Around World Music

By Rip Slyme, a Japanese hip hop group I have Good Times (2010) a hits compilation. Think Beastie Boys in Japanese. Densely layered, sampled, bouncy & fun. Lyric content? Who know? The vocals are strong, emotional & hit that hip-hop rhythm. Having to identify with the lyrics is a blessing as it allows the vocals to be yet another layer to the sound not a layer of meaning that distracts from the sound. I ‘discovered’ them while researching Japanese pop for one of the characters in my novel Picture Perfect. This is hip-hop & not J-Pop.

I saw a Señor Coconut video & loved the playful surrealist images. Turns out this is actually one of several names for German electronica composer Uwe H. Schmidt, now living in Chile. Around the World (2008) is a sweet set of Latino. techno pop jazzy Latino music – elevated lounge music for today’s hipsters. I love it even though I’m no hipster. 

By Chieko Kinbara, the Japanese violinist, I have ‘A Espera’ (2002) a soothing Enya-esque set of song, relaxing without being Celtic or boring. Thanks to some electrobeat & ethereal vocals in what I presume is Japanese. Another I discovered in research for Picture Perfect. Too serene for the character in the novel though.

Alyans is Russian synth pop/rock band. I have Скачать и слушать На Заре (1987) 2000, «Сделано в белом» (1992). Another YouTube discovery after seeing a video of theirs & deciding I needed some Soviet pop in my collection. Think Bauhaus, Erasure but more somber with excellent synth work & broody vocals, & eyeliner. Who knew the Soviets even allowed such dangerous music. Three guys on keyboards & best of all you don’t need to understand Russian to enjoy the vibe. 

 Jeremy Dutcher: Wolastoqiyik Lintuwakonawa (2018) Canadian Indigenous tenor, composer, musicologist, performer and activist. Add two-spirited as well. This is an amazing, dense, modern album that defies categorization. It won awards for best native aboriginal music but this is bigger than that as it straddles pop & classical & demonstrates that there is an accessible Canadian avant guard. 

 Finally by Sasanomaly, a Chinese water/performer I have Obake to Omocha Bako (2015) Similar to Chieko Kinbara this is gentle electrobeat that is not as ethereal but even not knowing the language it has a pleasant emotional pull. Goes against the grain of most JPop hyper bounciness. Similar to Troye Sivan.

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Peaches in Planes

Peaches is a Canadian performance artist & musician. Her sound is fun electroclash that is hard to label – punk, raw, touch of emo & disco, never overly slick. Lyrically she is directly sexual, challenging any gender norms & fearless. I have, as stand-alone:  The Teaches of Peaches (2000), Fatherfucker (2003), Impeach My Bush (2006) & as mp3 I Feel Cream (2009) w the band Sweet Machine. 

There’s a homemade feel to many of her tracks & even as she uses studio more the sound retains that sensibility – sort of a garage-band electro – which I enjoy. Videos of her live work reveal her to be a performance artist as opposed to a static vocalist. Her voice itself is pleasant enough & she’s a good a vocalist as say Katy Perry but clearly not interested in compromising her sound for crossover appeal. Possibly an acquired taste mind you so try her out on Youtube before investing in a couple of her releases.

Next on the shelf & completely different is People In Planes, a straight ahead rock band out of Wales. These guys are in the U2 mold of rock. I have stand-clones As Far As The Eye Can See (2006), Beyond The Horizon (2008), both of which are excellent if lacking in distinctiveness. I bought the first when I read they were from Wales & was not disappointed. The second continues their sound. The band is no longer together thanks to the usual struggle for fame & internal conflicts.

Not that I’m a patriot but I have added some groups to my collection because they are Welsh & some, like Superfurry Animals, even rock out in Welsh. One way to revive an almost lost language is to take it out of quaint folk music & into rock. I even have a fine, sung in Welsh, electro dance collection by Clinigol, which is excellent.

The Wings Of St. Martinia

Last night Hank Grebly did me the great honour & pleasure of taking me to the Maple Valley Rialto Cinema – it is a shame that this fine building is now only opened on weekends for our film going pleasures. 

I can remember a time when it would be busy seven days a week, offering us the finest in Hollywood films and fresh roasted peaches or tasty caramel bark corn.

Every time I enter the Rialto I am taken back to a distant era – the mirror balls in the ceiling reflect the many spot lights around the floor. The zig-zag carpeting & lame seat coverings make me long for simpler times.

The film Hank took me to was “The Wings Of St. Martinia.” Many of you are familiar with the local tales of St. Martinia & the font at St. Sufferer’s. Those are her blood spattered wings holding the baptismal tub in the centre of the nave. Not her actual wings, but representations. Not many angels would have had five sets of wings.

Like the Rialto this film is also a relic of another time. Recently discovered in the vaults at College of Arts and Reconstructionist Designers, we were first treated to a lecture by Rudgar Quartz, the Professor of Cinema Studies there, who gave the history of both the film, St, Martinia and the Rialto itself. A very educational evening, leavened by the delightful film itself.

The story is a simple one of suffering and repentance through suffering. Martinia, born out of wed-lock to the daughter of silver smith and troupe of travelling carnival workers, had to face the disgrace of her family and neighbours all through her life.

She saved her fellow orphans from the rain of comets in 1879 by waking each and every child, and leading them to safety. Sadly she wasn’t able to get back to rescue any of her teachers. She comforted the children, as they heard the screams of the staff, who had been trapped in locked rooms in the upper quarters of the orphanage.

In leading the children through the swamps to safety she also rescued Button, a Labrador retriever and her recent litter of puppies. This is why the suckling Labrador retriever has become the representation for St Martinia. When they say, she of the many teats, they are referring to Button and not to St Martinia.

A fact that I was not aware of either.

The movie follows her travails in the garment trade, being abducted by pirates and finally her mission to Mongolia where she single handedly brought the word of good to those unhappy and dirty mountain people. Her attempts to show them the joys of washing brought tears of joy to my eyes.

If you have a chance to, get in to see this delightful movie. Tell them Dolly sent you, and you may get an extra dash of moose mustard on your red hots. 

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Nyro Redux

I first heard a Laura Nyro (1947–1997) song without knowing it was hers. That was Stoned Soul Picnic performed by The Fifth Dimension – then When I Die by Blood Sweat & Tears. These were songs that stood out from the other work by these groups. In Cape Breton her lps weren’t easy find as she had no hits beyond these cover versions. I think my first lps of hers was Smile & Nested – amazing comforting music not as melodramatic as her earlier works.

I have either as mp3 or strand alone: The First Songs 1967, Eli & The 13th Confession 1968, New York Tendaberry 1969, Christmas & The Beads of Sweat 1970, Gonna Take A Miracle 1971, Smile 1976, Season of Lights live 1977, Nested 1978, Mother’s Spiritual 1984, Angel in the Dark 94-95, Essential 2000, Map to the Treasure: Reimagining Laura Nyro 2014.

She started as a powerhouse hits writer, but by her 1970 she was running out of stream & also wanted to move her music is more introspective direction. So there was five year break where she retrench, married, had children, divorced, moved out of New York city & returned to the studio for two of my favourites Smile & Nested – sweet gentle warm music that didn’t sell well. She lost interest in the music business. Settled down with the love of her life, another woman. I’ve blogged about Laura before & she was a music genius the music business couldn’t dictate to & like some others from the them (Janis Ian) she followed her own muse. The Essentials is a great place to start – or get the Fifth Dimensions Hit 🙂

The mp 3 collection also contains: Burl Ives: 20th Century Masters including – Ghost Riders In The Sky – a favourite of my Dad’s which I had to have. A couple by Ian & Sylvia: Nashville – Ballad of an Ugly Man, Full Circle – Women’s World. I loved these when I had them at vinyl. Two of the best Canadian lps you’ll ever have.

More Canadiana with Gordon Lightfoot’s first that included Ribbon of Darkness. Just for fun Donovan: The EP Collection. The Ep format was very popular in Europe – 4 to 6 songs on a small sized 33.3 – some never released on lips & some with different mixes. Finally Myke Mazzei’s Live At Amsterdam Bicycle Club, includes Nobody’s Saviour. This goes back some 10 years ago & it a sweet set by a talented Toronto singer/songwriter. 

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Bardot’s Bayou Enfer

I used to visited Montreal frequently during the late 80’s to attend a bi-lingual lgbtq recovery round-up. I started to collect French pop to improve my French. I saw a video in a noisy cafe,  couldn’t hear it but the images were enough for me to track down the band – Niagara. I found a cassette of Encore un denier baiser (1986), & over the years added Quel enfer! (1988), Religion (1990). All of which I have now have in an mp3 collection. 

The duo Muriel Moreno & Daniel Chenevez started synth-pop but progressed a more hard-edge guitar sound. Similar to The Eurythmics, but a less serious approach & with a more retro sound as well. I found Religion cd at a yard sale one year, in a jewel case but without liner note or cover. Energetic, fun & no help in improving my French 🙂

It was in Montreal I discovered that Brigitte Bardot had a pop career. A light, sweet voice. On. the mo3 collection I have Brigitte Bardot Sings (1963) (which includes La Madrague), Brigitte Bardot Show 67 (1968) (which includes Harley Davidson, Gang Gang). She worked often with Serge Gainsbourg. Nicely produced with elements of rock, disco & bossa nova. 

I have the complete Jacques Brel. In this compilation I’ve included his Mijn vlakke land (1962) that has him signing in Dutch, French & Flemish. Where is the biopic of this amazing, influential musician? Maybe his life wasn’t as dramatic as Piaf?

Rounding out this French collection is Zachary Richard (American) but living in Canada (I think) Bayou Des Mysteres(1976), Travailler c’est trop dur (2002 anthologie). I bought the lp of Bayou in Montreal  & eventually replaced it with this mo3 download. I added Travailler more recently. He has a warm bass, similar to Tony Joe White. His music is seductive mix of Cajun and Zydeco. Although he has recorded in English his career has been notably Francophone & his list of Canadian awards is endless. Improving my French is not one of his achievements though 🙂

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Moe & Krzysztof

By Canadian flautist Moe Koffman I have as stand-alones: Plays Bach, The Four Seasons & Best Of. Best known for ‘Swinging Shepard Blues’ he has had an extensive career of jazz classical exploration. If you listen much to CBC radio his Bach pieces show up frequently as theme or ‘pause’ music. There is a jazz trend to interpret classical music, much like prog rock (i.e. ELP’s Pictures at an Exhibition). Koffman does this with more of a pop than jazz approach. Great music. Sadly, as far as I can tell, his Four Seasons is out-of-print & not available in any form. Some of the cuts are included in the Best of cd.

Next K is am MP3 cd compilation of creepy soundtracks & more classical adaptations. By Krzysztof Komeda: Rosemary’s Baby; Jack the Ripper; by Paul Glass: Bunny Lake Is Missing; Essential Hitchcock: st music from Lifeboat, Spellbound, Psycho & others; Mondo Cane Soundtrack. And explorations of Satie by Joe Santos & by The Camarata Contemporary Chamber Orchestra. Velvet Gentleman.

My partner had the lp of Rosemary’s Baby soundtrack, which I enjoyed. I eventually I replaced it with a clearer sound & its was paired with another of his soundtracks. Komeda, a Polish jazz musician, did soundtrack for other Polanski films. The music is  suspenseful & moody. Komeda died at 36, so is mostly forgotten. 

The Mondo soundtrack covers various styles & moods & got an 1963 Oscar nom for the song More. Paul Glass’s Bunny Lake Is Missing is another moody work. I had the lp which I bought solely for the tracks by the Zombies – this was time when British films makers had to include a scene with a live rock band. I was & still am a Zombies fan.

The Essential Hitchcock: st music from Lifeboat, Spellbound, Psycho & others. Moody, impressionistic stuff with the Psycho music being classic stuff. Those shower strings pulsate with terror. Elsewhere in my collection I have the complete Psycho soundtrack – well worth searching out.

Finally more classical – this time of explorations of Satie by Joe Santos & by The Camarata Contemporary Chamber Orchestra’s The Velvet Gentleman & The Electronic Spirit of Satie. Santos is  in the Tomita electronica realm but not as lush. Camarata is stunning. These were two must have lps at one time. Real musicians & moog combined to perfection. The lps cover more than the Gymnopedies. I love the spoken introductions on Electronic Spirit. Well worth tracking down for your collection.

scrap of a story from late 90’s found in an old notebook

The New House

The back fence was about twenty yards from the kitchen window. Kit could barely see the rag he had nailed to the post. It was one of the few intact fence posts. A few pickets angles away from it.

In front was a sturdy post for the mailbox. He’d painted it earlier in the week. His first claim to possession – the stamp of ownership. A new mailbox was all he could afford at short notice.

The sky blue of the box stood out against the green of the cedar hedge. When he found the time he’d add his name to the box. Moe too his efforts so far had been in the garden.

Untended for many years he had his work cut out for him. The ramshackle garden was the deciding factor in the decision to buy this house.

The red clay soil was a challenge he felt up to. He knew a year of two of mulch would bring rewards. A game of seeds was next to see what would suit in the mean time.

He’d seen  several shows on TV about how some plants helped the acid balance of the soil.

“What’s up?” Jim, his boyfriend, stepped on the veranda with him.

“Jim! I didn’t expect you up this early in the day.”

“I expect danger pay for barring those early birds.” He did a little dance like bird pecking around Kit’s head. “Actually I’m up because Carol called.”

“Carol?” Kit knew that could only mean one thin. “Time for Bix’s seasonal check up? Seems he just had one.”

“About this time last spring.”

“Well, we don’t want the stress we get when we skip them.”

“Right and we’ll get to see if the change in climate has been as good for him as it has been for our relationship.”

….

That’s it 🙂 I have a scattering of such fragments were I’m experimenting with just making people talk.  No outline or idea of where etchings are going, or who is going be there as the words bring them into the story. 

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Scarlatti vs Schafer

By Domenico Scarlatti (1685 – 1757) (son of Alessandro Scarlatti), a late master of the Italian Baroque, I have  2 cds of his harpsichord sonatas – that are lp to cd transfers from MHS recordings. Rounded out with John Addison (1920-1998) soundtrack to Tom Jones. 

I enjoy harpsichord but in small doses. This was a 2 lp set that I would listen to one side then a week later listen to another side. The music is,. as far as I know, excellent but I could only stand so much of that tinkling at a time 🙂 A little bit an go a long way though I did like this enough to do the transfer. I doubt that IU would recognize any of these sonatas if I heard them on the radio – unlike, say, Chopin which I can ‘spot’ instantly.

I am a great soundtrack lover. John Addison’s soundtrack to Tom Jones is driven by solo harpsichord, so it seems only natural to include it here. The playing, as expected, is more modern but it conveys the style of the time nicely, too. I’ve seen the film but when I listen to this lp I have no associations to any scenes in the movie. 

After all that busy baroque figure work it is a bit of a relief to come to R. Murray Schafer (1933), he is from a totally different time era & music philosophy. I’m including him here because he is next on the shelf 🙂 I have this sand-alone 1997 CBC live recording of Wolf Music. It is conceptual music meant to be heard live for best effect. The ‘concert’ would be heard walking through a forest while the musicians placed in various location would be playing. The music is evocative, soothing & it does hold up without the forest. I’d love to experience this but it is live music for the financially elite not common folks like myself.

Arts und Krafts

Kind readers one thing that I neglected to mention in my wee report yesterday was the Christmas Arts und Krafts display at St. Sufferer’s Cathedral’s Fun Fair. Like many of you I have seen my share of knitted booties for rifle stocks and candle holders made out of moose dung but there were some very fine pieces from the near by College of Arts and Reconstructionist Designers of Palmixalitato County.

I am well aware of the rivalry that has been going on between the students in that county and our own but remember we did trounce them the last three years in the Provincial Open Court Peach Pit Curling Play Off. So we can afford to allow them to excel at something and excel they did at the Fun Fair.

There were many charming crystallized bones pieces from the Anatomy of Design classes there. I was particularly taken by the crystallized moose bone reproductions of the Departments of the Cross that one Leslie Ann Marie Betty McDellon had created. 

I can’t imagine what sort of skill it takes to do such fine work but I can certainty respect the work that it took. 

Also many were charmed by the spiderwood furniture Gregh O’Treple has wrought there. A sturdy eight legged rocking chair with a fine webbed seat and back was very comfortable to sit in for long periods of time. He hopes to follow in the family footsteps and may be opening his own furniture and restraints shoppe right here in Crab Apple Corners. He will surely be missed in Palmixalitato County. But their misery is always our gain.

Another feature of the Fun Fair that cannot be neglected was the food pavilion. Over 20,000 were seated at one time for a fine feeding of Trish Creamly’s delicious sprung bark toffee pie. Trish you have out done yourself this year. Just save that recipe for my wedding reception. I know if you keep your hands on the crust you’ll keep them off my man – just kidding folks.

The children at the Fun Fair were also treated to a production by the local Armature Theatre Guild. They performed tragic scenes from various plays. The beheading of John the Baptist brought the crowd to their feet and kudos must go to Hank Grebly who did a fine job in the title role 

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M-Miscellaneous

Les Mersey’s is a PQ pop group who thrived thanks to CanCon regulations about both the amount of radio airtime that had to be devoted to Canadian music & in Quebec how much of the time had to be in French. I have several stand-alone cds of the amazing series ‘Les Groupes des Années 60.’ The 25 Chansons include originals, a few sung in English but mostly French versions of English hits such as their take on The Rolling Stones – Stupid Girl, Fille Stupide. These are a delight.

I started to collect these when I visited Montreal in the mid-90’s. It was a vain attempt to improve my French but, well, that didn’t happen – c’est la vie. But it did help open my eyes to the insidious influence of US pop music & the sometimes hilarious ways it was adapted by other cultures. If you like this wonky cultural appropriation search out Cambodian pop for the 60s. 

Next M is Metro Station best known for their insanely addictive summer hit Shake It. Catchy & fun the album is solid, though nothing quite has the zip of Shake It. All the tracks would make nice movie/TV moments though. The band disappeared after this hit, as far as I know, though Wiki tells me they are still active. The subway in Montreal is known as Le Metro so there is a connection with Les Mercy’s.

The last of this M miscellany is MGMT. I have stand-alones of Oracular Spectacular & Congratulations. I picked up them first as at the result of reading about it in Entertainment Weekly. I may have also seen the video for Electric Feel – which is a great slinky summer hit. The lps are described as psychedelic rock – but, well, they aren’t Umma Gumma trippy. Enjoyable as they are, two cds were enough for my collection.

Maybe He Was Dead

So far there were no TV crews hovering around what was going on. Jan stayed within listening distance but tried not to seem too nosey. A few people were taking pictures with cell phones but they were being warned off by the police. TTC was always sensitive about what went on. She had to figure how to confirm what her sister had told her.

Manonotti was one of the more outspoken voices on city council when it came to almost anything, he never dodged the limelight. His latest mission had been to side with the cyclist union for more dedicated bike lanes. He felt that giving more money to public transit didn’t have to mean just the subway and that if there were more attention payed to alternate forms of transport the city would be better off.

As a result he was frequently at logger-heads with both the TTC and merchants. Merchants who felt more bike lanes meant less parking for paying customers who now had no where to park their cars. Manonotti was outspoken and blunt. Now, maybe, he was dead.

Jan had met him a few times. Interviewed him once when he his crusade was to halt the health spas that were popping up along the Danforth in long empty store fronts. The spas were covers for rub and tug operations where the massage was sexual and not medicinal. 

But when he saw that transportation was getting more press hw switched his focus to what would get him the greatest face time. He had hopes of parleying all this into a run for the mayor. He felt it was time the city had someone born and bred in Toronto at the helm and not some corporate clone.

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M. M. M.

Let’s step back to the 90’s with Britain’s M People. I have as stand-alone their elegant slumming & Bizarre Fruit & their Best of tucked away in an mp3 collection. I loved hearing & dancing to them in the disco. Their sound was soulful, propulsive, & romantic. I love Heather Small’s voice. When I hear some of these songs I get a sweet feeling of nostalgia but with no actual memory of person or place attached. Their cover of Itchycoo Park is a masterpiece of a masterpiece 🙂

Celso Machado is a Brazilian musician living in, of all places, British Columbia. I have his Varel as a stand-alone cd. Folky with touches of latin jazz this is a fine introduction to world music. Pleasant voice, great guitar sound. One track he shows off bird imitations on various instruments. Sexy music too.

For a time in the mid-90’s I vacationed in Montreal for a week or so in July thanks friends who moved her from there & went back to renew their accents. I developed a fondness for French pop, some of which was Québecois, some of which was out of France. My friends could tell the difference whereas I couldn’t, nor did it matter that much.

There was a separate PQ Much Music at the time, when Much actually played videos. I saw a track by Madam. I have their Eldorado, Weke & Ce Beau Pays.These are all fine pop/rock work. Great vocals, stinging guitar, some political commentary & in general fun. Part of the purpose was to improve my French, which never did happen, c’est la vie, but I enjoy have a nice slice of this music in my collection. 

What the L

Jens Lekman is a Swedish singer who sings in English. I picked up couple of his cds back in 2008: Oh You’re So Silent Jens, Night Falls Over Kortedala. Have some Swedish roots I wanted to reconnect with that part of my heritage. I’d read a few reviews of him & was quite happy with his music. He is low-fi nearly folk like Postal Service. Sweet, slightly ironic songs about love & life. 

Peter LeMarc is a Swedish singer who sings in Swedish. I picked this cd, Bok med blanka sidor, up in 1997 at the Vinyl Museum in its reduced pile. Bruce Springsteen, Chris Rae come to mind when I listen to him. Gravel voice & rugged guitar playing & I have to idea what he is singing about 🙂 He’s still alive & recording.

Lifehouse’s No Name Face features their hit ‘Hanging By A Moment’ which I did like. The lp is good pop rock on the heteronormative type.  Also on the on the heteronormative  side is Gordon Lightfoot, a Canadian icon. It was only right I should have a few tracks by him. As stand alone I have Gord’s Gold; tucked away in an mp3 collection is his first lp with songs like Ribbon Of Darkness. I hate to admit it but I was never a big fan though I do enjoy what I have.

The last ‘l’ in this post is cd Load Of Wood: 3 Dollars at the Door. The third (hence 3 Dollars) in a series of compilations of Cape Breton performers. The music runs from tradition to experimental to spoken word. A friend of mine is on one of the tracks. I bought it on a visit to Sydney Aug 1999. I went to the third floor apartment of one of the performers to buy it, almost like a dope deal in the old days. I haven’t been able to track down the earlier two though. What the L.

Daddy

You can’t make it stick coppers. I was never at Hollywood and Vine at anytime. yeah, right, so don’t be giving me no hard time but if you do I can take it. I ain’t got no dna anyway so as you can tell. People say I’m bloodless as a stone and that is the truth. God’s own truth so you aren’t going to tie that rap on me I ain’t even been there and done nothing. You hear I ain’t done nothing and since when is doing nothing a crime, see. So get off my back. Cut me a break while you got time. 

No, I’m not threatening you Sgt. O’Malley, just letting you know you’re barking up the wrong hydrant. I keep my nose out of other people’s problems. Gave that up long ago. Do I look like some sort of super hero or trouble maker to you. If I do you better take closer look. 

Okay that’s close enough. 

I’m not the one. You guys know that, don’t you. So why are you giving an honest man such a hard time. I wasn’t near there. Sure I got an alibi. I was shacked up with some sharp looking piece of grade a tube stake. We was sinking our teeth into each other’s loin chops and enjoying the taste of man flesh. If you get my drift. Now, that is something you can pin me but that’s not against the law. Is it Sgt. O’Malley. 

Sure I got his name right here and more than his number on my cell phone. All time stamped and dated so you see that couldn’t of been me. Yeah the pics are a bit under lit but if you want I’ll drop my pants if you want to compare. So you can’t stick nothing me except maybe having a good time with your Dad, Sgt. O’Malley.

https://wp.me/P1RtxU-2f6

March

March 5 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

April
April 3 – Hot Damn! It’s Queer Slam – Season 6 finales Buddies and Bad Times Theatre

May

Richard III – Stratford Festival

June

June 25-26-27 – Capturing Fire 2020 – Wooly Mammoth Theatre -Washington D.C.
 capfireslam.org 

July

All’s Well That Ends Well – Stratford Festival

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at Ted’s Bulletin in Washington DC

at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

La La La

The La’s were part of the new wave English wave from the 80’s. Similar to The Stone Roses, their style is a folksy rock with pleasant vocals & good song writing. One track was used by some clothing company which kept them in the public eye for awhile. Sweet music. Reminds me of The Byrds, early Jefferson Airplane.

 

Less sweet & definitely rock is Quebec’s Eric LaPointe. I have stand-alones Obsession, Invitez Les Vautours & as mp3: Le ciel de mes combats. I used to watch French Kiss on MuchMusic & his first couple of videos were hot – him shirtless, waist deep in water – mmm. His music is aggressive almost metal blues rock. His voice is emotive, at some quite raw & harsh.

 

Another French group is Laymen Twaist. I have stand-alone of Funkadelique. A continental French band that is the total tonal opposite of LaPointe. This cd is bouncy, funky, psychedelic & fun. The engineering is astonishing & when it comes up in my play rotation I usually play it twice & it always gets my hips moving. Definitely worth seeking out to broaden your musical horizons.

 

Next up is John Layton’s Femmes Fatales – which is not in French 🙂 John is a Toronto folk singer/composer. I meet him at the Renaissance Cafe when I was doing the open stage circuit. Sweet, amusing, wry & romantic. The songs are gentle without being cloying. His voice is engaging & the engineering is clean.

Lookie Here

Hello my name is Lookie as in ‘lookie here.’ Cute eh?I thought so. I got to pick that name. I don’t tell this to everyone, but i need to talk. I’m not even sure you can hear me. I doubt if you can see me. I know when someone can see me. That’s one of my gifts. That and the fact that I’m not real. I’m Davey’s invisible friend. You know Davey. Yeah, too bad about him. Getting caught by the cops and all that. There wasn’t much I could do about that. I tried to warn him but he wasn’t seeing me anymore. He was too old for that sort thing. the awkward age when they they know it all and don’t even believe what they can see.

I’ve been Davy‘s invisible friend since he was three. He didn’t know me then though, he was too young to understand I guess. I never really understood how this friendship thing was supposed to work. I’d hang around his bed as he fell asleep hoping I could slip inot his dreams to plant the seed, as it were.  Sometimes he’d open his eyes and I swear he could see me but part me of knew he couldn’t. We invisibles don’t have form unless we feel seen. You know what I mean?

Not that Davey was in denial. How can you deny something you don’t know about, right. So I kept hovering around him. Following him to daycare. Standing by his nap rug. Playing tag with the kids there that did see me. Hoping and praying for the day he would sense he wasn’t alone. Which was hard because he was hardly ever along anyway. Those daycare kids were always around for him to hang out with. I had tried to be an invisible friend to one of them but he was one of a pair twins. So he didn’t need anyone. 

Davey was an only child so I knew he had greater need of me. But he practically the third twin. What’s an invisible supposed to do? I knew there was no rush for me to get a real friend but it had been many years since I had one. Can’t say how many. Time doesn’t have much meaning for me. When you only exist when someone sees you time doesn’t move. 

Davey didn’t see me till he nearly 11. That’s pretty old, by then kids have an idea of what is real and what is make believe. Not that I’m make believe but I can’t reveal much of me to anyone except my seer. If you know what I mean. The fact that you hear me at all means that you are open to someone who isn’t really real. But you can’t see me. Can you? No, if you could, I’d know.

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January
Thurs  January 23 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre – featuring ‘Yes The Poet’ https://www.facebook.com/events/577900226377507/ 

Sunday –  January 26 – 1:30 – feature: The Secret Handshake Gallery, 170A Baldwin (Kensington Market) – 1:30https://www.facebook.com/events/498405247456842/

March
March 5 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

April
April 3 – Hot Damn! It’s Queer Slam – Season 6 finales Buddies and Bad Times Theatre

May

Richard III – Stratford Festival

June  – Capturing Fire 2020 – Washington D.C.  capfireslam.org 

July

All’s Well That Ends Well – Stratford Festival

Hey! Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet