Picture Perfect 63

Picture Perfect 63

“Okay.” Baxter said. “Now that we are on the subject of the contract, it was agreed that you would freely share any relevant information you discovered in photo or document examination, or in your interrogations, I mean, interviews of the subjects as we arranged them.” He was reading directly from the contract as it appeared on everyone’s monitor screens.

“You have all the footage. I haven’t held anything back.”

“What about this.” It was a clip from his interview with Teresa. The point were camera was trying to get a close up of the photograph she had given Dan

“This is me not wanting to get sued for libel. I am to do reasonable diligence with any evidence I find. I’ll be doing more research on this Monday. You heard the conversation leading up to it didn’t you?”

“Of course that’s why we needed to get that photo on camera. It could be … a person of interest …”

“Baxter you watch too many of your own TV shows.” Dan said. “You know as well as I do, that if this is truly crucial you’ll be told and if it isn’t I can’t let you spin it to implicate someone with rumours from decades ago.”

“He’s right.” Stephanie said. “If this is of importance someone alive now may be harmed greatly if it isn’t handled correctly.”

“What do …” Baxter stopped. “This is what you .. see.”

“Yes.” Jennifer replied. “Mr. Baxter I realize I am just a … nod for your ratings. But you don’t need to believe in me for my abilities to work.” She left the war room.

“I guess I’ve been told.” Baxter said. “Inspector Warszawa perhaps you have some … warmer news from your end of things.”

“Warmer?” War said. “I don’t know about that. I do have to concur with Dan though about ascertaining the relevance of evidence. If you want what you’re doing to be taken seriously by the local law enforcement branches do what they would do as much as possible.”

“If we did what they did we’d have nothing to report on.”

“Point taken but trust Dan on his experience in the field. It’ll make your series that much more believable and powerful. Now that the cases have been officially reopened a task force has been put together to examine the information we already have. They expect Quintex’s full& open cooperation.”

“Even if what we discover doesn’t show them in a positive light.”

“Let’s face it.” Dan said. “They can’t afford to look any worse in the public eye. It’s the best way for them to rebuild public trust. I know investigative abilities  have changed greatly over the past decades.”

“Being called a faggot by an angry cop is still the same.” Baxter said. “And that happened to you less than a week ago.”

“He called me an asshole. But he did refer to you as a queer.”

“Captain MacKillop will be heading the task force. I’ve met with him and he’s on the ball.”

“We’ll get access to the RCMP files?” Stephanie asked.

“When they unearth them” Warszawa said. “MacKillop was surprised to find out how well they had been buried. Cases involving children are handled with greater attention these days. He’s also looking into that.”

“Once again the RCMP investigates itself.” Stephanie said.

“You can keep statements like that to yourself if you expect them to be at all cooperative.” Warszawa said. “Agreed?”

“Whatever.” Stephanie replied.

“I think we’re done here for today?” She looked to Baxter.

“Yes.”

Jennifer Devereaux was waiting beside Dan’s car. Cameron walked over the car. “I’ll be with you again today. Not that we have many others to choose from.” He joked. 

“Remote unit has gone ahead to Truro. This’ll be Helen Davis.” He glanced at his phone. “David McPherson’s aunt. Coordinated have been programmed into your cell already Captain Kirk.”

“Okay. Pile in.” Dan got behind the wheel. 

Jennifer sat in the front beside him. Cameron in the back seat.

“You knew Glaucia?” Dan asked.

“Yes. She had come to my mother many years ago.”

“Your mother?” Dan said.

“Jane Poitier.”

“From the Wickham?” Dan asked. “I though you looked familiar. Sarah must be your sister.”

“Yes, she the ordinary one. There’s a history of second sight in our family that goes back generations in various forms. It has never been the same in subsequent generations but it has always been. With each generation the need to hide has decreased. My mother was called to help others with their talents.”

“Glaucia came to your mother?’

“Yes, to be guided.”

“Like Hogwarts?” Cameron said.

“Nothing that spectacular.” Jennifer laughed. “My mother was more like a guidance councillor than a teacher. Which was what Glaucia was to me.”

“Why not your mother?”

“No, that would never work. Doctors don’t treat their own children, or least they shouldn’t. It is the same with sensitives. It is best when someone who isn’t blood encourages you. They prove be less … invested.”

“How much control do you have over your abilities?”

“It can vary. There are times when an … energy will hit me. There are times when I need to close my eyes and focus on what is around me. I know that if I see nothing it is because there is nothing to see, not that I am not trying hard enough.”

“I hate these set interviews.” Dan said.

“Set?” Jennifer asked. “Aren’t we talking to her in her home?”

“Yes and no. Baxter Bit stylists set the stage for us. Furniture gets moved around. Back grounds become crucial for ambience. When possible they like to help the guests look good too. Hair gets done.”

“What?”

“Oh yes. That’s why my interview with Teresa Dunlop was so good, for me. She called Stephanie in the morning to say where and there was no time to fix things beyond warning the diner we’d be there.”

“That explains the idiotic fringe purse!” Jennifer said.

“You watched it?”

“Some of it. Mr. Baxter said I should observe your style. Didn’t seem to be much style on your part. More like old friends meeting after years.”

“Which in a way it was.”

“What are you going to do about your sister and Kevin?”

“That’s not relevant, is it? Or did you sense something I didn’t.”

“Tread carefully. By the way I have to admire the way you totally ignored her calling you Danny Boy.”

“You picked up on that? She used to do that when I was a kid. Drove me crazy angry.”

“The MacPherson’s came across as fairly ordinary folk.” She tapped the folder of notes on her lap. “So does the Aunt.”

“So far they all have. The abductions were the major crisis in their lives. The fact that they went unconnected is the what makes them unique in an … entertaining way.”

“You’re not doing this for the entertainment value.”

“Oh no, the pay check isn’t bad.”

“There’s more to than that. More like seeking Dad’s approval.”

“You not seeking your Mom’s approval?”

“Excellent reversal. I didn’t see that coming.”

“That’ll put you in the frame of mind of the people we’ll be seeing. None of them saw what happened to them coming.”

They drove in silence for several miles.

When they got to the location Cameron got out first to follow them as they walked up to the house.

“Jennifer.” He stopped her at the bottom of front steps. “Stay focused on these people, on these cases. Our private lives are just that.”

“Sorry. It’s hard for me to block out everyone. If your father had anything to do with these cases I can’t help it.”

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Picture Perfect 51

Picture Perfect 51

Dan could smell popcorn even before he had opened the front door of the Maritime Circus Museum. As he opened the door, calliope music announced his entry. Man, that must get irritating for the people who work here, he thought.

The inside lobby was a ceiling to floor front of a circus tent – a ticket booth in the middle, a partially opened tent flap, & two large canvas posters on either side of the ticket booth. They had to be at least twelve foot high. The ones on the left were for ‘Cora! Queen of the King Cobras’ – it showed a wide-eyed, smiling woman clad like a bellydancer, charming a king cobra by staring into its eyes. ‘Cora can charm the most dangerous of poisonous snakes. Think of what she can do with mortal man.’

Beside it was one for ‘Sharko – The Fish Man’  A thin man in bathing trunks was half twisting to show the fin on his back, his legs were covered with scales and there appeared to be gills under his jaw. ‘See his scales, his fin. Watch as he dives deep and stays underwater longer than humanly possible.’

On the other side were posters touting first, ‘Fireball.’ It showed a man putting a flaming touch into his mouth. He was wearing a flame painted costume with a what appeared to a lighting bolt of flame flashing from his crotch. Beside the ‘Fireball’ was one for ‘Madama Cabanalla’: a Gypsy woman staring out at him with a crystal ball floating over her palms. ‘Madama Cabanalla sees all! Tells all!’

A sign on the ticket booth invited him to ring for service. An arrow pointed to a rope that he followed with his eyes as it went through a series of pulleys to a fire-station type bell on the wall behind him. A group came in the door as he was about to pull the rope. Two adults and six children.

Dan pulled the bell rope. The alarm rang loudly for a minute and then res & yellow balloons shot up from the roof of the ticket booth with a loud bang. The children screamed and laughed. Dan shook his head in amazement.

A man dressed in a red blazer, with a striped yellow vest and black check pants stepped out from the tent entrance.

“Welcome! Welcome.” He reached his hand out to one of the adults. The adult was leery and squinted as if expecting a hand buzzer as they shook hands. Nothing happened.

“Welcome one and all to Chamberlain’s Maritime Circus Museum. I am Winston Chamberlain. The Happy Hippo Travelling Circus has been in my family for several generations since 1899 when Grant and Isabelle Hill started it. It toured the Eastern Provinces changing with the times over the years until it could no long keep up with the times.”

“You are free to explore the exhibits and the grounds as you want to for free, or you can take a guided tour with ME.” He pulled a bouquet of flowers out of his coat sleeve and presented it to one of the young girls in the family group. “The cost of the tour is your soul … just kidding. It’s a mere $10.00 each.”

“How long will that take?” One of the adult asked. “An hour.” Winston answered. “An hour you will never forget.”

“Can we Daddy?” one of the children asked. “Can we?”

“Is there a children’s rate?” The man asked.

“Only if their feet never touch the ground.” Winston answered. “And their hands don’t touch an exhibit, unless instructed to.”

Dan laughed at Winston’s spiel. He saw that it disarmed the parents of the children, who reluctantly paid the admission fee. 

“And you kind sire?” Winston asked Dan.

“I think I’ll explore a bit first. It might be quieter.”

“I hear you.” Winston nodded. “If you want the printed guide to the exhibits that’ll be $5. Which you can pay to my lovely assistant right though here.”

He lifted the tent flap wider and tied it back so they all could enter.

“That included with the tour Mac?” The dad asked.

“Nope.” Winston said. “But you each do get a free bag of popcorn.”

Dan went into the tent and bought the guide. The assistant was an automation pirate that dropped the booklet down a slot & out into his waiting hand. The museum was divided into several areas. One that dealt with the history of it, one that had a display of the various flyers, posters, costumes; another that devoted the various carnival games and food; in an out door area were rides dating back to the first years of the circus. Not all of them were functional and the ones that were would cost $10.00 each to ride or any three for $20.00.

“We’ll start with the Carnival Food Fair,” Winston said to the family, who were joined by several other people. 

Dan went in the opposite direction to the first of the exhibit rooms. The guide book gave a concise time line of the carnival, explained the difference between a carnival and a circus. A circus always had animals, lions, tigers; always had performs like clowns, trapeze or tumblers; rarely had rides. Whereas a carnival had more games of chance; rides; some would have freak sideshows such as The Fish Man; large ones might have simple animal acts like dogs or the occasional snake charmer like Cora. Animals always slowed down travel time and over the years were phased out as the rides became a bigger draw.

The exhibit hall Dan went into had a map of the Maritime provinces filling one wall. There were different coloured and sized circus flags representing the decades and places various carnivals had traveled to when they were on tour. The Happy Hippo was the only one based the wartime’s but a couple of the bigger ones, like the Conklin, sent touring midways to Halifax every summer. The larger the flag the more frequently it visited a particular town or city. 

Some would get an annual visit, others every two or three years. It would rarely stay longer than a week at any one place unless there some other festival or event going on at the same time. 

There where three Happy Hippo touring shows. Dan hadn’t realized this before. He’d always assumed that there was just the one he recalled from his childhood. Each of them had different rides, games of chance. The larger the town or city the larger the carnival would be, hence the three different shows. It also meant three of them could be on the road at the same time and participate in more than one local festival at a time.

There was a computer interface with the map where one could input year, month and see what locations which show was performing. It would also tell you what rides, sideshows and specials where appearing with it, how long it stayed. But not how much money it made.

Dan typed in the month they had left for Toronto. All three shows were on the road. The one nearest Stellerton was the smaller number 3. It played in Truro the week before and had moved on the day after his family left. He saw that a Madam Cabanalla was featured in all three shows. So there must have been more than one of her. Though perhaps her psychic power allowed her to appear in three places at the same time. He’d have to ask Glaucia if the was possible. The Truro special was Cora Queen of the King Cobras in the Court of King Tut. He took pictures of the various pages before they disappeared.

Was Cora why he was so disappointed in not getting to the circus that last weekend? He had been so into Tut that summer for some reason. Following links on the computer screen he found a flyer for that area’s carnival. It also said that the actual flyers could be found in Exhibit Hall two. He consulted he guide to see where that hall was.

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Picture Perfect 48

Picture Perfect 48

Back in his motel room Dan logged on for a video call with Peter

“How is it going sir.” Peter asked.

“Good. Great. Now I nave a cohost though.” Dan typed Glaucia Vidro into search. Peter was able to see the results too. 

“A psychic!” Peter said. “At least she doesn’t have a 1-800 number for instant tarot readings. What did she tell you about the case?”

“Nothing much but we’ve only just started. She seems … grounded enough though. Didn’t take any bs from Baxter.”

He told Peter about the war room and the list of suspects.

“Alien abduction? You have to be kidding. I … miss you, sir.”

“Good.” Dan found it hard to be so curt with someone else’s emotions. Sanjay was expressive at any opportunity. Love wasn’t about asking permission. Peter was the opposite. Asking him to housesit had been a no brainer. 

“How are things there?”

“Nothing I can’t deal with sir. Mr. Kumar has come to the house twice to pick up his mail. I denied him entry as you instructed. I didn’t have to use the court order either. Just mentioned the name of your lawyer.”

“Sorry about that.”

“Don’t be. I don’t think he was prepared for me to be so … truculent, as he called me. He did threaten to kill me if we ever got married though.”

“No worry on that count Peter. It’s proving hard enough to rid myself of a man I wasn’t married to. Makes me grateful that I never tied that knot.”

“I understand. There is nothing to report from the Depot either. I stopped in at lunch and again before I came to ther house. Sandy says things are running smoothly but not as smooth a they would if you were there. “

“Sounds like Sandy.”

“Are you still planning to come back at the end of next week?”

“Yes. We’ll be moving the centre of operations, as Baxter calls it, to Stellerton after the first ten days. It’s more central to the other incidents. I’m sticking to my role as air personality as much as possible. If I’m not around there’ll no chance for them to get me to lug anything.”

“Heard anything more from Corporal Tyler?” Peter said. He pulled off his tee shirt. “Is it getting hot in here? Or is it just your eyes?”

“Nothing further from them. Warszawa has talked to the regional Staff Sergeant. I know enough about the politic of divisions that they’ll be more circumspect in future. He said they aren’t divulging anything about the tip that brought them to my door though. He’s not sure if there was a tip. They would have gone from cabin to cabin until they found the Daniel James they were looking for.”

“What!” Peter slid off his belt. “Why would something like that?”

“Probably pissed about the original Cold show that found connections they hadn’t realized where there. The studio didn’t alert them to it either.”

“So they found out the same way you did. When the show first aired?”

“Nope. When it was rerun a week later. Qunitex was forced turn over everything they had on the cases. Which wasn’t much as it turned out.”

Peter slowly unzipped his fly.

“Not yet.”

“Yes sir.” he pulled his fly back up. 

“It’s nearly time for me to check in with my sister.”

“She hasn’t been to the Depot since you left.”

“Perhaps not in the flesh. Put your tee shirt back on.”

“Yes, sir.” 

“I’ll call later if I get a chance.”

“Yes, sir.”

The screen went blank. Dan tapped the icon for his sister. He had made sure he would have electronic access to all transactions at both shops. Severing the contractual connections between the two branches wasn’t going to be as simple or as inexpensive as expected. 

Looking over the figures he found himself nodding off. 

…….

Dan stood to the left and just behind Glaucia as she rang the door bell to the trailer. It took him a moment to realize that the foghorn sound was coming from inside. He could hear a radio or TV being turned down. The lace curtain in the door widow was pulled aside and a face peered out at them. The face smiled and the door opened sightly.

“You’ll have to step back for the door to open.” 

He and Glaucia stepped down two steps to let the door open. 

“Sorry about that.” The woman said. “Who ever designed this model didn’t think it through. Come in.” She held the door open for them. “Sometimes the wind will catch it and whack it against the trailer. That’s why there’s so many dents there. If I had known, about the wind, I mean, I never would have settled in here.”

Followed by Francie and Mike they squeezed past her and into the trailer.

At the front end there was a living room area with a couch, an armchair and a TV. The TV was on the weather channel but muted. 

“I get all the news I need from the weather channel.” The woman sang. “Paul Simon – before your time I guess.”

“Yes.” Dan said sitting in the armchair. The couch was just large enough for two people. He didn’t want to be that close to Glaucia.

Clearly Stephanie hadn’t checked Mrs. McKay’s trailer for filming. 

“Mrs. McKay, we’re from …” Glaucia began to explain.

“It’s Miss and I know, from the cameras, you’re from that TV show. I was told you were coming. My that’s a lovely shawl you have there Glaucia. I can call you Glaucia can’t I. I’ve read some of your articles in the Mystic Gazette. Is it from Richter’s. They make such lovely things there.”

“Yes, it is.” Glaucia answered.

“You must be Daniel James? You don’t look much like your father though. Then again, second-borns usually don’t. The first often do though. He’s passed away I gather.”

‘Yes but …” Dan began.

“Here, I’ve made us all some tea.” She stepped past Mike to the kitchen area of the trailer. “I baked scones. I do prefer the savoury ones, so I hope you don’t mind. It make them feel less like desserts. These are spinach and rosemary.” She put a tray on the coffee table.

Dan bit into one of the scones. It was still warm.

“You knew my Dad?”

“Not too well but he did come to McDonald Secondary for many years taking those student portraits. I only remember because the company that he sold out to sent such an idiot the next year. That man was a drunk. You know, he would show up smelling of alcohol at that time in the morning. He’d snap at the kids to behave when all they were doing was being kids. He only lasted that one year. So many of the schools complained. I don’t remember his name though. Your dad was so professional. Knew how to treat the children. I guess that came from being a father. It took us ages to get the pictures from the new company, too. They must that been sending them away to Scotland to be developed. Your Dad did his own work, most of the time, though maybe he sent stuff off too because there would have been thousands of him to look after so he wouldn’t have time, right.”

“Right.” 

“You certainly like lighthouses.” Glaucia admired the lighthouse sun-catchers in the window.

“Oh, yes, ever since I was a little girl I wanted to live in one.”

There were various lighthouses around the trailer. Paintings, throw cushions embroidered with them, door handles on the kitchen cabinets, woven into the rug, even the table lamp in the corner.

“I know, it’s such a Maritime cliche but so am I, really. The spinster school teacher who never went further than a hundred miles from where she was born. It’s not that I didn’t want to travel mind you but once I graduated with my license I thought this is where I needed to be. I had parents to look after anyway. Plus I really did like the children. I couldn’t imagine moving away to leave these families behind. I mean, I did get to know the families. Often taught the mother, the father then the children, then the children’s children. Goodness me I knew some of them better than their own relatives.”

“How do remember them all?” Glaucia nibbled at her scone.

“Oh Glaucia I don’t. I only remember these because of what happened to them. It was terrible. When school started again that year the other children were so … scared … I tried to get them to talk about it but, well, we didn’t have any way to offer them emotional support. Things have changed, haven’t they, with all those school shootings in the States. Why one of the girls in my class started crying one day. Turns out her family was moving to Arizona and she was afraid she’d get shot in school. Imagine.” She got up, brushing crumbs off her lap onto the floor. “Don’t worry making a mess. Cleaning up will give something to do later.” 

She went toward the back of the trailer. “I’ll get my file for you.”

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Picture Perfect 46

Picture Perfect 46

In the morning Dan packed his suitcase for the drive to their next location. Storm clouds overhead made him hope they could reach Wolfville before a real storm broke. He locked his stuff in the trunk of the car & went to the Waterside Diner for breakfast.

“The usual?” George called to him as he sat with Roberto in one of the window booths.

“Good morning Mr. James.” Roberto said.

Before he could answer Baxter came into the Waterside diner.

“What happened to you?” Dan asked rubbing his eyes.

“What do you mean?” Baxter asked.

Instead of his customary vivid green or purples with the latest in athletic footwear Baxter had on dark grey jeans with an equally toned down sweater, & conservative suede slip-ons. He’d even swapped his bright red framed glasses for solid black frames.

“Oh this?” Baxter gestured to his clothes. “We’re following up on the leads our ads have brought in. I know how to dress so as not to distract people. I even have a different business card for this persona.”

He handed Dan a plain white card with “Curtis Baxter, executive Producer Quintex Studios” printed on it.

“Not promoting Baxter Bits?” Dan said. “I am impressed.”

“I wish I could say the same about your interview yesterday.” Baxter sat at the table. 

“I thought you said it was smooth and went well.”

“It did. Too smooth. Too well. The editors in TO went over it & we, frankly, are very hard pressed to find anything in it.”

“In it?”

“We were expecting more of you studying the photographs & than saying ‘she’s very pretty.’ His dissing the RCMP is pretty tired stuff too.”

“I don’t know it was my job to script things for him to say?”

“I know I know but, fuck, there has to be more there, right?”

“You wanted me to sweat a confession out of him? This isn’t a hot pursuit crime show. It’s not COPS. Or were you expecting some sort of e.s.p trance as I wavy hand over the photos as I say ‘I sense of dark presence?’ That’s not how photo forensics works.”

“It’s not that but ..”

“I can’t make looking at a photograph more exciting than it is.”

“I realize that but I was expecting you to find more in them.”

“They were a bunch of very ordinary family photos. It’s not as if I was examining crime scene photos or ones being used for some sort of blackmail. They were ordinary photos of a family party. Of kids growing up. That’s all. None of them had visible bruises.”

“That’s not enough to keep the viewer interested.”

“Isn’t that the editors’ job? Oh! I suppose you expected me to see where the children were … to see the reflection of their abductor in their eyes? That would take more than the naked eye given the quality of those pictures, anyway.”

“Ooh that would be great. Or say, the perp lurking in the background of one of those party pictures. It is possible isn’t it? In a mirror, say? Even if there isn’t, you can act as if there is.”

“This is how reality gets rewritten so truth becomes irrelevant?”

“It has to be heightened in someway. Didn’t you pick up anything from handling those pictures?”

“Look, I can tell you lots of stuff, but none of it is relevant to why those kids disappeared. I can tell you things like the time of day the pictures were taken, what make of camera was used, possibly even the model. If there is a reflection in the children’s eyes it would be of the photographer not their abductor.”

“So who took these pictures?”

“According to Forestier it was a family friend. These were duplicates. They were taken by with ordinary Kodak. Trust me there wasn’t anything unexpected in them.”

“But surely you got some vibe from them?”

“I’m not the Long Island psychic Baxter. I’m a forensic photo examiner. Do you really know what that means? It is a science not e.s.p.”

“Okay, okay. I didn’t mean to get you riled. We expected more from you. Do you think Dad is holding anything back about what happened?”

“He seemed to be telling me everything he remembered. I believe him when he says he has no idea what happened. If he was implicated the RCMP would have found out.”

“Would they? They didn’t even know there were others. Did they?”

“They couldn’t have, according to the timeline of these cases. This was the first one. So they would have had nothing to connect it to.”

“Yes, but even so, when there were others, those dots still weren’t connected.”

“You just said ‘dissing the RCMP is pretty tired.’ Even today that sort of dot connecting can take time. Then they didn’t have the communication network we have today. Fax isn’t the same as Twitter. Besides these provincial divisions were more experienced with bootleggers than the abduction of children.”

“Okay, okay I get the picture.” Baxter’s cell phone rang. “Great! We’ll be over in five.” He turned it off. “Come on the War Room has finally arrived.”

“War room?” Dan followed him to the parking lot. There was a second, slightly larger cube van parked next to the one that housed the remote studio.

The driver came to the back, pulled a stairway out from under the chassis of the truck. He made sure it was firm then walked up it to roll up the back door of the cube. He stepped to one side and into the back of the truck gesturing for them to enter.

Dan followed Baxter up the stairs. Inside was a mock up of a police investigations room. One on wall was a map of the Maritime provinces with pins stuck at the various locations where children had gone missing, from each pin were drawn lines that lead to pictures of the children.

The pictures were spread across in the order of their reported disappearances. Under the pictures was pertinent information: their ages, exact dates of when they vanished, who lead the local investigations. On the other wall were the same pictures but with more information under each – descriptions of clothing, who saw them last, who of their families was still alive & willing to talk to Qunitex studios.

In the middle of the room was a conference table with six chairs around it. From the ceiling hung various cameras, lights. At the very front was a small control panel.

“Everything is done with the computer.” Baxter explained. “Voice and motion activated to follow what goes on in here.”

“And what will go on in here?” Dan sat at the table. The chairs were very comfortable. He could swivel in it but not move it. It was bolted to the floor. As was the table. In front of each chair, embedded the the table top was a tiltable touch screen. He glanced down at it and there he was looking back at himself. “Creepy.”

“This is where we’ll meet to discuss the day’s investigations. Things that we don’t want to discuss in front of the families.”

“But which they may get to see when the series gets broadcast?”

“If they follow the live vblog on line. Don’t let that keep you from saying what’s on your mind. Sometimes there can be as much drama here as out there. We’ve been broadcasting live since the door opened.”

“Who’ll be taking up the other seats?”

“I will, at times, to fill you in on what we learn from the tipsters. Stephanie most of the time. Any of the RCMP who are willing to appear with us and …” he pressed his cell. “Okay, Glaucia we’re ready for you.”

“Glaucia?” Dan asked?

“Dan you startled me when you said psychic earlier. For minute I thought you were one yourself. Ah …”

A thin, red-haired woman came up the stairway into the war room. She was taller than either Baxter or Dan. Minimal make up. Long, flowing skirt, mainly black with iridescent blues and red swirls, pale white blouse and a dark red, fringed shawl. She reached her hand out to Dan.

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