Let’s get this catalogue out of the way first – My Mozart collection, in various boxsets, mp3 compilations, includes Abduction From the Seraglio; Clarinet Quintet; Piano Trio; Concertone; Sinfonias; Serenades; Divermentios; Musical Joke; Flute Quartet; Flute Concerto; Flute Quartets; Horn Concertos; The Magic Flute; Masses 1; Mass 317/Exsultate; Regina; Ave Verum; Overtures; Cosi Fan Tutte; Mass 427; Church Sonatas; Le Nozzie Di Figerro; Piano Concertos: 9 cds; Piano Sonatas: 5 cds; Piano Trios; Violin Concertos 1 2; Violin Duos; Piano Quartets; Violin Sonatas; Requiem D Min; Serenade #9; Quintets; Variations; Serenade#19; Nacht Musik; String Quartets 6 cds; Symphonies 11 cds; String Quintets; Oboe Quartet; Piano Clarinet Trio; Violin Sonatas; Piano Four Hands; Woodwind Concertos; As well as a set of Bryn Terfel arias from the operas.
I am a fan 🙂 One of the first pieces of his that I totally loved was the Concerto for Harp & Flute. It transported me & still does. I had many of these on lps. First as box sets of the piano music that I ordered from Vox, some singly from MHS, then the bulk from Time-Life who did a complete Mozart in 5 lp box sets. I loved getting things in the mail. Some of these are lp to cd transfers.
It is hard to pick out favourites as I love the string quartets, the piano sonatas delight, his flute music is charming, his operas are okay (I’m not really an opera fan). The Magic Flute is a good intro to opera. His masses are moving and soothing. His range is amazing with sparkling music for flute, oboe, bassoon, & glass harmonica (yes this was a thing.) Oddly cello was never singled out for a solo extravaganza. My most recent addition was his music for piano four hands.
I also have pieces by his father, even his rival Antonio Salieri. Mozart didn’t write in a vacuum & I like to have ‘context’ for my favourites. I have jazzed up Mozart. Plus The New Koto Ensemble Of Tokyo plucking away at his war horses 🙂 (They also do a great version the Four Seasons).
Mozart’s operas are excellent starts for people who don’t know or think they like opera. More emotionally open than his chamber music they edge toward the more romantic period. An innovator, a genius from a time when classical music was pop music 🙂 Much of his output was chamber music – pieces written for families – this was entertainment at home before radio.
‘Let’s check it now.’
‘Look, it’s nearly 3 a.m. Let’s get some sleep and we’ll check the tape in the morning.’
Frank was already plugging the cable connector from the camera into the back of the TV. ‘Tom this is what we came here for. We’ve been doing that jungle walk for two weeks and now we finally have something.’
The screen came to life. Murky movements jumped back and forth.
‘Worse than the Blair Witch.’
‘You try sometime then.’ Tom snapped back.
‘Sorry I was just …’
The picture came into focus. The sound was muffled, distant.
‘Shit!’ Tom hit the top of the TV.
‘That’s not going to do much.’ Frank laughed. ‘Turn it up.’
‘Why bother with that.’ Tom pulled the cables from the TV. ‘Let’s use this.’ He opened his lap top. ‘I have a program in here that will refine things considerably.’
It took the tape several minutes to be downloaded into the computer.
‘Couldn’t you get anything faster.’
‘You making a crack about the size of my hard drive?’
‘You said it not me.’
The program flashed that it was ready. The sounds were still muddied but with some audio editing Tom played them back clearly:
‘We call the time to change
we call the time to change.’
‘That’s not what that kid said.’
‘No, that’s what we heard first though. Remember. I thought it might be the wind in the trees.’
‘We call the time to change?’ Frank repeated. ‘Wonder what that can mean. We call the time to change.’
The lights in the room dimmed and the computer screen blinked on and off and on again.
‘Whoa! Better not say that too many times.’ Tom pulled the curtains shut.
‘You don’t think …’
‘You know what I think. I told you we would be playing with …’
‘We are not playing here Tom. This is serious research.’
‘Right and these are serious results.’
‘Okay. Let’s see what else we have there then. ‘We call…’ Frank began.
Tom put his hand over Frank’s mouth. ‘Enough with that. We have to be careful when we don’t fully understand.’
‘But it’s just words Tom.’
‘You know that isn’t so.’
The teenage boy appeared on the screen. His lips moving.
‘What! I can’t hear him.’
‘There’s no audio here.’ Tom punched at the keyboard moving back and forth along the audio indicator.
‘When did the sound cut out?’
Tom did more inputting.
‘Seems to have cut out when he appeared and comes back when he disappears.’
‘He’s the one called Mambo? What did they say he was called? Cha Cha?’
every Tuesday 2019
Stratford Festival – Henry VIII
Stratford Festival – Nathan The Wise
August 2-13: getting back to my roots in Cape Breton
Hey! Now you can give me $$$ to defray blog fees & buy coffee on my trip to Cape Breton – sweet,eh? paypal.me/TOpoet
Shaw Festival – Sex (Mae West)
Stratford Festival – Little Shop Of Horrors
June – Capturing Fire 2020 – Washington D.C. capfireslam.org