The Rolling Stones 2

After the death of Brian Jones the Stones moved in a slightly different direction as they adjusted to a new guitarist. Then when this hit the 80’s they seemed to get lost & their lps became more aimless – shall we say, uninspired attempts to remain relevant.

As either stand-alone or mp3 I have Let It Bleed (1969), Sticky Fingers (1971), Exile on Main Street (1972), French EPs, Goats Head Soup (1973), It’s Only R’n’R (1974), Black & Blue (1976) Some Girls (1978) Deluxe Edition, Emotional Rescue (1980), London Singles Collection (2002), Blue & Lonesome (2016).

Bleed & Fingers are well focused & have some of the best writing of their career. Richard’s guitar work is often amazing & I find myself going back to these lps with great pleasure. The set of French EP’s – as you might guess, were released in Europe & each had 3 songs on them – the mixes are different from the lps versions. They ended with the release of Exiles. The London Singles Collection – 3 cds that ends with Sympathy for the Devil. The singles were mixed for radio & the sonics are different & in some cases totally different from the lps versions (Honky Tony Women) – some were never on lp (We Love You/Dandelion) well worth having, whereas the French EP’s are for fanatics lol. Blue & Lonesome  (2016) is their last new release – they return to their roots with a fine set of blues. 

Rounding out the mp3 collection are The Troggs: Trogglodynamite (1967) best known for Wild Thing The Trigs never made it big in the USA but were relatively popular in Britain. Solid bar band stuff. The Rumour was Graham Parkers backup band for many years I did some recording with out him: Max (1977) is an excellent set that shows the band didn’t need him. 

The Beach Boys: Smiley Smile (1967) – more a cult favourite & the studio sessions that nearly destroyed the band. Sweet & sonically dense. Wolf Call! is a fun compilation of various rock-a-billy songs. Rock-a-billy being another of the prime influences on British rock. As are The Esquires: Very Best of  (2012) with funky songs like Get On Up, this is the sort of funky sound the Stones tried to achieve but failed. 

Secos & Molhados is an innovative Brazilian glam-rock band that defies real definition. YouTube videos are wild, the music is tight, rocky, experimental & fun. I have A Volta do Gato Preto (1988). Finally U2’s Songs of Innocence (2014). not one of my favourite bands but they were forcing this lp free on anyone, even those who didn’t want it I opted take it lol. Solid rock but unexceptional.

 

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Henri et Heitor

Henri Vieuxtemps (Belgian 1820-81): Violin Concertos. I bought this way back in 2004 at HMV where they had a table or reduced-price classical cds. I like violin concertos so I picked it up knowing nothing about the composer. I’ve played it several times since then but to be honest I have no recollection of what I heard 🙂 The music is pleasant enough that I’ve kept it in my collection. It’s the sort of thing you might hear on CBC radio & think ‘that’s nice.’ At Vieuxtemps’ funeral his violin was carried upon a pillow behind the hearse carrying his body.

Heitor Villa-Lobos (1887 – 1959) Brazilian, wrote over 2000 works by his death in 1959. If you’ve never heard of him, chances are you have heard him but not realized it was his music you were listening to in the background of some movie or TV show.

I have as stand-alones his Complete Solo Guitar which includes Bachianas Brasileiras, Piano Music Vol 4, Piano Music Vol 5, String Quartets Vol 6. Although I tend to be a completest I was content with this selection of his works. I think I first heard his music as played by Andre Segovia; then some of it ‘smuggled’ by various progrock groups; as well as jazz takes by Chick Corea & others. 

Like many composers he makes extensive use of folk melodies but unlike, say, Smetana, doesn’t turn them into epic patriotic melodrama. Playful, thoughtful & romantic his melodies are ideal for musical exploration & easily adapt to tango, rumba or bossanova. 

For many years I was unaware that he wrote for anything other than guitar, & was surprised to find that the piece of his I liked was adapted from his piano music. So I added some of that to my collection & decided to try some of his string quartets – which are excellent, if you like string quartets. 

If you find his latino influence a little too controlled by classical structure you should try Piazzolla or even Sivuca for a ‘juicier’ classical experience. 

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Yusef Lateef plus

Lee Konitz (1927 – 2020) Brazilian Rhapsody (1995) focuses primarily on Brazilian standards. Konitz is a solid, lyrical sax player – inventive without being jarring. Here he does sweet work with some of my favourite Latino standards: Manha De Carnaval, A Felicidad – romantic without being cloying.

Yusef Lateef (1920 – 2013) Over a 2cd mp3 collection I have Lateef’s complete recordings from 1957-1963 – as well as Towards The Unknown with Adam Rudolph. Plus, in another collection, his later Eastern Sounds, Blue Yusef, Lateef’s Sound, In A Temple Garden & stand-alones Psychicemotus, Golden Flute. Also, in the mp3 collection, just for fun, is Logan’s Run (soundtrack) by Jerry Goldsmith.

I think In A Temple Garden was my introduction to Lateef – an impressionist mediation with temple bells that invokes quiet afternoons in another world – verging on new age but with real jazz underpinnings.  I picked it up as an lp & returned to it frequently. I picked up  Psychicemotus, Golden Flute two of his mid 60’s verve recordings as cd reissues with great liner notes. These are excellent with touches of world music & even a take on Gymnopedie #1.

The recordings from 1957-1963 are a more recent additions. I bought them from iTunes for under $10.00 – many of jazz recordings from the 50’s, 60’s are now public domain & you can find massive reissue collections like this to download cheaply. This one was sorted nicely into the individual releases with covers. Some are dumped with to regard to original lp order.

From 2010 is Towards The Unknown with Adam Rudolph. A fascinating collaboration that includes songs, orchestra & jazz combo – smart compelling modern music. He is a sensitive musician – sax, flute even keyboards – who explores with a lyrical sensibility that is always inviting & rarely dissonant.  If you are unfamiliar I would recommend starting with those Verve reissues.

Jerry Goldsmith’s Logan’s Run is a total delight. I watched the film, again, a few year ago & the synthesizer work is outstanding & totally captures the the early 70’s sound as well as the sense Hollywood had of what the future would be. Both are worth seeing/hearing.  

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Swami Hart and Beyond

One Christmas many years ago a friend gave me Antonio Hart’s (alto saxophonist) Don’t You Know I Care that he had picked up at a yard sale. It was just the cd – no jewel case. Pleasant & non-challenging jazz – solid playing, sweet arraignments & great starter for someone new to jazz. I created an mp3 version for a fun collections of jazz (& other) classics.

Some of these musicians I knew by reputation, others I searched out after seeing lp covers posted by an lp cover Tumblr one halloween 🙂 So here is Horace Silver (piano): Horace-Scope, Song For My Father – swinging, exploratory & emotional work that I enjoy more each time I hear it. Horace-Scope was the spooky cover & I added Father to hear more. It was Archie Shepp’s (saxophonist) The Magic of Ju-Ju cover that lead owing loading it. I add his The Way Ahead as well. This too is solid, swinging at times, challenging & occasionally dissonant but worth having. Shepp’s work with Abby Lincoln is worth searching out too.

The title of dummer Philly Joe Jones Sextet’s Blues For Dracula is reason enough to add this one. Propulsive & aggressive there is nothing scary here except the quality of playing. Not easy listening by any means & great for writing. The same is true for Jackie McLean’s  (saxophone) Demon’s Dance – it lives up to the cover & the title. Restless music for restless creative minds.

Also here is Steve Marcus’s  (saxophone) Tomorrow Never Knows – this is an excellent jazz exploration of 60’s psychedelic pop. One track has the sax riff that propels Gerry Rafferty’s Beaker Street. This is a lost classic lp that deserves a resurgence. Be warned this is not an instrumental walk-though of 60’s pop – the group peoples these pieces inot our bop & it is well worth the listen. Unlike Herb Alpert & The Tijuana Brass: Best Of – which are nostalgic & safe for family listening.

To lighten the mood of this collection & also Ron Goodwin’s soundtrack music for Miss Marple, Lancelot, Force 10 – the Marple is jolly fun, the other two are heroic action music. Finally is  Swami Jr. (Brazillian acoustic guitar player (7-string)) Mundos e Fundos – Jr is an amazing guitarist I found out via … well, I’m not sure how found him but the name made him worth checking out. I have a few lps by him each is romantic & satisfying He’s worth checking out.

more of the very rough draft from Isle St. Nuit

Mike hated airports. Too many people going to places he’d never go to. Too many announcements. he checked his ticket print out with the constantly flickering board of arrivals and departures to double check he was heading in the right way, to be sure they hadn’t changed the gate, the flight number gate. 

Twice he’d been startled by the appearance of large black men who were the shape and size of Xavier. His heart raced till he got a good look at the face. As if this would be how it would continue – him running into Xavier at the airport on his way to somewhere.

What would he do it if that had happened. Throw his arms around him. What if Xavier acted as if he’d never seen him, which was most likely what woud happen. Yet he hoped even that would happen. Just  for one more look.

They would glance, Xavier would nod to the washroom and Mike would follow eagerly. Put his bag down t to be taken away by the ever alert airport security. 

Mike would follow Xavier into the handicapped stall – one big enough for two men. Xavier would already be there. Unzipped. Hard. Mike would drop to his knees and ….

“Flight 560 for Halifax now boarding at gate 9. Flight 560 for Halifax now boarding at gate 9. All passengers needing assistance should report to the gate now. thank you. Le vol 560 pour Halifax embarque maintenant à la porte 9. Le vol 560 pour Halifax embarque maintenant à la porte 9. Tous les passagers ayant besoin d’aide doivent se présenter à la porte maintenant. Merci.” 

Mike hunched his shoulder, pulled his shoulder bag closer to him. Finished his coffee and walked through the door to gate 9. 

In the plane he kept his eyes on his magazine. He didn’t want to look out the window. Didn’t want to see the city disappear with so much of himself still there.

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January

Thursday 23 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre – featuring ‘Yes The Poet’ https://www.facebook.com/events/577900226377507/ 

March
March 5 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

April
April 3 – Hot Damn! It’s Queer Slam – Season 6 finales Buddies and Bad Times Theatre

May

Richard III – Stratford Festival

June  – Capturing Fire 2020 – Washington D.C.  capfireslam.org 

July

All’s Well That Ends Well – Stratford Festival

Hey! Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

Joe Jackson

 

There was an 70’s wave of British punk/power/soul popsters that included of Elvis Costello, Joe Jackson & Graham Parker. Each made a place for themselves, at the time, & each after their initial break through took their own creative journey. All are still recording.

Costello went from nerdy threatening to fairly sweet mainstream. Parker stayed closest to his r’n’b roots. Joe Jackson explored & moved away from his punky snarl through so many styles he was a chameleon. In my collection I have as stand alone: Look Sharp!; Night & Day; Jumpin’ Jive; rain. In an mp3 collection is I’m The Man; Beat Crazy; Will Power; Big World. 

I remember those first couple of lps & having ‘discussions’ with friend as to who was better Costello or Jackson. Both had a nice streak of romantic snarkiness, punchy delivery, clever lyrics. So there is no clear winner 🙂 Jackson was more ‘dangerous’ though & still carries some of the punk edge. I was amazed when he embraced small combo big band with Jumpin’ Jive & Beat Crazy. Two albums I love for ether sheer joy. Will Power is his classical flirtation which is okay – Costello recorded with a string quartet – so they are even on the score. Big World he tries latino & other influences nicely. The more recent ‘rain’ is comfortable but to me, undistinguished.

To round out the mp3 collection I included Otto (Otto Maximiliano Pereira de Cordeiro Ferreira). He mixes traditional popular Brazilian genres with electronica, drum and bass and rap. I first saw the amazing video for Bob, from his first release Samba Pra Burro (which I do have in yet another mp3 collection). Here are his Condom Black; Sem Gravidade; Certa Manhã Acordei de Sonhos Intranquilos. His singing is emotive, the engineering is brilliant & he is a hottie. Finally here is Nation Beat: Legends of the Preacher – another Latino band out of NY (a successful fusion of Brazilian maracatu drumming, New Orleans second line rhythms, Appalachian-inspired bluegrass music, funk, rock, and country-blues) I love their cover of I’m So Lonesome I Could Cry.

 Sleep

‘Let’s check it now.’

‘Look, it’s nearly 3 a.m. Let’s get some sleep and we’ll check the tape in the morning.’

Frank was already plugging the cable connector from the camera into the back of the TV. ‘Tom this is what we came here for. We’ve been doing that jungle walk for two weeks and now we finally have something.’

The screen came to life. Murky movements jumped back and forth.

‘Worse than the Blair Witch.’

‘You try sometime then.’ Tom snapped back.

‘Sorry I was just …’

The picture came into focus. The sound was muffled, distant.

‘Shit!’ Tom hit the top of the TV.

‘That’s not going to do much.’ Frank laughed. ‘Turn it up.’

‘Why bother with that.’ Tom pulled the cables from the TV. ‘Let’s use this.’ He opened his lap top. ‘I have a program in here that will refine things considerably.’

It took the tape several minutes to be downloaded into the computer.

‘Couldn’t you get anything faster.’

‘You making a crack about the size of my hard drive?’

‘You said it not me.’

The program flashed that it was ready. The sounds were still muddied but with some audio editing Tom played them back clearly:

‘We call the time to change

we call the time to change.’

‘That’s not what that kid said.’

‘No that’s what we heard first though. Remember. I thought it might be the wind in the trees.’

‘We call the time to change?’ Frank repeated. ‘Wonder that that can mean. We call the time to change.’

The lights in the room dimmed and the computer screen blinked on and off and on again.

‘Whoa! Better not say that too many times.’ Tom pulled the curtains shut.

‘You don’t think …’

‘You know what I think. I told you we would be playing with …’

‘We are not playing here Tom. This is serious research.’

‘Right and these are serious results.’

‘Okay. Let’s see what else we have there then . ‘We call…’

Tom put his hand over Frank’s mouth. ‘Enough with that. We have to be careful when we don’t fully understand.’

‘But it’s just words Tom.’

‘You know that isn’t so.’

The teenage boy appeared on the screen. His lips moving.

‘What! I can’t hear him.’

‘There’s no audio here.’ Tom punched at the keyboard moving back and forth along the audio indicator.

‘Silence.’

‘When did the sound cut out?’

Tom did more in putting.

‘Seems to have cut out when he appeared and comes back when he disappears.’

‘Mambo? What did they say he was called? Cha Cha?’

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every Tuesday 2019

May

Stratford Festival – Henry VIII

July

Stratford Festival – Nathan The Wise

August 2-13: getting back to my roots in Cape Breton
Hey! Now you can give me $$$ to defray blog fees & buy coffee on my trip to Cape Breton – sweet,eh? paypal.me/TOpoet 

September

Shaw Festival – Sex (Mae West)

Stratford Festival – Little Shop Of Horrors

June  – Capturing Fire 2020 – Washington D.C.  capfireslam.org 

Hey! Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

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