Does this sound familiar: rabid anti-gay rights activist caught making pass at a man in washroom – admits he is gay. The accuser being guilty of what he accuses others of – this is a part of the many layers of guilt in The Crucible. Guilty of one crime you are guilty of all crimes. Accusation = guilt. Being innocent doesn’t undo the stain of the accusation. The Crucible functions on many levels – the use of authority is more important that justice, the denial of guilt is really an admission of guilt.
My last theatre day trip to Stratford was to see Arthur Miller’s The Crucible. A play about witches in October – what a concept 🙂 The production was intense, riveting & the political allegory hasn’t dated a bit. Except these days many don’t care about guilt if the guilty are rich enough – a president can admit to ‘grabbing pussy’ (underage beauty contestants should be flattered he grabbed their privates) & is still in power. But I digress.
The simple set with side pieces of tall trees moves silently & easily to accommodate several locations. The ambient sound before the play starts create a a sense of forest. Once the plays starts with the ‘possessed’ child (nice nod here to ‘The Exorcist’) it moves with constant intent & mounting emotional & physical intensity.
The performances were strong for a cast who clearly enjoyed these characters, had dug deep into the text itself, & gave unexpectedly raw performances. Tim Campbell as John Proctor & Scott Wentworth as Reverend Parris gave amazing performances – perhaps the best I’ve seen by Scott Wentworth. I was drawn into the dense emotional mire both men were feeling on opposite sides of the conflict.
Shannon Taylor as Elizabeth Proctor was strong – her moment of ‘truth’ brought gasps from the audience. The tempted ‘girls’ lead by Katelyn McCulloch as Abigail Williams were given great dramatic moments of demonic possession. Katelyn was good but was more saucy than vengeful. They were women not girls or children, as they were referred to on the text.
I had seat in 4th row orchestra so had a very close view of the superb costumes plus I was impressed by the meticulous wig work. This is an excellent production, perhaps the best I’ve seen this season & one of the most compelling I’ve seen of stage in some time. Jonathan Goad’s direction brought performances that were deeply effective & made a challenging text engaging & challenging at the same time.
other 2019 reviews:
Costume Warehouse Tour – Me? Caped Crusader https://wp.me/p1RtxU-3vQ
Henry VIII – ‘Abject Object’ https://wp.me/p1RtxU-3vW
Our Father Issues https://wp.me/p1RtxU-3CB
Cape Breton (Liberation Army) Day 7 https://wp.me/p1RtxU-3Gj
Mae Brecht’s Sex https://wp.me/p1RtxU-3ND
Plant Food For Thought https://wp.me/p1RtxU-3Oo
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