’m safe enough to call for help – bluest black starlight – if this shit ain’t intersectional it don’t exist – white feminism can suck my dick – you can wipe your tears they aren’t needed here.
After a break Charlie started the slam with the queer national anthem – somewhere over the rainbow. Then the eager slammers hit the stage with pieces that were emotionally powerful, funny, deeply personal & accurate skewering of our dominant culture’s inability to accept diversity on all levels.

moments from round one: a shade of blue trying make bruises jealous, half my identity was stolen from me by the time I was six, I want you to talk to me rather than write it all in your journal, compensation doesn’t undo the truth, he tried to whitewash me with his bedsheets, my bravery doesn’t mean your allyship is unnecessary, down the rabbit hole of trauma, the nights my memory of you is my razor blade, I never studied dance but learned how to fall with precision, it’s safer to play chameleon, either swallow fear of be swallowed by it, fat kids should eat because they are fat, every bite tastes like shame.

Moments from round two: you don’t want me & it cuts to my soul, wrote a note on my phone not to text you, the sound of motherhood knocks a cracked door, when in this city I avoid the subway, I would hold you the way gravity holds the atmosphere, I guess it isn’t about sex anymore, confession is telling how good she tastes, is there a way to be Christian & not be ignorant, being queer is fucking difficult, I used cover girl to cover up the hicks, congratulations! you’re straight, why can’t I be as angry as him.

Over these five years Hot Damn! as become an amazing force for diversity. It has created & maintained a safe space were the gender marginalized members of already marginalized communities can come together to express their loves, frustrations, fears and outright fucking anger without being judged. Oh right, they are judged as part of the slam, but that’s a different matter 🙂

It was a non-stop feast (or perhaps feeding frenzy) of words from the competing poets Sulva, Charly Bird, Dee Durward (QUEIRDO winner! Doe!) Robert Molloy, & Danielle Workman. After scores were tallied: the top three were (it was SO CLOSE) Jayda Marley (3rd 58.5), Fira (58.9) and winner Wes Ryan (59.2). 

 

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