When does a hallway become a vestibule? You step into one (or the other) when you come in the front door of my house. On the wall to your right hangs a print of a calm English waterside scene. A lake? Could it be coastal France? Impressionist. Nicely framed. Not something I bought but rather inherited form a friend who died several years ago. He may have told more about it at one time but that’s forgotten. My friend isn’t. Best part of it, for me, is that you can’t read into it anything about me.
On the right side of the door is this stained glass window (original with the house) with this owl standing on the sill. The owl is my partners & he owned it before we met so it goes back at least 45 years. Metal (of some sort) painted black. On the base it says Austin Prod 1976. Prod is not a weird last name but short for (Austin) Productions Inc. The owl represents wisdom & thus is a good thing to see when I leave the house after I check to make sure my hat is on straight.
A little deeper in the hall one is confronted with one of my original paintings! Painted way back in 1981 when I was newly sober & reawakening creatively. ‘Clowns At War’ is written on the back so I guess that was my working title. The guns are cut out from a magazine. It tells several stories – clowns fighting over a hat, shocked dress shop sales person. I love the details in the windows over the dress shop.
As one goes up the stairs hangs this very Cocteau/Toulouse Lautrec sketch of my friend, the late Jackie Burroughs. It was done by one of the stage hands when she was in a production of Colette’s Chéri. She played the maid. It was fun play. The secret to her performance was getting the right shoes. She insisted there be at least one moment when those shoes were seen by the audience.
Here’s a piece I wrote after Jackie’s funeral
. . . walk through . . .
her casket unadorned pine
pale
unvarnished for burning
heavy even with three on each side
the gentle struggle
to get it up church steps winded me
all glad to let go
let it glide on the gurney
through the narrow granite arch
into
the vaulted cathedral
massive stained glass window
images promised resurrection
we followed the minister
a slow steady pace
he held aloft a silver cross
each a single hand on the casket
oppressive organ music
muffling the simple choir
I longed for unadorned chant
then wanted the droning reverential
minister’s voice smothered
too much scripted polished scripture talk
and none of the real in the casket
silence
then her voice
previously recorded
“… I walk through … ”
all breaths held
to take in
her reading “ … I fear no … ”
sobs for this real presence
I looked to the casket
expect it to shake giggle
next the rites
holy water sprinkled
dense incense wafted
I choked gasped
air thick
smothered through the rest of the ritual
we walk the casket out
again the gentle clumsy struggle
out the narrow granite arch
the dead weight down the steps
to the hearse
where we all took a deep breath
March
March 5 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre
April
April 3 – Hot Damn! It’s Queer Slam – Season 6 finales Buddies and Bad Times Theatre
May
Richard III – Stratford Festival
June
June 25-26-27 – Capturing Fire 2020 – Wooly Mammoth Theatre – Washington D.C.
capfireslam.org
July
All’s Well That Ends Well – Stratford Festival
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at Ted’s Bulletin in Washington DC
at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet