Godzilla-a-Go-Go

I’ve just finished reading – A Critical History and Filmography of Toho’s Godzilla Series, a historical filmography book that analyzes the Godzilla series written by David Kalat. I queue jumped this to the top of my to-read-pile, putting aside one of the books I was already reading. I really enjoy books that put things into a larger cultural context & this books nearly delivers on that level.

It was great fun to read the background story of the financial vs art struggle of the monster. Kalat is a fan but gives balanced look at the weaknesses of the films. He also gives insight into how they were marketed in japan as oppose to how they were often reconstituted for the American market. The inept bad voice choice dubbing being the prime crime against Godzilla. I’ve always wonder why they can’t hire real actors to do this work – after all Disney uses well-know actors for their animation?

But Japanese films weren’t the only one to suffer hack dubbings – try watching any of the many Italian sword & sandal epics & one realizes bad dubbing was routine. The Italian movies often suffered the same reconstitution for the US market.

But I digress.

Kalat explores the soundtracks as well & often the film were stripped of their origin soundtracks for stock sound cues when released in the US. It is no wonder they often suffered critical drubbings. Seeing them now, thanks to TCM, I am happy to read subtitles & not be distracted by dubbing. The films are Japanese originals as well not that I have even seen the crappy US versions of may of these. They didn’t make it as far as Cape Breton.

I don’t take them as seriously as Kalat though. Much like Supermarionation, one always knows this is suitmation. The scale model work is impressive but never convincing. Some things can’t be scaled: water, fire but always love scenes were boats get capsized. Back projection work improved over the years but, Let’s face it, HD TV isn’t kind to back projection.

Kalat’s filmography ends in the early 2000’s. I would like to see many of the movies later movies but the Japanese versions are unavailable on DVD – i.e. Submerging Japan. I have seen the late 90’s ‘re-boot’ set in New York with Matthew Broderick as the scientist & despite many critical quibbles I really enjoyed it. The taxi chase scene is great & the Godzilla, although not the traditional one. was pretty good cgi. Fans want suitmation. 

Of the ones I’ve seen I’ve liked Godzilla vz Hedora (The Smog Monster) – pop art meets suitmation. The psychedelic music is wondrous, nightclub scenes are on point – who cares that Hedra, at points, looks more like melting candle. Also really enjoyed ‘Ebirah, Horror of the Deep.’ 

A great book beyond the Godzilla content for its insights into the American domination of the world film industry.

The Glory of Godzilla https://wp.me/p1RtxU-3Tp 

Lock and Key

I don’t know

how many doors I’ve walk though

how many I’ve shut behind me

never to look back

how many keys I’ve had copied

how many I have lost

how many I have 

in a drawer rattling around

with forgotten doors to open

no way of finding their way home

had a book of photos of doors

doors around the world

some partially open 

some with a face peeking shyly out

most shut solid

barring me for seeing deeper

never saw a book of keys

they’re a deeper mystery for me

I have an idea where a door might lead

but a key

what lock does it match with

what could it unlock for me

the keys to the highway

the door to the unknown

could it open your heart

https://wp.me/P1RtxU-2f6

December

The Secret Handshake Gallery – feature – date TBA

January

Thursday 23 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

March
March 5 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

April
April 3 – Hot Damn! It’s Queer Slam – Season 6 finales Buddies andBbad Times Theatre

May

Richard III – Stratford Festival

June  – Capturing Fire 2020 – Washington D.C.  capfireslam.org 

July

All’s Well That Ends Well – Stratford Festival

Hey! Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

Jazzy Han Har Har

Bo Hansson made a crossover foray in the early 70’s with his lp Music Inspired by Lord of the Rings. I was a Tolkien fan at the time, had read the books at least once & when I first heard this was expecting a sort of Celtic/Swedish sound with tambours, penny whistles stuff but instead it was a gentle, moody, jazz exploration of the Rings. I replaced that lp with cd in 2003. Almost meditative & forerunner of new age sooth. Pleasant & timeless. 

Much more jazz, is trumpet Roy Hargrove’s Public Eye; Habana; earfood – which I have as stand-alones. I first heard him as sideman with the likes of Dave Brubeck, Christian McBride. I picked all these up, at different times, on sale at HMV. Solid jazz. Habana explores Cuban sound with a large group;

I have a chunk of sax player Eddie Harris on an mp3 collection that includes his Complete Jazz Sessions 61/62; as stand-alone From 68): Electrifying/Plug Me In; & back to the mp3 collection his 1969 lp Silver Cycles. At once time juke boxes would have several jazz recordings & Harris filled the bill with these tracks – all around 4 min, many versions of movie theme or standards – high quality cocktail jazz. The stand-alone is more of the same but with more explorative longer tracks. My first Harris was Silver Cycles which is an amazing early exploration of electronica & experimental jazz. Some track feature a wordless female quartet. I always loved it eclectic range of this lp. I added the Sessions when I found the 44 track collection on iTunes.

Also in this mp3 collection is Vinnie Burke’s String Jazz Quartet. One of my co-works in Sydney was a jazz fan & I first heard his lps of this – a couple of upright basses, cello, violin – no percussion beyond plucking & I loved it. I had an lp to cas dupe which I was happy to upgrade to mp3.

Here too is Mike Cuozzo’s Mighty Mike – fine easy jazz with some vibes for flavouring. As well as Marie-Louise Girod’s Last Year At Marienbad soundtrack. One of my all rime favorite movies with a an eerie organ soundtrack. I never expected to find this but there it was on iTunes.

Booker Ervin’s The Song Book is an lp to cd finally to mp3 that fits nicely in this collection. Ervin is Harris to the next level of jazz seriousness. For a modern touch there is Russell Gunn’s Love Requiem; Plays Miles Davis. Modern jazz but a fine trumpet player. I love his Davis homage. 

Finally for a total change is Adam Rafferty’s Gratitude. Acoustic jazz guitar that isn’t challenging nor is it relaxation music. I heard his version of Stevie Wonder’s Superstition & track it down to this lp. makes a nice break from the ‘real’ jazz.

Latino Likes Dad

I am a liar. At my age it’s hard to admit to that, but it is true. Not a big liar, but there’s no such thing as being a little pregnant. I only lie about one thing, my age. Not that it is such a big deal in the long run, but if I can get away with 10 or 15 years younger than I am then I’ll do it. We live in an ageist culture. In the gay world it is even harsher. The older men get, the more they want bodies in the early ripe of life – those sweet young things between 20 & 30. Ask a 50 year old if he finds other 50 year olds at all attractive he’ll probably snort with derision.

When I come to attraction, age isn’t the key for me. Well-preserved is well-preserved. I’ve preferred men to young guys. Once they hit 35 they are about old enough for me – seasoned but not too bitter yet.

So I lie about my age because those guys at 35 aren’r ready for well-preserved, even when they claim to be, as they do on those web sites devoted to bringing older and their younger admirers together. 

As they say the web we weave can get sticky, as I have different ages on different sites but so do some of them. I know what works where. Not that I get much action anyway, but the web has been more productive than bars clubs or sitting around coffee shop gleaming manically over a triple espresso. I hooked up with Juan from, I think, I Dig Daddies, which I can’t help but think of as I Dig Graves, but that’s another story.

His handle was LatinoLikesDad. His profile was straight forward. A couple of clear photos. Plus he contacted me. I like that. He arrived for our first playdate, on time & eager. Ditto for the second. He was in many ways just what I was looking for except he had strings, or rather wanted strings. He didn’t say that but I could tell. I on the other hand am what one would call polyamorous. The more love you invite the more you have to share. I am not a slut.

Not that I’m all that active. Quality has always been more important to me that quantity. More than one on the go always made me happy. Something I never hid from any of them. If they can’t deal with it such is life. But when I’m too old or too young I tend to take that personally for some reason. Such is life.

So this is be third time Juan & I date. This time a real date not just a clothes off, slobber on each other opportunity. A date is all foreplay and the more of that the better. Coming isn’t the point of sex, it’s the end of it.

https://wp.me/P1RtxU-2f6

December

The Secret Handshake Gallery – feature – date TBA

January

Thursday 23 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

March
March 5 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

April
April 3 – Hot Damn! It’s Queer Slam – Season 6 finales Buddies andBbad Times Theatre

June  – Capturing Fire 2020 – Washington D.C.  capfireslam.org 

Hey! Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

“crazy does not discriminate”

The shocking, to many, blanket of snow that covered Toronto Thursday didn’t cool the enthusiasm of the audience for the Hot Dam show hosted by Robyn Sidhu at Buddies that night. The crowd was, as always, receptive & at times noisy in response to the performers.

random lines from the open stagers & slammers that started the show. banana marshmallows for The Man With X-Ray Eyes; the candy turned into glue bars; ran faster that nightmares; my mouth unbroken; why am I haunting him; I cycle through the motions; I miss you too much to do the dishes; queer as in – if I die in prison it was not a suicide, queer as in – everything is trying to erase me; my mother asks, why are doctors lying to her; don’t you think I was a good mom.

Feature Wes Ryan gave an amazing performance, at times it was like chatting over coffee with a good friend. The pieces were deeply personal, some dealt with trauma but without melodrama or self pity. The work of a survivor who accepts the cost of lessons. random lines: I watched those pigeons grow, they would run to the edge & stop, those times you made it through without intervention, memory lapses overlapping, I had addictions: powder cocaine, taking the blame; perverts protected by apathy; get nervous when I can’t see the eyes attached to the fingers, rest was a chore I did until I was ready to relapse.

As he performed he complained about the heat (such a porn trope – is it getting hot in here?) removing sports jacket, tie etc then for one of the final poems off with his outer garments to reveal a dress.  “didn’t study dance but learned how to fall with accuracy, the thin line between fight &  flight, crazy does not discriminate.”

After the break there was a fresh, fun, open stage of cold reads of random poems from random books of poetry on the stage. What a great way to expose the audience, & poets, to the work of other poets. From the final round: my mental health is a sitcom, only my anxiety & depression ever fucked me silly, he looks at me a little too long, my mind enters rooms well after my body does, my body is a magic trick like a disappearing home that should have been safe, love is the words to a song that has no translation.

Winners were declared, prizes given out & the show wrapped by 9:30. The next Toronto Hot Damn is January 23, 2020.

Hey! Now you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet,eh? paypal.me/TOpoet

one of the scary pieces I read

The Haunting of Him

it is a parapsychological theory

I learned from ghost hunter shows

which says it is unfinished business

emotional 

hidden treasures 

lost keys

that keeps restless spirits on earth

but we had no unfinished business

so I don’t know why

I’m haunting him

Killdozer

I read a review of Killdozer’s Little Baby Buntin’ & was intrigued enough to pick up the cassette. The band isn’t quite grind core but is relentlessly metal with blistering crude sexually loaded lyrics & spoken sections. I love it when they come up in my playing rotation. I ‘up-graded’ to mp3 eventually & add their  God Hears the Pleas of the Innocent. It extends their sound. The band has humour & the lp covers are a delight.

Similar to them is Gay Bykers on Acid. I have Drill Your Own Hole, and Stewed To The Gills. These are songs about tension, the crush of popular culture. Excellent samples layered with guitar, thudding drums, sardonic lyrics delivered with insinuating gusto. Another band I discovered after reading a review. Plus couldn’t resist their name or that title. Another that started as a cassette then upgraded.

With them is the much more pop Aerosmith’s Pump. This was the huge comeback for the band & is a great lp of hits, muscular driving, heterosexist songs about love, drugs & being masculine.  More of the same out of Little Caesar. I have their First; & Redemption. This is metal music with abs, it is so muscular & writhing. I love their Motown covers.

Finally on this mainly metal mp3 cd is the soundtrack from The Return of the Living Dead. Metal that veers into rock-a-billy, tracks that are glam-rock with a sprinkling of actual dialogue from the film. The film is excellent, the music is superb. I had an lp to cassette transfer at one time, then opted to upgrade to mp3 version, which also had bonus tracks. Fun music that lives without the movie.

The Smell of Money

I heard the shower start. 

“You still want to join me?” Juan stepped out of the room naked and smiling.

“In a minute.”

He went back in.

I picked up his clothes from the floor, felt the weight of his wallet in his jacket and took it out, flipped it open to his i.d. 

‘Juan Pietro Cardosa’ 

He had given me his real name. Not quite as young as he claimed, But we all do that. Several twenties, fifties, even a couple of hundreds. I’d be nervous carrying that much cash around. Credit cards all with the same Cardoso name. I fingered the cash, became aroused, pulled out a twenty and put the wallet back. There was no rush like that quick little hit from someone you might care for. Better than money in the bank is money from someone else’s wallet. 

I rubbed the twenty around my balls. The feel of, not so hard, but cold cash made me harder. I stepped into the bedroom, stuck the twenty in a box in the bottom drawer of the dresser in a box with other recent cash deposits. 

I stepped into the shower. He had picked the woodsy body wash that Gary liked so much.

“Nice choice.” I slid around him, belly rubbing his back, then his rubbing mine, erections teasing cracks of asses, belly to belly. Hot water and slick with soap. The woodsy vanilla being rewritten as Juan’s scent. 

Kissing, drying, & laughing we pushed each other to the floor, onto the bed.

He nosed my pubes a moment then stopped. “You smell like money. I love that smell.”

https://wp.me/P1RtxU-2f6

December

The Secret Handshake Gallery – feature – date TBA

January

Thursday 23 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

March
March 5 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

April
April 3 – Hot Damn! It’s Queer Slam – Season 6 finales Buddies andBbad Times Theatre

June  – Capturing Fire 2020 – Washington D.C.  capfireslam.org 

Hey! Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

Horror Rock

I have been thoroughly enjoying American Horror Story: 1984. It features great work by regulars Leslie Grossman, Billie Lourd & stellar work by John Carroll Lynch (he was also amazing in Chanel Zero’s No-End House – 2017). A season without stunt casting, unless one considers the 80’s look stunt casting. And what a look it has, from the workout gear, music, even bands (will Billy Idol do a guest spot in the finale?)

The plot is ‘Friday the 13th’ summer camp massacre with a handful of horny camp councillors, who one knows from the get go, that are all going to die. Throat cutting is very popular. Identities, loyalties, motivations constantly shift. Everyone is given a juicy back story while the series has time to explore the random coincidences that link them. Every trope of the genre is explored with respect & humour. Each week another one comes to the surface. Ah now it’s the spirit of the mother of the boy who drowned in 1948 whose brother grew up to a …. that is behind all the mayhem. For once I’ll be sad to see the season wrap up. 

I’m now four episodes into the new season of Castle Rock. With Lizzy Caplan as a seriously disturbed Annie Wilkes the show has a real backbone to build on. Add Tim Robbins as Pops Merrill, this promises to be a great mash up of Misery and Salem’s Lot, plus we’ve already had a good helping of Stand By Me & Gerald’s Game. But one doesn’t need to know anything about those King works I just named checked, to get pulled into this multi-layered story. So many layers I’m still not sure who the ‘bad’ guys are or where the plot is going. 

Each episodes has added a new layer or direction in the many plots that are already in the air. Who is Annie running from, is Joy her child, what about Joy’s friends – can they be trusted, what’s with this growing army of reanimated corpses, will Barkhad Abdi be able to keep the Somali community safe? Yes, that’s right there is a large community of Somali’s living in Jerusalem’s Lot. Steven King often uses ‘the other’ in his novels & here they are clearly present.

The race issue, which I don’t think King ever really uses in his writing, plays a big role in the superficial conflicts – but perhaps not in the supernatural conflict that the show seems to be building up to. The budding romance between the two teen girls brings yet another sense of ‘other’ in to the mix & I’m interesting seeing how that is developed. Of course, as is often the case, girl-on-girl romance is more acceptable as a plot device. 

I’ve also been enjoying Fan Critical’s Castle Rock podcast as they discuss each episode in some detail. They also talk about which of the King works are being infused in each episode from plot details, character names or even locations merely mentioned. I look forward to their comments almost as much as I do each episode.

Mugged

there are objects in my home

that haven’t change position since 

they were first placed there

silent sentinels of memory on shelves

coffee mugs from places visited

tea cups & saucers 

from the estate of the dearly departed

some rarely even moved to dust

they sit indifferent 

to what they are imbued with

 

was it a yard sale 

where that collector plate came from

who cares about those hours 

spent scouring second shops in Montreal

for just the right knick knack

I don’t remember where I bought 

many of these things

yet I hold on to them

ornamental diversions

for guests I suppose

to demonstrate my sense of humour

how eclectic I am

 

I am reluctant to let go 

repurpose or regift

I do resist now 

adding to the accumulated debris

maybe this is the day 

I’ll force myself to let go of one thing

one dusty treasure

 

o let there be a blank space to savour

can I clear the field

resist the call 

of what are now fragmented 

nostalgic moments

in an unmoved unused 

coffee mug

https://wp.me/P1RtxU-2f6

every Tuesday 2019

October

15 – Stratford Festival – The Crucible

November
Thursday 7 – Hot Damn It’s Queer Slam! – Buddies and Bad Times Theatre – 7 pm – featuring Wes Ryan.

December

The Secret Handshake Gallery – feature – date TBA

January

23 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

March
March 5 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

April
April 3 – Hot Damn! It’s Queer Slam – Season 6 finales Buddies andBbad Times Theatre

June  – Capturing Fire 2020 – Washington D.C.  capfireslam.org 

Hey! Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

Oh K Corral

Thanks to MTV Angelique Kidjo’s fifa got much deserved exposure with its mix of traditional sound & funkiness. Her voice is rich & emotional and the songs fine. At times its like Osibisa with a female lead singer. I great piece fo world-music & an excellent start for anyone wanting to explore African music.

 

Kesha’s first videos were like a teenage boy’s sexual fantasy fulfilled – no – I’d go further as the sexually bold almost under-age female she projected appealed  to many straight men. The music was danceable, touches of electronic, a hint of hip-hop made her an  Animal. Slickly produced and carefully packed she was a hit. Turns out she wasn’t just a package that was easy to handle, she had a mind of her own & a sense of what she wanted form her music career, which lead to conflict with her manager & her record label. Men who clearly knew what was best for this upstart brat. Slutty girls sell but she didn’t want to be exploited fought back, was silences for a whole then came back with Rainbow. A great set of angry, joyful & thoughtful material. Plus, like Lady Gaga, Kesha can actually sing.

 

Next are stand-alones by the Killers: Hot Fuss; Sam’s Town; Sawdust; Day & Age. I can’t call myself a fan though. I enjoy these when they come up in rotation but haven’t felt called to play them outside of that rotation. A strong pop rock band – a ‘tougher’ version of Coldplay.

The songs are catchy, engineering is spot on, but I doubt if I could tell them from Star Sailor or Lifehouse – bands with a similar rock sound. I picked these up all on sale at different time for about $4.99 each.

 

How Old

“How old are you?”

That question always came at the wrong moment, not that there was a right moment to ask me that. I had to mentally flip through the various profiles I had on line, which one had been my introduction to Juan. 

“Is that relevant?” I pulled Juan’s fly down then undid his belt buckle. “We’re both old enough for this.”

“Yeah.”

This was our third time together. This time had been an actual date. Movie, drinks after, then back to my place. The first two times had been walk in drop to the floor naked. That always satisfied me but he pushed for more. I was open to that as well. Getting to know you as I’m getting to blow you.

We struggled out of clothes in the living room.

“Gotta take a leak.”

“You know the way by now.”

I gave him a few minutes to do his business then pushed the bathroom door open. He was looking at the body wash on the shelf by the shower.

“Time to come clean?” I was about to turn the shower on. I grabbed the body wash that reminded me of Gary, now I hoped it would remind me of Juan. 

“I’m old enough to shower by myself.” He nudged me out of the bathroom & shut the door.

https://wp.me/P1RtxU-2f6

every Tuesday 2019

October

15 – Stratford Festival – The Crucible

November
Thursday 7 – Hot Damn It’s Queer Slam! – Buddies and Bad Times Theatre – 7 pm – featuring Wes Ryan.

December

The Secret Handshake Gallery – feature – date TBA

January

23 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

March
March 5 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

April
April 3 – Hot Damn! It’s Queer Slam – Season 6 finales Buddies andBbad Times Theatre

June  – Capturing Fire 2020 – Washington D.C.  capfireslam.org 

Hey! Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

The Glory of Godzilla

TCM has picked Godzilla as its monster of the month for October & have been showing 4 or 5 films from the cannon every Friday. Unlike past monsters of the month Godzilla has been produced solely by Toho studios. Dracula, Frankenstein etc have been produced by various studies so there’s a lack of cohesion in those picture.

Not that Godzilla has a story arc but the creature has looked pretty much the same with its oversized rubber suit, staggering walk & roar. Various performers have brought nuanced various on their monsters. Godzilla is noted for his lack of nuance 🙂 That goes for the man in the suit to the actual actors in the films. These aren’t Kurosawa, though I wonder how he would have treated Godzilla – Toshiro Mifune could be pretty scary without the rubber suit.

I have been loving these films & seeing them subtitled, as opposed to dubbed, gives them more oomph. They are from a recent Criterion boxset that covers the oeuvre from 1954 to 1975. Plus TCM has added the ‘stand-alone’ backstory films of Rodan & Mothra. So they have been restored from original Japanese releases & have new subtitles theatre more accurate. All of them had been reconstituted at one time for the American market & as a result some of humour & political stances were lost in translation.

I’m also loving Ben Mankiewicz’s introduction to the pictures as he tries to treat them with scholarly insight. Let’s face it Kill All Monsters isn’t Throne of Blood.

I’m seeing many of these pictures for the first time though I have seen Mothra repeatedly – the Christian symbolism is surprising. I do have the 1954 original in both the Japanese version & the American remix with Raymond Burr seamlessly inserted into it. The American version removes all mentions of the atomic bomb being dropped on Japan. Radioactivity plays a role in many of the films – as it did in American creature features on the time.

Of the ones I’ve seen so far my favorite has been 1966’s ‘Ebirah, Horror of the Deep.’ It has a fun teenage dance contest I watched a few times before going on with the film. A bit of James Bond, a bit of beach party, & a great sea creature. Son of Godzilla was amusing but there was no Mrs. Godzilla – not that I’m expecting a documentary about reptile reproduction. 

I have soundtrack music in my cd collection, also other music written by some those composers. I have two Godzilla action figures & at least 3 t-shirts. I guess I’m a bit of fan. Thanks to TCM I’m not shelling out the nearly $300 for the boxset though.

Arrgh – Godzilla

as a kid

I would often play at being Godzilla

stomping on my toys

kicking them over

breathing my fire breath on them

invulnerable powerful dangerous

enjoying that ants were sacred of me

as I grew up

I would pull on my Godzilla suit

when things weren’t going my way

emotionally swing out at people

stomping on their intentions

when they didn’t suit my expectations

 

I later found out that Godzilla

was a man in a rubber suit

a small Japanese man

actually men

because the suit didn’t breath properly

the actors would tire out   get sick

they couldn’t see well out of the eye holes

and have to lead to the set

pointed in the right direction

just like my loss of vision

when I pulled on my Godzilla suit

to strike out at life

refusing to let anyone 

lead me in the right direction

if the actor was in the suit too long

he’d break out in a rash

get too itchy to wear it

 

me I’d break out in rash decisions

end up with itchy resentments

that I’d take out on those around me

 

like those actors

no one knew who I was

as long as I wore the suit

every good villain has a motive

has something he wants

but it was never clear what Godzilla wanted

expect to be left the fuck alone

we never see Godzilla relaxing

beyond floating 

to the bottom of the sea to sleep

all of his energy was spent

battling the nuisances of a life 

he didn’t even want to be part of

of being a monster stuck in a normal world

that didn’t have a place for monsters

https://wp.me/P1RtxU-2f6

every Tuesday 2019

October

November
Thursday 7 – Hot Damn It’s Queer Slam! – Buddies and Bad Times Theatre – 7 pm – featuring Wes Ryan.

December

The Secret Handshake Gallery – feature – date TBA

January

23 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

March
March 5 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

April
April 3 – Hot Damn! It’s Queer Slam – Season 6 finales Buddies andBbad Times Theatre

June  – Capturing Fire 2020 – Washington D.C.  capfireslam.org 

Hey! Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

Pierné et Greig

Sadder than a one-hit wonder is a no hit wonder:-) Such is the case of Gabriel Pierné (1863 –1937). I have an over 7 hour mp3 collection that includes the ballet – Cydalise et le Chevre-Pied; Impression de Music Hall; Chamber Music; Harp Music. I knew of him from an  MHS completion of 20th century composers which included a movement from Cydalise.

Being a slightly obsessive about obscure (to me) composers I did an iTunes search & downloaded more of his music. Apparently one of choral works in his biggest hit. Cydalise is sweet & pastoral with the usual ballet moments of duets etc. Enjoyable, as are the rest of the works I added to my collection. The chamber music includes works for violin, piano quintet etc. Plus a set of his delightful harp music.

Also in this mp3 collection by Edvard Grieg (1843 –1907) are his Music For Strings, Old Norwegian Romance. Grieg has a higher profile than Pierné. Pierné’s music is more in the modern classical style more playful than lush, harmonic but not overly romantic. Grieg is romantic, lush & often overly emotional (check his piano concert). Romance is built on the heroic ballad melody, ‘Sjugur and the Troll-Bride’ (thanks google). Stirring & at limes brooding I love it.

To round this collection I added two lps to cd transfers of Leonard Bernstein: Favorite Overtures (Hérold, von Suppé, etc); For Young People (Dukas, Strauss, etc).

A Man & His Bed

he’d slept on that bed for years. same mattress. new sheets when needed. always freshly washed. changed once a week. that’s the night he slept the best. the night of the fresh sheets. he loved the bed. the welcome it offered at all times. unquestioning. mattress given a longer life by spinning it in spring. flipping it in the fall. 

the bed was the refuge and support the cradle of dreams. he laughed to himself the cradle of dreams. he was turning into a bad bed poet. he’d move it every now and then from a corner to more central in the room under the window. then opposite from the window. all moves of maybe three feet in any one direction at any time. not enough space in the room for a dance with the frame.

sometimes he shared the bd with others. no more than a night but not often. it was sturdy enough for a sexual romps. play with with willing bodies. but he felt that sleeping in it was something for him and him alone. he didn’t want to share this refuge retreat with anyone for long. he never learned how to sleep with others. didn’t want to. that would certainly be the deciding factor in any long term relationship. live in or other wise. the bed was his domain to be shared briefly but not over night.

sleep was a bargain between him and the bed. unequivocal.

https://wp.me/P1RtxU-2f6

every Tuesday 2019

November

Thursday 7 – Hot Damn It’s Queer Slam! – Buddies and Bad Times Theatre – 7 pm – featuring Wes Ryan.
December

The Secret Handshake Gallery – feature – date TBA

January

23 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

March
March 5 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

April
April 3 – Hot Damn! It’s Queer Slam – Season 6 finales Buddies and Bad Times Theatre

June  – Capturing Fire 2020 – Washington D.C.  capfireslam.org 

Hey! Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

The Haunting 

Today horror is equated with gore and photogenic stumps interacting with CGI. If the ‘entity’ isn’t shown readers, viewers are disappointed. This resulted in endless bad creature costumes (how hilarious is Mothra as a creature). All too often the ‘entity’ was more important than the actual story & dialogue. In so many horror films all that changed were the actors & the entity. The story & dialogue were basically the same.

A fact I didn’t realize until I was an adult. Some of those films, books, hold up, others well, haven’t dated so well. The original Frankenstein film hasn’t been improved upon with better effects, better monster make up. None of text have added any real depth to the film. The actual Shelly novel is as much a philosophical treatise as it is a thriller. The creature is more intellectual than allowed in most of the film variations.

I recently watched The Haunting – based on Shirley Jackson novel. I have seen this film several time but each time I see different elements. Also I watched it with a friend who has never seen it before. I also should add that I have read the novel more than once, read other work by Jackson & back in 1991 I directed a stage version – so I am familiar with it.

Horror, the supernatural, & to a degree gore, have been inspirations for me since I was a child. Having a cemetery, managed by my father, as a playground growing up certainly added to that interest. Oddly I never did become a goth. But I certainly loved monsters the Mummy, Wolfman, Dracula – these were the supernatural creatures. Creature from the Black Lagoon, Them, Godzilla – where environmental monsters thanks to toxic chemical, nuclear radiation.

The horror of The Haunting maybe man made: something that manifests from our personal inner turmoil, or from another’s inner turmoil seeking revenge, release, completion or to teach us a lesson as in A Christmas Carol. The Haunting sets the bar high & very few films have succeeded as it has. Jackson’s novel sketches in vague scientific speculation but leaves the rest up to us.

Later versions of movie parapsychology have added more equipment, better fx but no increase in the spook factor. I also find even Jackson relies too much on psychology to semi-explain things. Eleanor arrives already emotionally unbalance. The ambiguity of whether she looses touch with reality or has intact been absorbed by the spirits of the house is the spooky thrust of the story.

Without this film & this novel, we’d wouldn’t have an endless parade of novels about parapsychological investigators suffering for their research, or an endless parade of reality TV shows about parapsychologic investigators with bad hand-held cameras, whispering ‘did you hear that?’ in night vision lighting.
I would highly recommend both seeing the original The Haunting & reading Jackson’s novel ‘The Haunting Of Hill House.’ They complement each other. They also show how eerie chills can be created without monsters, cgi or dismemberment.

Maple Ridge Road

people told us

the abandoned Macintosh mansion

at the end of Maple Ridge Road

was haunted

but we didn’t believe them

so on the last full moon of October

Davey, Martin and me

we snuck into the house

and were never seen again

https://wp.me/P1RtxU-2f6

every Tuesday 2019

October

15 – Stratford Festival – The Crucible

November
Thursday 7 – Hot Damn It’s Queer Slam! – Buddies and Bad Times Theatre – 7 pm – featuring Wes Ryan.

December

The Secret Handshake Gallery – feature – date TBA

January

23 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

March
March 5 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

April
April 3 – Hot Damn! It’s Queer Slam – Season 6 finales Buddies andBbad Times Theatre

June  – Capturing Fire 2020 – Washington D.C.  capfireslam.org 

Hey! Or you can give me $$$ to defray blog fees & buy coffee in Washington at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

“I danced for the Devil”

Does this sound familiar: rabid anti-gay rights activist caught making pass at a man in washroom – admits he is gay. The accuser being guilty of what he accuses others of – this is a part of the many layers of guilt in The Crucible. Guilty of one crime you are guilty of all crimes. Accusation = guilt. Being innocent doesn’t undo the stain of the accusation. The Crucible functions on many levels – the use of authority is more important that justice, the denial of guilt is really an admission of guilt.

My last theatre day trip to Stratford was to see Arthur Miller’s The Crucible. A play about witches in October – what a concept 🙂 The production was intense, riveting & the political allegory hasn’t dated a bit. Except these days many don’t care about guilt if the guilty are rich enough – a president can admit to ‘grabbing pussy’ (underage beauty contestants should be flattered he grabbed their privates) & is still in power. But I digress.

The simple set with side pieces of tall trees moves silently & easily to accommodate several locations. The ambient sound before the play starts create a a sense of forest. Once the plays starts with the ‘possessed’ child (nice nod here to ‘The Exorcist’) it moves with constant intent & mounting emotional & physical intensity.

The performances were strong for a cast who clearly enjoyed these characters, had dug deep into the text itself, & gave unexpectedly raw performances. Tim Campbell as John Proctor & Scott Wentworth as Reverend Parris gave amazing performances – perhaps the best I’ve seen by Scott Wentworth. I was drawn into the dense emotional mire both men were feeling on opposite sides of the conflict.

Shannon Taylor as Elizabeth Proctor was strong – her moment of ‘truth’ brought gasps from the audience. The tempted ‘girls’ lead by Katelyn McCulloch as Abigail Williams were given great dramatic moments of demonic possession. Katelyn was good but was more saucy than vengeful. They were women not girls or children, as they were referred to on the text.

I had seat in 4th row orchestra so had a very close view of the superb costumes plus I was impressed by the meticulous wig work. This is an excellent production, perhaps the best I’ve seen this season & one of the most compelling I’ve seen of stage in some time. Jonathan Goad’s direction brought performances that were deeply effective & made a challenging text engaging & challenging at the same time. 

“I danced for the Devil; I saw him, I wrote in his book.” Arthur Miller

other 2019 reviews:

Costume Warehouse Tour – Me? Caped Crusader https://wp.me/p1RtxU-3vQ

Henry VIII – ‘Abject Object’ https://wp.me/p1RtxU-3vW 

Our Father Issues  https://wp.me/p1RtxU-3CB

Cape Breton (Liberation Army) Day 7 https://wp.me/p1RtxU-3Gj

Mae Brecht’s Sex https://wp.me/p1RtxU-3ND

Plant Food For Thought https://wp.me/p1RtxU-3Oo


Hey! Now you can give me $$$ to defray blog fees & 2020 theatre tickets. Thanks paypal.me/TOpoet