Isis Of March

Next on the shelf is an mp3 collection of Isis. I’ve blogged about Isis before so check that out. I recently watched Some Like It Hot, which includes an all-female swing band. No matter how musically inventive or competent such bands were they were always considered novelty acts not serious swing bands. Such was the case of Isis. The market wasn’t open to an all-female version of Chicago. Women in rock were usually limited to vocals,  not playing instruments, other than piano or acoustic guitar, themselves:-)

Also in this compilation are two releases by Lowell Fulsom: Drifting Blues, In A Heavy Bag. This is solid r&b. There were a couple of tracks by him on the Rojak Story compilation. I liked his old school soul sound & his voice, so downloads a couple of his solo releases. His cover of ‘Why Don’t We Do It In The Road’ takes a road the Beatles would never have taken 🙂

Here as well is Otis Blackwell’s These Are My Songs. Never heard of him? You’ve probably heard some of his songs though, which include Great Balls of Fire, Don’t Be Cruel, All Shook Up & more. His take on his songs is refreshing. I always love to hear songwriters doing their work. I also never knew that these big hits where the work of the same writer.

For some reason I added Jethro Tull’s A Passion Play: The Château d’Hérouville Sessions to this mp3 collection – a classic lp I wanted to replace with better quality sound. The original lp was two sides with no track breaks. Here it has seamless track breaks & no need to turn it over half way through. The Château d’Hérouville Sessions includes other takes of some of Passion Play songs plus earlier versions of songs such as Skating Away. The sound quality is excellent even if A Passion Play is a bit overwrought 🙂

To round out this cd I added: Arthur Brown & Vincent Crane: Faster Than The Speed of Light. Crazy World world is the best known work by these two – Crane was keyboards on that lp. Neither followed it with another big hit but they reunited in 1980 for this release. Fun & surprisingly prog-rock with an Emerson, Lake & Palmer vibe without being as self-serious. Brown’s vocals are playful & the production values & engineering is excellent. Too bad it vanished almost as soon as it was released. Worth seeking out.

Snake Skine

“Priestess and the Snake Skine” by Davina K’ltra – set in the rich fertile islands of the Caribbean the third novel of Davina K’ltra continues her fascination with things dark and lurking. 

One almost expects characters from the previous books to walk in the door at each turn of the plot. It is almost as if she had merely changed the names with the help of word search, the plots are so similar and yet one keeps reading with pleasure.

As in her previous two novels – “Snake Skine Sisters” and “Sinner in Snake Skine “- an innocent person, often of indeterminate gender, finds themselves drawn to the world and power of a vodou like cult.

In each the innocent victim is unaware till the final moment that there is no turning back now that the door has been opened. There is no one to turn to when the very people thought to be protectors turn out to be Sirens, lures. There is no safety anywhere.

Even, as in this novel, when the innocent makes an escape off the island and back to the shores of the good old USA there is no real escape. Everyone, it seems, is connected with this nefarious cult.

The major departure in “Priestess and the Snake Skine” is the gender of the innocent. In the previous two novels it has probably been female. This time it seems to be male. A young Police Academy graduate celebrates his graduation with a two week jaunt in the Caribbean Islands before he is to take up his post in Detroit. Kaleb Jones comes from a middle class black family and has proven himself to be an open minded young man. Boxing champion for his class and built to be a prime example of the best America has to offer.

We meet his family first and enjoy the last weeks of his police training. A deceptive start for K’ltra, who seems to be trying to expand the horizons of her novels by opening them to new locations. Too bad the action once it does get started is so cookie cutter.

Perhaps though it is the predictability of this fatal action that allows the reader comfort to follow it. The ritual scenes are fevered and fast, the blood flows and even when it becomes human we are ready, almost wanting to participate ourselves so we can slip into our own dangerous skine.

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http://www.queerslam.com

every Tuesday 2019


June  – Capturing Fire 2019 – Washington D.C.  capfireslam.org 

August 2-13: getting back to my roots in Cape Breton
Hey! Now you can give me $$$ to defray blog fees & buy coffee on my trip to Cape Breton – sweet,eh? paypal.me/TOpoet 

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Don Messer’s Jubilee

 

It all started with someone posting a link to a video of Fred McKenna playing some songs. What he was playing was not that interesting but it opened up a memories of my Sydney childhood in Cape Breton. When my father relocated us in Sydney it was a one TV channel town (almost as bad as a one horse town) and that channel was CJCB – which is still on the air but is now part of CTV.

 

CJCB was essentially community TV with some shows imported from Halifax. One of which was Don Messer’s Jubilee out of Halifax. Jubilee  (click Jubilee for link to video). To be honest I hated this show. I wanted real music i.e. radio top ten stuff. I don’t even recall if my parents enjoy the show but the minute it came on I dismayed. I must have watched it though because I remember the names of the singers – Marg Osburne & Charlie Chamberlain – who looked like a pair geriatrics. She was in her mid-30’s, he was in his 60’s. Fred McKenna was a frequent guest.

I also remember the Bupta Dancer who, thanks to Wikipedia, I now know were the Buchta Dancers – they did square dance crap. It was decades before I could tolerate the sound of country fiddle. But hearing Fred McKenna made me consider how this music influenced me, if at all. I did find one collection iTunes & downloaded all 32 minutes of it. Sweet but with almost no emotional resonance. The show’s intro music “Goin’ to the Barndance Tonight” isn’t included 😦

Part of why Jubilee didn’t impress me was that none of the singers or dancers had a shred of sex appeal. Black & white TV didn’t help much. Bulky boxy conservative clothes made the square dancers & singers seem even more square. The show lacked glamour or sparkle. I have vague memories of watching Liberace with my mother & being impressed by his glittery style. Jubilee had no visual style.

The music is pleasant, folky, sometimes Celtic with strong fiddle playing by Don Messer. The songs are uncomplicated folk, sea shanty & religious. Only one of the ones I’ve downloaded has much of an emotional resonance for me ‘Farewell To Nova Scotia.’ A farewell I’ve never regretted.

See Me?

people think they know me

they see me in my writing

they don’t see fiction

the fact that each confessed event

is reality 

my reality

one that they can identify with 

as my actually experience

in fact the closer I capture 

something of their emotional life 

the more they are sure

I have to have experienced it

they don’t want to believe

that each piece is a mask

not a piece of me

they see my photos 

read bits of life that I process for display

and add it up into picture of me

they approach me with that 

ah-ha

I see by your web page 

that you are …

 

they don’t realize I am 

as big a liar as they are

I may not talk in internet inches

but I don’t reveal anything out of turn either

that would be too painful 

so like so many other’s 

I adopt a mask of playful indifference

ironic poses to amuse

what they don’t see 

I’m not going to hint it

 

trust me

no one has the entire picture

many don’t even have a glimpse

not that have hidden depth

there may be surprises

tucked away in many closets

I don’t see that something to confess

shoes shirts all get displayed

and even those things 

that I explain aren’t me

the endless lists of almost lovers

sweet boyhood sexual discoveries

the bitter relationship breakups

all those fictions 

I can make so real 

are things that happen to people

but not always to me

I’m too shallow for most of that 

safe in that distance

the pose that many writers seems to strike

knowing full well

that no one questions it

the fiction

is seen as a valid side of the writer

even if I deny the experience

it must be a part of who I am

of who you perceive me to be

the need to wear this disguise

reveals who I am

 

the mask one selects 

is a reflection of the person

Romeo Harlequin Godzilla

one after the other put on 

taken off

my face the mirror of yours

so what you see as me

isn’t me at all

but the you I squeeze into 

when I sit down at the keyboard

to see though what I think is your mask

losing sense of self to that image

https://wp.me/P1RtxU-2f6


http://www.queerslam.com

every Tuesday 2019


June  – Capturing Fire 2019 – Washington D.C.  capfireslam.org 

August 2-13: getting back to my roots in Cape Breton
Hey! Now you can give me $$$ to defray blog fees & buy coffee on my trip to Cape Breton – sweet,eh? paypal.me/TOpoet 

Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

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Nine Lives

Nine Lives

O when I was nine

I was still a child

there was no instant communication

news travelled slow

on the radio   TV news   newspapers

delay that provided an innocence

I knew about war

because my Dad had fought in one

he was a man

my mother was a woman

I was a boy child

who only knew what the culture 

of the time

reported of my gender 

 

O when I was nine

I wasn’t aware of so much

I did know I wasn’t like other boys

I played backlot-baseball

I played with dolls

I  wasn’t the son my dad expected

I didn’t like to fight

like other boys

I never understood 

why physical violence was required

to be accepted

 

O when I was nine

I had indulged in sex play

with boys and girls

looking at the differences

anatomy I didn’t understand

the boys where more interesting

I didn’t come out

but I knew shame

when we were caught

I had fear

but no closet

sex was dirty regardless

of gender

 

O when I was nine

I don’t know I was swimming

that I was making waves

as I dog-paddled from nine to nineteen

by that time I knew

these were dangerous waters

 

O at nine there was only

the fear of getting caught

not the fear

of my culture drowning me

like an unwanted litter of kittens

that were denied their nine lives


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Nice Undies

Nice Undies

please keep it

I don’t really need it

I have too many already

it’s not quite the right fit for me

the colour is so you

I don’t know

when I’ll ever use it

I want you to have 

you’ll get more use out of it than I would

I can’t begrudge you anything

of course you can have it

I never wore it

I only wore it once

let me see it on you

it really suits you

those undies look better on you

than they ever did on me

no I don’t hate it

it’s just not right for me

they were on sale

you’d be doing me a favour

I never want to see it again

too many memories

time to move the energy out of my life

if you don’t want it

I’ll have to throw it away

don’t let it to go to waste

it’s too good

to drop in a donation box

I want someone I know to have it

you won’t regret it

don’t thank me

thank whomever 

gave it to me

never wear it my presence

Nice Undies is a list poem of different thoughts or actual things said in giving something away. As much as I appreciate a gift I am sometimes given things that I either have, don’t want, or have no real need for. Because I enjoy bold colours I’ve been give shirts, or t-shirts that are great colours but with prints or cartoony images I’d never be seen in public wearing. Some become sleep wear, some end up in donation bins, some become regifted.

One Christmas I was given more socks than I needed, so some of them ended up in Christmas gift bags for friends. I’ve donated blank books, pens, even t-shirts to Hot Damn! as prizes. I move energy out of the house quickly so make room for new energy. It’s gotten to the point where I sometimes get a gift & I immediately think – this would be perfect for so-&-so.

Part of my personal ‘stuff’ policy is ‘if something new comes in, something old should go out.’ As a result if I keep the t-shirt someone gives me I have to cull one out of my collection to donate or give away. This can be difficult with things like shirts as my collection now if all favourites 🙂 So to make room for new I have to let go of my attachments of the old. In these cases I am more selective of where it goes but it does go.

Twice a year I cull various things from my processions: books, cds, shirts, socks, tee’s, even undies to pass on, to keep my sense of attachment in balance. I do this around New Year’s & around my birthday at the end of June. I’ve never been so invested in a memory that I can’t see someone wearing the tee I gave them. Nothing, to me, is hotter than one of my fwb arriving & finding that he’s wearing the undies I gave him. What can be more fun than some man literally getting into my pants? 🙂


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In This Irrepressible Shirt

I discovered The Irrepressibles thanks to Tumblr – one of my feeds posted the video for In This Shirt. Visually mesmerizing & musically compelling is searched & I found that track on their Mirror Mirror lp.  I have that as well as Nude, Nude:Landscapes, In This Shirt remixes, on this mp3 collection. The tracks flow into one another sweetly if glacially.

The sound is very Antony & The Johnsons. Chamber pop – strings with some drum tracks & an angelic, heartbreak voice singing on top of it all. Lyrics are usually haunting love or self-self-discovery songs. Words are carefully chosen, not picked to belt out. I enjoy chamber pop. Usually slow and romantic. I first encountered it on Donovan’s Sunshine Superman lp way back in the 60’s.

Also on this mp3 compilation are soundtracks from American Horror Story’s first couple of seasons. That credit music is eerie & evocative. It doesn’t wear out its welcome or go on too long, like the series itself tends to 🙂 To add some sonic variety I have  Basement Jaxx: Junto (Special Edition). A great electronic band that has expanded its sound over the years. This is a great addition to their catalogue even though it seems the genre itself had faded away they will not vanish.

Here also is a track from Ibizia Chillout – a 70 min DJ mix of other tracks on the release – something that happens now with many such completions one or two of the tracks is a non-stop dj mix of all the tracks on the lp. Dance music is great for writing.

 

Because The Irrepressibles  are so relaxing I added Tranquility: Voices of Deep Calm – a collection of Russian choral music designed to lead you to tranquility. Finally Childhood’s Lacuna (Bonus Track Version). Their sound is Modest Mouse with major reverb & echo. I heard a track on So You Think You Can Dance & quite liked it. I couldn’t now tell you which track that was though 🙂 Childhood, like Jaxx, is a nice counter balance to the airy sounds of The Irrepressibles. 

Dish of Dreams

‘I asked for Diet Pepsi.’ The dish knew this was bound to happen.

‘I’m sure the lemon pie will be better for you.’ The spoon stepped back from the swimming pool. This was going too far. ‘And if you don’t like it you can take a flying leap over the ….’

‘Don’t say it!’ The dish walked over to the operating table. ‘We have more important issues at hand now.’ The dish began to wash up for surgery.

‘If you think I’m going to glove you,  you have another thing coming.’

‘You don’t glove me anymore?’ The dish turned to the Bride of Frankenstein. ‘How did you deal with such things when they happened to you.’

‘You are asking the wrong person,’ the Bride of Frankenstein shrieked.

Several ducks fell out of the air at her shriek.

‘Oh wonderful. Fresh duck for supper.’ The games keeper scrambled over the sand dunes to get the gamy birds as they lay dead, still on the shimmering sunset shore.

‘Hey! You!’ a shout came from the bluffs, ‘Those are the King’s fowl. To touch them is treason.’

‘Since when, you useless old fart catcher?’ The games keeper scooped up the dead ducks and put them in his evening bag. It matched his shoes and hat. The perfect ensemble for evening dining.

‘Where did you get those bullets?’ The dish had to know. ‘They are just perfect with those gloves.’

‘Thank you. I didn’t think anyone would notice.’

‘It’s always these little details that make occasions like this so special, Don’t you think?’

‘I think you asked for Diet Pepsi and here it is it.’

Diet Pepsi walked through the swinging doors. The band stopped and all heads turned. At Pepsi’s side was the Queen of Sheba.

‘Some people have all the nerve. Imagine showing up here with her after all that’s happened.’ The spoon muttered.

‘Oh,’ the Queen of Sheba clappered her tiny hands, ‘it’s so good to get out of the kitchen for change. I’ve been baking tarts all day and just longed to get out. I’m so happy Diet Pepsi had a free evening.’

‘Yes, my schedule has been very busy.’ At that moment Diet Pepsi caught sight of the Bride of Frankenstein. ‘Perhaps, though, we might consider some other environs. You know who is here.’

‘Don’t let her get into your hair.’ The waiter joked as he led them to a corner table that overlooked the stage. ‘Can I get you drinks before the first act.’

‘I haven’t been to the ballet in years. What wine goes with Swan Lake?’

‘Perhaps a dry white would suit you.’

‘I trust your discretion.’ Diet Pepsi tipped the waiter handsomely. ‘Is that Godot over there?’

‘Why, yes. I’m his waiter as well.’

‘How lucky we are,’ the Queen of Sheba looked around. She allowed the rigatoni straps on her shimmering gown to inch over her iridescent white shoulders.

‘Madam!’ A cry came from across the pond, ‘The reflection of the sun off your bare shoulders is pornographic.’

‘Why thank you!’ she replied.

She glanced over and to her dismay a troop of twenty-one boy scouts had dropped their khaki hiking shorts to display a salute of proud, stone-hard erections.

https://wp.me/P1RtxU-2f6


http://www.queerslam.com

every Tuesday 2019


June  – Capturing Fire 2019 – Washington D.C.  capfireslam.org 

August 2-13: getting back to my roots in Cape Breton
Hey! Now you can give me $$$ to defray blog fees & buy coffee on my trip to Cape Breton – sweet,eh? paypal.me/TOpoet 

Hey! Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

Like my pictures? I post lots on Tumblr

https://www.tumblr.com/blog/topoet

 

My Belongs Dada Heart to

Another major influence on me was Dada which lead to another major influence: Surrealism. In particular the art, which was at time more gimmick & concept than painterly technique. I loved Marcel Duchamp – ‘The Bride Stripped Bare by Her Bachelors, Even’ visually & conceptually infused me with a strong sense of the possible, while Salvador Dali infused me with a strong sense of the absurd.

The collages used ironic, sometimes non sequitur, images to create an emotional & intellectual resonance in the viewer. One writer Tristan Tzara would take random lines from random books to create poem. This was also the movement that invented the  to disorientate readers. I have several books of their writings, painting and recordings of their music (Satie). Dada was the start of surrealism & cubism.

I also see the movement’s influence on T.S Eliot, Dylan Thomas, Ginsberg, ee cummings, Warhol. Both the art and the writing demonstrated to me that linear narrative isn’t necessary. Imagery didn’t have to make sense to make sense. Sometime the power in a word or words was in how they sounded, in how they resonated in the reader, rather than in what story they might be telling.

The photos in my blog here reflect my Dada influence, rarely do they have anything to do with the text. When I’m taking pictures it’s sometimes the odd juxtaposition of objects that attracts my eye. My poems can include what to me is surrealist images: ‘balls like emu eggs in my hand’ ‘my fridge made a pass at me the other day.’

 

Dada & surrealism respected the power of the dream, of automatic writing as a creative process. Of course if I could become famous by signing urinals I’d give it a try.

Lʼamour domestique

my fridge made a pass at me

the other day

I was in my usual hurry

to get the milk

when

the door caressed my cheek

pushed me into its cool

welcoming heart

 

now Iʼm not into sex

with inanimate objects if I was

I would probably pick

my coffee maker

something small and easy to satisfy

 

the fridge is never filled

always has demands that

make me feel inadequate

while the coffee machine

fills to brim so quickly

 

yes give me hot and perky

to big and cold – any day

but it was one of those days

the kitchen chairs were

plucking at my pant legs

like over excited little dogs

humping a foot

it made eating almost impossible

 

I wasnʼt sure

what to do with the left overs

the fridge was glaring me

petulant

at being snubbed

in favour of the coffee maker

 

in the bathroom

the face cloth competed

with the tooth brush

to get in my mouth

until the towels

pulled them aside

to push me into the shower

they needed all my body wet

for the satisfaction they craved

 

I didnʼt have the moral strength

to deny them anything

they rubbed and dried

every square inch

 

the sofa was anxious for me to

snuggle in front of the TV

I had to watch

home decorating shows

about getting cute little throws

hints from the sofa

of what would make

our family complete

 

in bed the pillows

tenderly cradled my head

as the sheets twined around me

hungry for dreams

about coffee makers

https://wp.me/P1RtxU-2f6


http://www.queerslam.com

every Tuesday 2019


June  – Capturing Fire 2019 – Washington D.C.  capfireslam.org 

August 2-13: getting back to my roots in Cape Breton
Hey! Now you can give me $$$ to defray blog fees & buy coffee on my trip to Cape Breton – sweet,eh? paypal.me/TOpoet 

Hey! Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

Like my pictures? I post lots on Tumblr

https://www.tumblr.com/blog/topoet

 

The Ick Factor

The Ick Factor

you’ve used up my trust

yes I know you don’t mean any harm

no it doesn’t hurt

but I asked you to stop

because it is meaningless

yet distracting

it is like the tip of the iceberg

that small act

meant to be affectionate

that I can’t stand it

that I don’t enjoy it

represents your lack of respect

it means to you

that I don’t have a sense of humour

such is life

 

it’s not a control issue

on my part

it is the same as serving food 

you know I’m allergic to

then getting pissed off

when I refuse to eat it

or insisting on playing

music you know I can’t stand

just to be playful

to be annoying

because I’m so cute

when I’m annoyed

 

enjoy that memory

because if you can’t respect

my silly boundary

memory is all you’ll have


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Beat The Clock

Beat The Clock

1

moonlight so blue

it left no trace

on my skin

as his fingers

followed the flow

of the edge

where the blue

became pale flesh

the flow

where finger tips

were replaced 

with

teeth biting

 

2

this is not the time

no one will tell you

when the time is right

but when it’s wrong

you are told not what to do

but never what to do 

you’ll never be assured

because

everything you do is wrong

of course

over time

the right way becomes the wrong way

 

there is a right way

it’s for you to figure out

no one will tell you how

only punish you

for each and every mistake 

love will be withheld

opportunity will be denied

without explanation

no explanations will be forthcoming

until you do it right

perfectly

 

giving up is not an option

this is not the time

to give up

even if you don’t 

have the time

even if you don’t

give a fuck about what time it is

even if 

you don’t have anything 

to give up

you can beat the clock

but time always wins

and that bites

This piece is a little disjointed, so don’t worry about trying to make the two parts fit 🙂 They do but I don’t have the time to explain how. Both were prompted by the same rule. I wasn’t that happy with the first take so left it. The next day I took another run at. Part 1 is a sort of romantic, sensual moment that verges on gay greeting card. Pretty. In editing it I’ve made it a little less generic with the last last line. It could stand on its own.

Part 2 is a partially a play on words and partially a comment on assumptions. I have met an endless number of people in recovery who felt that when they were younger they missed the class where one was taught how to live & be happy. I often felt I lacked some key piece in the puzzle of emotionally relationships – apparently the same piece millions of people think they lack. A piece that no one can give them because everyone is looking for it 🙂 

 

Many on that search find fault with others on that search. Everyone is wrong when no one is right. We live in a culture where the ideal of the right ONE rules advertising, sitcoms, romcom – the search for the key to a last relationship. To opt out of that ‘search’ is nearly impossible. If one does they are seen as arrogant, misanthropic, and destined to be incomplete humans, failures at life. So giving up is not an option.

In editing I rearranged lines, added some, cut some and came up with an ending that is logical (to me) if a bit too clever. I like echo as a way of resolving a poem so the end of part two echoes the end of part one.


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Mompou and Revueltas

I find music in unexpected places. A few years ago I watched the excellent Spanish movie Cría Cuervos (Ana Torrent and Geraldine Chaplin). In it Chaplin is a pianist & she plays an etude over and over. The credits listed Frederico Mompou as the composer. I did a search & easily found the etude in a collection of his complete piano works, played by the composer himself. I also found the pop song by Jeanette that is featured in the film.

Mompou’s piano music is charming, playful, at times a little sentimental. Some reminds me of Gershwin’s etudes, a touch of Satie. There is, as one would expect, a distinct Spanish flavour to much of it with pieces that are variations on folksongs, dances, Chopin. I was happy to discover classical world music.

To this mp3 collection I added some work by Mexican modern composer Silvestre Revueltas – Music de Feria: a set of his string quartets & Troka: various orchestra compositions. I came across ‘Feria’ as 2nd hand cd at a store that was once around the corner from me on the Danforth. I enjoy string quartets & this intrigued me. Troka is a download when I wanted more of his work.

 

Both collections reflect rather than replicate his Mexican heritage. Energetic in some pieces, mellow in others. Clearly modern but not atonal. Rich harmonies, sweet melodies, & appealing. It is refreshing to find, in both cases, Latino composers who aren’t mariachi homages. There is an amazing range of excellent classical music outside of standard repertoire – these are two great composers to widen your horizons.

Plotless Outline

When I was turning twenty-three life was a lost treasure that I no map for, futility seemed a nice, kind way of looking at it – why bother – but I was driven at the same time to bother. A Doors song was my theme ‘music is your only friend’ and I believed that – I was a little town queer who felt isolated and threatened.

Lucky I wrote a lot – driven to expresses something. Though I never knew exactly what is was I wanted to say – I kept trying to say it. I had some booze buddies, musicians and poets. Smoked a few joints with them and hung out in my family’s basement. I had a room there decorated with Beatles posters, my paintings – art getting the inner out some how.

Drunken, near blackout fits of sex. Oops, what did we do last night, sort of stuff. Seeking and not connecting with anything other than the shame of being what I was with no one to share that with.

I became more eccentric as years went on but the patterns were really set then. The things that I held closest to me: music, books, paintings all around me. My writing and some friends who were more extensions of my fears & wants than companions.

Got a job at Famous Players thanks to the mother of my best friend Howard. Flo was box-office there & that was to be my position, it quickly became assistant manager & candy boy. Made lots of pop corn.

Gave me a steady income and some sense of being functional. Added at the same time to my sense of not fitting in. I think that was a big thing for me then, wanting to be like the others yet not wanting to be like the others. Wanting acceptance without wanting to conform to some pattern.

The year before I got the job hadn’t been that bad or good, aimless and pretending I was looking for some job to steady my Dad’s need to see me working and out of the house.

The folks were never that approving of my writing or painting – like many, they figured that stuff was only good if it made one lots and lots of money. Sex wasn’t discussed at all and I didn’t know how to go about telling them I was queer. It wasn’t till I was ready to leave the Cape many years later that I told them. Not that it was such a shock mind you.

Looking back I really didn’t know how to establish myself as a man, as an adult. Booze was one of those adult things but I felt I had to hide how much I drank & how often. Sad, but true. All those secret nooks and crannies.

Most of which had no real outlet then and there. Little was I to know what the journey of my future was to hold. But I survived wanting to wake up dead, wanting to end the confusion and pain and made it past 23 and even past 24 and finally here I am.

https://wp.me/P1RtxU-2f6


http://www.queerslam.com

every Tuesday 2019


June  – Capturing Fire 2019 – Washington D.C.  capfireslam.org 

August 2-13: getting back to my roots in Cape Breton
Hey! Now you can give me $$$ to defray blog fees & buy coffee on my trip to Cape Breton – sweet,eh? paypal.me/TOpoet 

Hey! Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2019’s capfireslam.org – sweet, eh? paypal.me/TOpoet

Like my pictures? I post lots on Tumblr

https://www.tumblr.com/blog/topoet

 

‘molten at the core’

Hot Damn! nears the end of its 5th spectacular season of slams and the hunger of the competitors is increasing – who wouldn’t want a trip to Washington DC to participate in Capturing Fire? The cabaret space at Buddies In Bad Times Theatre filled up quickly & the show got started nearly on time 🙂 Charlie Petch opened the show with a land acknowledgement, followed by a Welcome song by Kammy Alexson & friends. Of course Charlie’s sawed ‘Over The Rainbow’ took us into a queer wonderland of music, poetry, and slam blood, sweat & tears.

Lines from the open stagers and Round 1: a voice like wind chimes; a hole in my heart where you made me feel whole; they said my medicine was a fire hazard; a world of solo not soulless; nothing to hold on to but the hook; twist & shout all around penny lane; turning a person into a poem will not bring them back; none of this has cut you open to spill out the way it has me; I want not to miss you; we all felt we deserved it; thoughts like nesting Russian dolls; or do you mean your ally-ship is unnecessary; gotta break down to break through; playing games we didn’t create.

Feature: Inali Barger‘s set, was full of music, warmth and so many languages including sign. ‘I don’t want a translated interpretation of you;  reading your hands; the difference between boredom & passive aggression; some lost boys never get found; some parts of you only exist in private; the smell of place that hasn’t seen light in years; I’ve known so little about safety; soft as ashes but molten at the core. 

After a grief break things got started with more ppen stagers and right into Round Two: ancient fabric celebrates loses; I don’t know where I went wrong; remind me why we need community; ban the politicians; anxiety & I had it pretty good; they party on a tectonic plate; I want love without a lover; not all little girls are little boys all the same; cis-white boys shooting up schools; handshakes enough to feed us all; my dearest nightmare changed to a hallowed dream.

I’ve been to many, many shows and can tell when a performer is going to be on fire after the first two words of a piece and the night’s winner Fira Astrali’s piece about the addictive allure of toxic relationships nearly set off the sprinkler system. 

The final show of this season will be April 5. Mark it on your calendar & get to Buddies early if you want a decent seat.

for the open stage I resurrected an old piece

(line breaks imposed by WordPress):

Lament for Anna Nicole 

in the beginning was the word 

and the word was blond 

a blond who came striding
out of the sweet morning light
assured radiant reaching out
past the flock of photographers
to bring tender mercies to the world
a blond who hid fears frustration
in the twinkling wink of an eye
ready and ripe
to be a distraction for the world

here is the blond
the unattainable firm force of nature
on every tv magazine cover front page
all pondering the ways and wiles
of the soft hearted blond
who will be next
who was the last tail twist
in the trail of broken hearts

we follow 

our noses nailed to her scent
this glowing example
of what the ordinary can rise to
billionaires reality shows
who cares about cancer
when we have the blond
a rare creature of fine design
who can invade dreams
wrap legs around broken hearts

lead us out of loneliness 

by taking on all our loneliness
in a single furtive glance
away from the camera
a single shunning 

of the lime light 

for a moment 

that blesses us all 

the blond reeling and recoiling 

teetering on stilettos 

from the press of press
the lurch of bully boy interviewers
who want to expose 

the gold digger the drug addled bimbo
to show the world that the blond
is no saint 

merely another floozy chunky 

top heavy flabby doll
lucky to be in our sanctifying gaze
the blond gratefully accepts 

each slight 

by each slight she is elevated 

what comes next
what can be sacrificed now
there is no reputation left
the first born has been cut down
the blond has been shuffled off
in a shapeless body bag
leaving the newborn
a wash in a sea of whoʼs your daddy 

our father ?
is this the way the world ends 

not with a bang
but a paternity test

https://wp.me/P1RtxU-2f6


http://www.queerslam.com

every Tuesday 2019


June  – Capturing Fire 2019 – Washington D.C.  capfireslam.org 

August 2-13: getting back to my roots in Cape Breton
Hey! Now you can give me $$$ to defray blog fees & buy coffee on my trip to Cape Breton – sweet,eh? paypal.me/TOpoet 

Hey! Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

Like my pictures? I post lots on Tumblr

https://www.tumblr.com/blog/topoet