Harold Pinter


Harold Pinter taught me how to write dialogue as opposed to conversation. There’s a brief scene in The Homecoming where one male character offers to take a glass of water from a female character, she declines in a simple direct way that shows she knows she is in control of more than the glass of water. It is dialogue with text and subtext as a power dynamic shifts.

 

Over the years I’ve directed One For The Road; The Servant; The Hothouse; The Homecoming. Turned out I had a good sensibility for the pacing of his plays, which I found to be much dinner that perhaps he intended. I’ve also seen various productions of The Homecoming & have a great film version of it as well. 

He has done interesting things with narrative structure – in one play the events run from the climax to the on-set. In many of them there is sense of threat, sometimes unexplained. Motivation sometimes goes unexplained forcing the audience to participate in unfolding the plot for themselves. This has allowed me as a writer not to reveal but to intimate – the power of ambiguity. Not seeing the creature but hearing it is enough.

 

The language of his plays is never overly poetic, or intellectually obscure. He doesn’t go for punch-lines or for startling plot twists either. He doesn’t hesitate in making his characters suffer though – emotionally and physically.

 

 

In my staging I did bring my own gender spin. In The Hothouse I opted for a female head of the psychiatric facility  – changing some of the sexual dynamic; I did the same for the Homecoming – having the professor daughter bring her new husband home to the family. The plays were structurally sound enough to support this challenging decision – though I was criticized for lack of respect. What the hell Shakespeare is now done with total gender & race blindness & it survives  quite well. In fact such changes often charges the plays with layers of meaning that weren’t there in the original text or subtext.

None For The Road

no no really I couldn’t

I’ve had enough already

I‘ll have one later

it’s too early in the evening for me

after a few I break out in handcuffs

there is no such thing as enough

another always leads to another

I‘d rather be uptight than passed out

there aren’t enough excuses

there aren’t enough examples 

to make someone 

who doesn’t understand understand

 

so I don’t try

I don’t even get started

I just say no and leave at that

if they persist

I step back

does it really matter 

what I have in my glass

as long as I have one

that’s enough

it has become much easier 

after all these years to say no

that invisible shield of sobriety

does its job

keeps people away 

who only trust

someone who’ll hoist another with them

pay for a round

slip out for a quick toke maybe

 

no I won’t take one

because that one may take me

and trust me

you don’t want to know where

https://wp.me/P1RtxU-2f6


http://www.queerslam.com

every Tuesday 2019


June  – Capturing Fire 2019 – Washington D.C.  capfireslam.org 

August 2-13: getting back to my roots in Cape Breton 

Hey! Now you can give me $$$ to defray blog fees & buy coffee in Washington at 2019’s capfireslam.org – sweet,eh? paypal.me/TOpoet

Like my pictures? I post lots on Tumblr

https://www.tumblr.com/blog/topoet

Headlights

samprules2

Working through the  227 Rules For Monks.

Who knew the simple life could be so complex.

Headlights

the elevator door opened

there was a woman

alone

 

after a startled stare

she stepped back

to let me enter

 

I didn’t get on

I let the door shut

so she could continue

her ride alone

Hey! Now you can give me $$$ to defray blog fees & buy coffee on my trip to Cape Breton – sweet,eh? paypal.me/TOpoet 

Like my pictures? I post lots on Tumblr

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Lost on the Road to Clear Thinking

Lost on the Road to Clear Thinking

 

I couldn’t think clearly

for days

that seemed like weeks

weak with those thoughts

sorting resorting

each thought clouding things

even more

even more

each thought building on the last

another tangent

another possibility

murkier than the last

yet refusing to quiet

without the noise

it was as if life would end

 

lost was proof of direction

confusion was proof of intelligence 

the stupid are never lost in thought

the complicated are the bright spots

glimmering in the dense mist

of one idea one notion one misstep

after the other

clarity was for the simple minded

the intellectually challenged

 

it isn’t easy

to remain so invested in this

sorting and resorting 

but without it there would be

no one here

just a blank stare of serenity

Our culture spends an inordinate amount of time & money on finding serenity while at the same pushes the importances of consumerism. Getting more while enjoying simplicity is a modern dichotomy. If you are making money you are respected. If it isn’t making money it’s a hobby not a valid pursuit. But how can you afford yoga mats, stone serenity fountains unless you get to work. Of course the more your serenity fountain costs the more serene you will be.

Self-care is only for those who can’t afford professionals to do it with them. ‘The Learn to Relax’ workshop that costs $1200 is certainly better than one that costs pay-what-you-can. 

So you can see where some of the inspiration for this piece comes from – those mixed messages that often go heard but not really listened to, merely accepted without question. The morose are seen as challenges – men & women are often drawn to partners who need a little fixing up. Married to the right person will make a real person of you. You’re nobody until someone wants to change you.

Happy, well-adjusted people are seen as somehow lacking in emotional depth or are consider in denial. The depressive are seen as authentic – if you haven’t suffered enough you aren’t seen as interesting. If you haven’t experienced & survived childhood sexual abuse aren’t as compelling a writer, painter so what bother writing?

I am one of those, so far, lucky ones who have had a relatively blessed life. The only abuse I suffered was going up in an abusive culture. That ‘suffering’ has been mostly emotional & mental. Some name calling, bullying in school but that’s it. The worse physical abuse I went through was at the hands of alcohol in a culture that said booze was the best way to deal with anything. The alternatives: shock treatment, chemical castration – were considered viable treatment for sexually non-conforming teens at that time. I’m grateful that I avoided getting the help I might have needed then because that help would have killed me or left me with a blank stare serenity.

 

Hey! Now you can give me $$$ to defray blog fees & buy coffee in Washington at 2019’s capfireslam.org – sweet,eh? paypal.me/TOpoet

The Social Godzilla

 

This mp3 collection runs at over 7 hours of mainly amazing soundtrack music. Starting with The Best of Godzilla: 1954-1975; 1984-1995 w: Jack Nitzsche: The Reprise Recordings; The Social Network: Trent Reznor & Atticus Ross; Contagion: Cliff Martinez; Traditional Japanese Kodo: Satomi Saeki; and ending with Looper: Nathan Johnson.

 

 

The Best of Godzilla are both double cd editions that covers music from not only Godzilla but Mothra, Hedora, Gigan & others. They cover such classics as Godzilla Vs. Megalon; Godzilla Vs, Spacegodzilla. John Williams has been clearly influenced by these soundtracks with their military marches, sweeping moments of victory. Often some faint traditional sounds filter through. I am particularly fond of Mothra’s Song. Music by ‘The Peanuts’ who sing it is hard to find though.

I have searched out more by some of the Japanese composers of these various soundtracks & have enjoyed exploring their modern classical work. Which how the Koto music was added to this collection – to balance the Godzilla with the real 🙂

Jack Nitzsche is a Hollywood tragedy – he worked with people like Neil Young; created memorable soundtracks for films like One Flew Over the Cuckoo’s Nest; but thanks to drugs never became a ‘star.’ The Reprise set is some of his unused film music, instrumentals & a few songs. Sweet music made sad by his inability to survive the entertainment industry.

These are more modern soundtracks: Trent Reznor & Atticus Ross: The Social Network; Contagion: Cliff Martinez; and ending with Looper: Nathan Johnson. I’ve seen all three movies & enjoyed them. I downloaded Contagion after seeing the movie on TV; I had the Social Network soundtrack well before seeing the movie; Looper came after watching the dvdd that included a short on the making of there soundtrack. Network & Contagion are electronic & interchangeable 🙂 Contagion has perhaps a but more tension. Looper is soundscapes contracted from various percussions & found sound. All three work independent of the movies. All make great soundtracks for daily life, sweet for sex too.

Love

The TV was off. Jimmy stared at the screen. What colour was it. Black. Grey. Charcoal. A non-colour what ever it was. Blank empty but ready to leap into colour at the touch of a button. Why was that? Why was there no colour now. Just the dust that could never be wiped off for more than five minutes.

The TV was off.

The room was silent. Very silent. Muffled with dust it seemed to Jimmy. Was dust settling on me. Am I covered with dust? No, with microbes. I saw that on the TV. Flesh is covered with billions of live mites all scurrying around in worlds of their own. Do they see the TV? Are they aware of the change from light to dark, from colour to no colour?

Should he get up? Yes, that would be a good thing. To move. To wade through the air around him. The air was full of things too. Dust motes, skin flakes floating to the ground; shedded, shredded bits of him, of everyone who had even been in that room. The room crawled with them. 

The past has no real colour only dust. 

It wasn’t late. He could watch some more TV. That would be nice but what was the point. It bored him. Even the image of his flesh crawling with worlds he couldn’t see bored him. The dust bored him. Bored him more than anything because he could never escape the dust. He could leave the TV behind but there would always be that dust. It would trail him his whole life. He might re-arrange it but never ever be rid of it.

So he stood. Into the dark of the room. Time to change that light-bulb. It’s been a week now since it burnt out. Funny he hasn’t really felt the need for it. One less thing to clutter his life. There’s enough light from this lamp in the hall. Yeah. Now what. He’s up and moving. Kitchen. Food. 

Food bored him.

So this is what it’s like to be in love. Everything is boring. All the things that I once was fascinated by now bore me. They seem so lifeless. So immobile and dull, dusty. Dust will never settle on my love. Never. Where was she? She’d be home soon. A few minutes, half-an-hour.

He would get food ready for her if he could reach anything. He’d change that light too if he could only reach something. Anything. But why bother. She could reach those things easily. Enjoyed doing it too for some reason. Liked to reach & stretch.

Yes stretch, that is a good idea. Time to stretch. maybe go back into the living-room. No too dusty. Needed a room with less dust. 

Water. Yeah water would be good right about now. Was there any. He could hear a tap drip. Can’t reach that.

Some in his bowl though. There had to be some there. Yes, there was. Just the right temperature and no dust on it. That’s nice for a change.

She would be home soon. Fresh water.

https://wp.me/P1RtxU-2f6


http://www.queerslam.com

every Tuesday 2019


June  – Capturing Fire 2019 – Washington D.C.  capfireslam.org 

August 2-13: getting back to my roots in Cape Breton 

Hey! Now you can give me $$$ to defray blog fees & buy coffee in Washington at 2019’s capfireslam.org – sweet,eh? paypal.me/TOpoet

Like my pictures? I post lots on Tumblr

https://www.tumblr.com/blog/topoet

 

Prometheus at Hot Damn

Hot Damn! started 2019 with a packed room workshop at Glad Day and a SRO house at Buddies in Bad Times – both driven by feature Regie Cabico. The participants at the workshop wrote & shared some excellent work on the spot – the level of trust among people who had never met before was encouraging, as was the diversity of the participants.

When I got to Buddies to help Charlie set up there were people already clambering to get in 🙂 so the house opened fifteen minutes earlier than usual, I did front of house & it was full enough to start the show a little after 8 (nearly on time for a poetry show). Standing room only by 8:15. Also a full sign-up sheet for slammers – 11 – a Hot Damn! record.

After some opener stagers the first round got underway with a series of politically & emotionally pieces that held nothing back on gender, indigenous, & local political issues. Round two had fewer slammers (lowest scores didn’t get to move forward) and the tone of the pieces became more reflective, personal but equally as direct and powerful.

Lines from the first part of the show: my tongue was not enough’ ‘the swish of sari silk’ ‘I could taste blood’ ‘I fell in love with a crack dealer’ ‘you are the art work of past lives’ ‘our medicine made illegal’ ‘give up your cottages and give us back our land’ ‘what he really should have admitted to you before you married’ ‘I only knew how to see you as a moving disaster’ ‘nobody giving me room to make mistakes in’ ‘betrayal tastes like fennel and sage’ ‘my neighbourhood becomes a trigger warning’ ‘you ask me if I’ll forgive you’ ‘I pray you get your forgiveness but it will never come from me’ ‘I say to them – it’s not your table’ ‘you still here with me like a cloud in my mind’ ‘as if money could regenerate our roots’ ‘I’m not sure how to tell your dad that you’re gay’

Feature Regie Cabico did a strong set drawing from his recent chapbook ‘Sticky Stars & Sheets.’ Funny, deeply personal, very sensual & inspiring. ‘jack-off in the name of leukaemia research’ ‘the warehouses are lit by flames of vodka’ ‘you will not pluck my pancreas like Prometheus’ ‘you hold me like an oar directing my past’ ‘we run like suitcases on wheels’ ‘two lonely Tony’s from West Side Story’ ‘his calf … stretched out before me like Florida’

This is not my first review of Regie though: Spoonful of Beautiful https://wp.me/p1RtxU-d2. We’ve enjoyed each other’s performances in the past so I may not be impartial – but the audience was so enthused so my review isn’t exaggerating his set. 

After a much needed break the show resumed with a few more open stagers & the final round of the slam; ‘I need a place to sit to get perspective’ ‘they’re asking me if I have a gender identity’ ‘never more than genetic coding’ ‘baby shoes take me back to memory like a phantom limb’ ‘too many of us seeking help’ ‘this body is not a temple you are invited to’ ‘my mess you speak to’ ‘oozo ozone’ ‘even my now voice is too heavy to raise’ ‘confuse tenderness with love’ ‘saying gay people should die while getting off on lesbian porn’ ‘it just isn’t about sex anymore’ ‘hidden by ink and time’ ‘the space between fingertips & footsteps.’

Scores were tabulated, prizes were given. Yes, there was a winner, who gets to compete in April for the grand prize: the trip to participate in Capturing Fire (dates tba, soon) but the real winner was the audience. Next Toronto Hot Damn! is March 7. 

(above blog pics are of construction by Buddies)

the piece I wrote at the workshop – rough draft –

Resume

Henry texted me

he was told to stay home

he’s afraid

he’ll lose his job

Henry is one of my lovers

we have been seeing other

every week or so

for over three years

 

I want him to feel

cared for

but I have no solution

for his situation

other than acknowledging his stress

 

I like Henry

but I do not love him

he wants job security

not love

 

it is hard to breathe 

in the workshop

so many perfumes

I’m glad I have no

environment allergies

 

the tenderness of

Henry’s slow kisses

is what I love

 

the tentative tongue start

draws us

into each other’s bodies

 

I love his tongue

but can’t pronounce his last name

Mwawasi

unless it is in front of me

 

in Cape Breton this summer

I will visit

my parents graves

I wasn’t there when they died

they won’t be here

when I die

they will never see my grave

 

Henry texts

he is going to bed

I hope he sleeps well

that he dreams of our kisses

not of rewriting his resume 

Hey! Now you can give me $$$ to defray blog fees & buy coffee on my trip to Cape Breton – sweet,eh? paypal.me/TOpoet 

Buffy Season 5

Spoiler alert – I will be revealing crucial plot points so if you haven’t seen season 5 be warned. Of course that fact that there are two more seasons spoils the finale, in which Buffy dies, anyway. The season presents, to me, the best Buffy villain yet with Clare Kramer as Glory. The actor is great & her scenes with Buffy crackle with great energy. She was like Cordelia with super evil powers.  

The season starts with Buffy vs. Dracula – one of those about time episodes it also introduced Buffy’s younger “sister”, Dawn, played by Michelle Trachtenberg. Talk about confusing. It did the writers a chance to work with easy family cliches as opposed to the Slayer mythos. The big reveal was well planned & well written to. The departure of Riley, Marc Blucas, was welcome as that ‘relationship’ was tedious & distracting. He was great eye candy but I never felt invested in him as a character.

It was a season of duality – many characters were two people, emotionally or literally – Zander get a double; Dawn is a sister & the Key; Glory is a god & Ben a mortal; Buffy is a Slayer & a parent, Spike is a  mess of emotions. Multilayered characters that drew me in & who never disappointed.

The death of Buffy’s mother, Joyce, was not unexpected & unlike many characters – she dies of natural causes. The emotions felt real and the emotional quandary for Buffy was well written & Sarah gives an amazing (& underrated) performance.

I loved the robot episodes, Zander’s double was great. Any appearance by Glory was satisfying. The morning of her dual nature was great fx & the flip between both of her/his halves int he finale episodes was very effective. I was sorry to see them go. I loved Joel Grey’s arc & I was sad to see that he doesn’t return in season 6.

I can’t say this is the best season but after the mess of season 4 it was a great return to form. 

All’s Well Bellicose

it’s not me it’s them

its a war zone out there

no safe haven 

to stop and breathe in

who wants to breathe 

the air out there

standing in what sort of shit

no place to rest 

to put down the gun 

for even a minute

random bullets materialize in the air

when you are walking down the street

looking for a burger joint

for a corner to piss in

and bang

 

if the bullets don’t get you

the burgers will

you’re all out to get me

people everywhere cough sneeze

wipe damp hands 

on door handles I have to touch

grimacing at me

at my gun

over their newspapers

cranking up their mp3 players

so I can’t hear mine

daring me to shoot 

as they light up a cigarette

as they push ahead of me 

to get their death burger faster

fast food being too slow for them

tearing off price tags

ripping books to shreds

pushing their way 

down crowded stairs ways

jumping at me with atomizers

when I enter a department store

try this sir

what’s your favourite blood 

I like the smell of 

cosmetic salespersons blood

do you have anything like that

or something that smells 

like fast food counter help

that empty fried fresh aroma

that tingles the taste buds

something that makes people hungry 

when they smell me

 

it’s not me it’s them

I set out peaceful almost serene

avoid the unscooped spots on the sidewalk

even manage a smile at the barista

who would smile back

if she weren’t afraid it slow her down

and the swish my coffee enough

to make sure the lumps of milk 

and sweetener have dissolved

and I’m happy for the first sip

until the lid pops off 

and I have to watch 

the slick scum cling 

to the sides of my cup

as I sip sip sip to the last drop

 

I am now ready for anything and everything 

that is out to get me

I won’t fight back too much today

I want to be a power of calm

in all this mindless 

staggering 

stumbling 

hurry around me

to step out of the way

resist saying have a nice day

resist saying fuck you too

resist kicking cars 

that stop in the crosswalk

as if they owned the damn streets

 

to know that even if this a war zone

all is well with the world

Like my pictures? I post lots on Tumblr

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https://wp.me/P1RtxU-2f6


http://www.queerslam.com

every Tuesday 2019


June  – Capturing Fire 2019 – Washington D.C.  capfireslam.org 

August 2-13: getting back to my roots in Cape Breton 

Hey! Now you can give me $$$ to defray blog fees & buy coffee in Washington at 2019’s capfireslam.org – sweet,eh? paypal.me/TOpoet

Like my pictures? I post lots on Tumblr

https://www.tumblr.com/blog/topoet

 

Architectural un/Digest/able

samprules2

Working through the  227 Rules For Monks.

Who knew the simple life could be so complex.

Architectural un/Digest/able

The White House

architecturally speaking

holds no interest for me

big sprawling 

designed to impress 

not to live in

history was made there

apparently

 

but to me

it isn’t even a photo op

merely a symbol 

of promises unkept

of hopes betrayed

needs ignored in favour of profit

not for progress

 

I’ve seen it from a distance

that’s close enough for me

Hey! Now you can give me $$$ to defray blog fees & buy coffee on my trip to Cape Breton – sweet,eh? paypal.me/TOpoet 

Like my pictures? I post lots on Tumblr

https://www.tumblr.com/blog/topoet

MRF I Monster

Next is an mp3 collection of over 7 hours is an assemblage of current electronica & pop. I sometimes get this urge for this decades cultural & this is the result: I Monster: Neveroddoreven, A Dense Swarm of Ancient Stars; MRF: Elevator Music, Mob Music; Mark Ronson: Uptown Special, Version; Black Rivers; Kate Pierson: Guitars and Microphones; Flight Facilities: Down To Earth; Jimmy Somerville: Homage.

 

Someone on my Tumblr feed posted a couple of tracks by I Monster – electronica with some dance components, some experimental. Unsettling sonic landscapes, along with pretty, nearly new age moments plus a sense of humour. Good engaging music for Moby, Lemon Jelly fans.

I found MRF thanks to Facebook. The band responded to one of my music reviews a few years ago but sending me a link to a free mp3. Jazz, pop, emotional – sax centric music. A step above lounge with great covers, strong regional material. Lead by Mike Flanagan who is a very hot, gay, bearded talent on sax and keyboards – MRF is easy on the ears & worth downloading.

Mark Ronson is a consistent top 10 pop performer, – is he a remixer, a dj? These sets are mainly collaborations with the likes of Bruno Mars, Mystical, Santo Gold etc. Nicely structured songs, bouncy, a dash of rap, some electronica that is well produced & serves up those hits than become golden oldies. Music you can dance to at weddings.

Black Rivers is a side project by members of Doves – more of their dark, emotionally intense adult pop worth listening to. Flight Facilities is a pop-electronic group similar to Chicaine that I discovered via the Red Rocket Coffee FB page. Nice background music for sex.

Not all new music is made by ‘unknowns’ 🙂 Kate Pierson is/was a member of the B-52’s who has finally done her solo lp. Solid music but kind of faceless at the same time. I was hoping for a bit of the B52’s retro energy. Jimmy Summerville (of Bronski Beat ) pays Homage to the day of disco glitter with this fine, fun set. His voice is in good form & the songs are romantic, openly queer & here to stay.

Heart of the Morning

She could smell it. Fresh and sweet. Not to far away either. More than one.

‘Mmmm.’ She hummed to herself. Each breath made her pulse  beat a little faster. ‘Smells  so good.’

The morning mist over the park began to dissipate as the sun broke through the clouds. Reds, yellows, pinks infused the grey air around her.

‘Looks to be a good day.’ she said to no one in particular. ‘A good day indeed.’

She stretched, flexing her calves and ankles after the six laps around the park. Sweat soaked her T-shirt. She held her hand out and saw the sweat rise in a mist from herself. ‘Smokin’. I’m smokin’ today.’

She took several more deep breathes. ‘Mmmmm.’

She could smell it. Fresh and getting closer. Not what she had expected, at least not so early in the day.

Four children scampered into the park. Chasing each other and screaming. An adult followed close behind.

‘Hey.’

‘Hey.’

‘Hey.’

‘Hey.’

Their shouts scattered the pigeons from the underpass. She breathed deep in their direction.

‘Ah, so it is them. Young too. Easier to handle.’

The adult with them was a man, one of their fathers? No, an older brother.

‘Morning.’ She spoke to the brother. ‘Good day to be up and out so early.’

‘Yep. Hey Greg slow down.’

‘Kids.’

‘Yeah.’ the brother flashed an amazing white smile. Dark black hair.

‘Enjoy.’ She wanted to follow them, follow the smell of their youth. Fresh and sweet. Blood that would taste so fresh if she could only get it. Just one heart would do. Didn’t matter which one, did it? The smell wasn’t as strong on the brother as it had been on the youngsters.

The sun was out full now. She pulled her hood up and did a couple of knee bends and started to trot off in the opposite direction. Or at least she thought it was the opposite direction.

‘I must be going in circles.’

She found herself round a corner and into the path of the galloping children. Two girls, two boys with the old brother not too far behind.

She lowered her hood and stopped to allow them to rush past her. Didn’t want to bump into one, not yet. What time was it? Did they make this take this route everyday? She’d have to come back here tomorrow morning. Get them comfortable with her. Time to feast and the gods were bringing the right sustenance at last. Fresh and sweet. Not ripe, not tired of anything and ready to leap into life.

Ready for her to reach out and scoop out their hearts. Mmmm breakfast of champions.

https://wp.me/P1RtxU-2f6

January 10, Thursday: 8 p.m. Hot Damn! Its’ a Queer Slam – Buddies in Bad Times Theatre: feature Regie Cabico

http://www.queerslam.com

every Tuesday 2019


June  – Capturing Fire 2019 – Washington D.C.  capfireslam.org 

August 2-13: getting back to my roots in Cape Breton 

Hey! Now you can give me $$$ to defray blog fees & buy coffee in Washington at 2018’s capfireslam.org – sweet,eh? paypal.me/TOpoet

Like my pictures? I post lots on Tumblr

https://www.tumblr.com/blog/topoet

 

I Was A Teenage Coward

My sense of masculinity growing up was never up to the rough-and-tumble masculinity that was expected of me. I never lived up to those unquestioned imperatives. Some of this was because we moved east from Manitoba for a couple years making it difficult for me to establish ‘buddy’ friendships with other boys. When we did settle in Sydney, Cape Breton we changed neighbour hoods at least two times before settling in a third.

I did many ‘boy’ things mind you – rode my bicycle everywhere, played backyard baseball with a bunch of kids near by. But was never a fighter. I got into a couple of fistfights but it was easier to avoid them. So I never establish a position of respect amongst boys (or as I felt, with my father.)

Because I was never a fighter I was called ‘yellow,’ ‘coward’ long before I was called ‘gearbox,’ ‘queer.’ Being queer was to be less than a man, to be feminine – a girly-boy who would never be considered masculine & thus to be derided, ridiculed etc. There was no support system for ‘otherness’ other than becoming a butch fisted boxer to eat the shit out them – which wasn’t going to happen. I’m glad that I didn’t get the help that I needed then because sexually confused teens were given chemical castration, lobotomies to make them non-threats the fabric of wholesomeness.

That feeling of being a coward has never fully left me but I’ve just finished reading Mad Blood Stirring: The Inner Lives of Violent Men by Daemon Fairless. The book addresses the nature of violence as a means of defining masculinity. A definition that is culturally approved. The drag queen that beats the crap out of homophobes is respected, the one that minces away to avoid conformation is not respected.

Mad Blood Stirring is an excellent book, part case study, part interviews with ‘violent’ men, part the author’s own journey to discover the roots of his own violent nature. He recreates incidents of violent confrontations so vividly that I could feel the emotional rush that pushed him over the edge. As I said this is an excellent book well worth reading even if one isn’t a man or violent. 

That fact that I didn’t take the bait of confrontation wasn’t because I was a coward but because I was already stepping out the cultural imperative that manhood is only in the fist. Or maybe I had a testosterone imbalance 🙂

(one again WP does weird things to lines breaks)

The Killer In The Morning 

with a harsh shout 

the killer awoke from a dream
someone smothering him
a pillow over his face 

when heʼd killed 

he never used a pillow
or anything that hid the face

the best part of the kill
was in the eyes
that I canʼt believe you are doing this 

combined with the actual pain
as his hands crushed 

the wind pipe squeezing
hollow bones in his strong hands

he could crush an apple
the hardest granny smith
heʼd hold it up so juice 

splashed his face 

like a warm summer shower

cleaned and ready 

the killer sat at his kitchen table 

looked out at the sunny day
at people on their way to death 

death at his hands 

maybe not right now 

but soon sooner than they expect
at least one of them would die today

he knew that
the knowledge armed him
gave him power
gave him a reason to live
to be there amongst them
each of them ripe for his desires 

the headlines no longer cowed them 

they had little fear
a killing a day
the papers screamed 

who will be next 

the tv clatter box went on and on 

flashed from his latest victim 

to breakfast cereals
that would help you lose weight

ha he laughed to himself
I have a program
thatʼll give you a permanent weight loss 

donʼt bother calling
Iʼll find you today
it is a good day to die

https://wp.me/P1RtxU-2f6

January 10, Thursday: 8 p.m. Hot Damn! Its’ a Queer Slam – Buddies in Bad Times Theatre: feature Regie Cabico

http://www.queerslam.com

every Tuesday


June  – Capturing Fire 2019 – Washington D.C.  capfireslam.org 

August 2-13: getting back to my roots in Cape Breton 

Hey! Now you can give me $$$ to defray blog fees & buy coffee in Washington at 2019’s capfireslam.org – sweet,eh? paypal.me/TOpoet

Like my pictures? I post lots on Tumblr

https://www.tumblr.com/blog/topoet

 

The Echo

samprules2

Working through the  227 Rules For Monks. Who knew the simple life could be so complex. This another of the 92 pācittiyas.

The Echo

because I disagree

doesn’t mean you are wrong

 

seeing things differently

doesn’t mean I know better

our ideological differences

ultimately don’t mean anything

minority majority

there’s always a power disparity 

yet your control over me

is still limited 

I may not be in charge

but neither are you

as we are caught in this dance

of conformity

 

there are noisy 

spokespersons on all sides

who shout down each other

as to who is right wrong

when the loudest wins

its only the echo

of what could have been

Hey! Now you can give me $$$ to defray blog fees & buy coffee on my trip to Cape Breton – sweet,eh? paypal.me/TOpoet