Size

Size

my mother

cut my food

until she figured

I had the ability

to cut it myself

like learning to tie my shoes

I don’t remember 

when that transition

to independence

happened

<>

I do realize 

that somethings can’t

be cut down to size

they have to be taken 

in bites or licks

like ice cream

melt in the mouth goodness

<>

but not all goodness melts

not everything needs to be bitten

to enjoy

though sometime

it enjoys being bitten

even if it is too big

to fit into the mouth

its worth trying

to get as much of it as one can

<>

sometimes 

as a kid

I would stuff 

so many small pieces

in my mouth

I couldn’t chew them properly

I couldn’t swallow

at least now

I know much is manageable 

I have a big coffee mug. It holds 2 cups of fluid – 16 oz. – half-a-litre. I have a travel mug that holds a litre – usually coffee. The big mug is for my morning coffee, which I drink while reading in my study, which is upstairs. I would fill the mug nearly to the rim & carry it upstairs. The problem was that the motion would start a wave momentum in the mug so that no matter how carefully I carried it it would spill. I tried different ways of holding it, walking slowly one-step-at-a-time, pausing to calm the waves. 

I started pouring it into a travel mug so the lid would contain the spill. But I’d end up with two mugs to clean. One day the solution came to me: stop filling it to the max! Oh my, having less isn’t easy for someone who feels ‘enough’ is a good place to start. Why not settle for 15.5 oz? Less was worth it just to remove the stress (& stains) of carrying it upstairs without spilling it. The question of size was settled with a simple action.

This is another piece about the nature of more, of the size of things. When I cut my food I still cut it the sizes my mother would cut it, though there are some foods that really don’t need to be cut much – a pizza into slices, maybe, but I’m not one of those who then cuts those slices into small pieces to eat dainty with a fork – a hand-to-mouth experience.

In some cases even if the food can’t be eaten in one piece, it doesn’t have to be cut by hand but by biting – apples, bananas, a box of chocolates (lol). 

It’s also a bit about memory – those things we do today that we learned as children some of which were practical – tying shoes, brushing teeth – some of which weren’t that practical: racism, sexism – which perhaps our parents weren’t aware of teaching us. Lessons that are now hard to un-digest.


Look At Me

Look At Me

does this fit

does it look good on me

do I look sane in it

does it turn you on

do I look educated in this

does it suit the occasion

will it get me laid

can it open doors for me

will it need to be ironed

can I wear it in public

will it turn heads

does it make me look old

look desperate 

does it come in other colours

maybe a size larger

does it make up for my lack of style

do I have the guts to wear it

does it wear me

will it last longer than a glance

is it why you want me

am I anything without it

can it be replaced
can it replace me

excuse me 

while I slip into 

something a little less demanding

I loved ‘What Not To Wear’ & the stylists philosophical/psychological stance on the value of dressing in ways that enhance our self-esteem. But it is easy to mistake appearance for self & count on clothes take the place of the person. When I was featuring or doing an open stage I dressed as if I meant to be there & I know the power of the right shirt & the right pair of shoes. But also know the right shirt will not make a bad poem better.

This piece is a list poem – some items are our expectations of what we expect from appearance – how clothing can curate people’s perceptions of us. I’ve seen articles on power-suits, dress for success, jeans that will change your sex life. Yahoo is full of headlines like ’60 year old looks ultra glamorous in …’ ‘XX wears daring string thong to gala’ ‘Who are you wearing’ has taken the place of ‘How did it feel to be nominated’

An actor friend of mine said that they never really captured a character until they found the right shoes. I understood that. I also know people who dress defensively to deliberately put people off rather than inviting them in – one moaned about always attracting creeps but when suggested the way they dressed was doing exactly that I was told not to be so superficial.

I’ve always been amused how people who reject ‘lookism’ end up looking alike. Sometimes wearing clothes that say ‘don’t judge me by how I look’ & who judge others by how they look.I always wants that Taxi Driver scene: ‘are you looking at me’ to end up with DeNiro snarling ‘do these jeans make me look psychotic?’ 


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Attention Span

The smaller the font the faster your eyes will tire & the faster you’ll fall asleep, even if you don’t want to fall asleep. This is one of my Kindle lessons after dozing off & reading the same passage three times before I realized I was dozing off & reading the same passage again (did you just nod off reading this 🙂 )

I’ve found that over the years my attention span for certain things has changed. An hour of TV, at one time, is more than enough passive participation for me – I can manage that hour a few times scattered through the day. Sit down for longer than that to watch something & I’m up after first half-hour for a snack 🙂 Seeing theatric productions can be torture – trapped in the dark & I can’t even check my cell phone! Yikes.

Even household tasks are broken down into ‘bites.’ I could have cleared out my basement in three days of work – a few hours in the morning, another couple after a lunch break. But I opted to do it over a month or so, of a little over an hour sessions, a couple of mornings a week. Make that 90 minutes to include getting the vacuum out, etc. I did it piecemeal & got it done. I can’t imagine going to a day job, wether in an office or working at home, for six or seven hours at a stretch. 

When working on editing, or writing new material I find a focused hour, twice a day is all I can manage for the physical part, the mind never takes a break. Movies get watched in 50 minute bites. The only time I see a film from start to finish is with my Saturday movie guy – recently we’ve been watching the Tudors – two episodes at a time. 

The one thing I do for the longest stretch of uninterrupted time is sleep 🙂

Kentic (March 2008)

the faster I move

the less I weigh

the faster I talk

the more I get to say

squeezing out not taking in

the less I take in

the less there is to carry

the less I carry 

the faster I can move

<>

stay in motion

moving targets

get shot at more

but they get hit less

I avoid straight lines

darting back & forth

spinning out into controlled curves

tumbling when necessary

moving too fast

for moisture to stay 

for sweat to bead

drier than dry

<>

l becomes like a wake 

when I am not awake

I don’t move in my sleep

I am like death

so still 

not even my breath can be seen

sleep is for the weak

and I am weak

it is my frailty 

the need to keep moving is 

fuelled by the sleep of righteousness

<>

only the pure of art

can move as fast as I do

can slip the sling of gratification

to be like a sun beam 

faster than the speed of 

found you this time

no one finds me

no one holds me

<>

I’m not slippery 

just too fast to be caught

too nimble to be confined

free of all encumbrances 

except the envy of those 

who want to be free

who feel that to trap this flash

is the only way they can bottle 

their own timid energy 

their own fragile pleasures

the resolution of not catching me

isn’t enough to satisfy them

that’s all they’ll ever get

<>

words of understanding 

aren’t enough to slow me down

I don’t need to be understood to be free

I don’t need permission to disappear

before your very eyes

into a mist of mystery

who was that unasked man

I don’t need an invitation

don’t have to wait for opportunity

don’t make them for myself 

don’t stay long enough

<>

the flame flicker wind 

darting around me

singes then gone

out like a light

out the window

out out out

washed clean 

not a trace of me

not even in memory 

<>

the secret of my success

to be so fast I am not memorized

not recalled

not even a vague discomfort

beyond the spark of envy

for the moment of realization

the faster I move

the less you care 

let’s keep it that way


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Autonomy

In Week Eleven of The Artist’s Way Julia Cameron says: ‘The idea that money validates my credibility is very hard to shake.’ I’d take this even further but substituting ‘money’ with ‘suffering’ or ‘childhood sexual abuse’ or ‘conformity’ or ‘pick your own.’ There are so many sets of standards to measure validation that one can always find one that deems them not deserving. Maybe its the nature of ‘credibility’ that needs to be examined. Perhaps validation & credibility a manifestations of co-dependency – the need for a sense of self defined by outside forces.

I know we are ultimately defined by our culture’s standards but that is no reason not to question or even resist those perimeters. Sure, making money as a creator is a good thing, I’d love to get paid for blogging 🙂 Very few poets I know earn enough $ from their actual poetry to made a decent living – they struggle for grants, teach creative writing, edit for other writers. But that’s a rant for another post 🙂

Watched an amazing interview/biography of Toni Morrison. One of the things she talks about is writing for the white-gaze & when she stopped doing that her writing took on a a different sense, she was freed of needing to satisfy that gaze. This resonated with me as an issue of autonomy. In looking over my archive & greater depth than ever I see how much of what I wrote was written for the heterosexual-gaze.

Work that I pushed to make universal so the emotions were human, as opposed to being specific to me & my sexuality. Not that there isn’t an intersection of those emotions but I was suppressing direct gay sexuality to be more accessible, acceptable?

When I stopped suppressing my gay-gaze my poetry became more personal, more honest & so direct that my performance opportunities declined. I was a bit disappointed but who cares, right? My writing is what it is. I once had an agent tell me my sex scenes were too explicit. I guess was not writing for the heterosexual-gaze anymore 🙂 Autonomy 🙂

One of the tasks is another list of dreams but dreams in different categories – health, possessions, leisure, relationships, creativity, career & spirituality. Wishes with no thought as to practicality. This was a challenge in the light of the covid pandemic – every list included covid resistance, vaccine in first spot. It’s hard to dream of a future with this sort of threat – much like the 60s fear of nuclear holocaust that coloured our lives. But I survived that holocaust & I’ll survive this one.

 

Beyond Instinct

1 – ode to didgeridoo

<>

we are invited to travel

along a river of breath

chatter fades after the first vibrations

as we immerse in the deep C

notes below the harmonic of hearing

dark trilling the mud mind

the ear canal overfills gently

no room to hear anything more

a wordless dialogue in sound

digs us deep from the moment

into pre-animal instincts

the music before birth

beyond notes seeking a sharp landing

<>

2

<>

someone asked me

where did these words 

‘dark trilling the mud mind’

come from

<>

I wasn’t sure what to say

I’ve spent to many years

deconstructing the dictionary

there was nothing left to say

there is no where

there is no way to take you there

I’m lost in this horizon

setting you straight is beyond me

can’t tell where I’m coming from

not quite sure where I am going

but I know I’m here

caught in a fulminating flux

by a power greater than myself

something I’ll never understand

as long as I open the the experience

there is no logic to capture

the freedom of the flow

the where words come from

isn’t up to me

anything I say will only disappoint

or turn into my weaving

some self-indulgent web

a wordless dialogue in sound

to lead you to my bed

in an attempt to humanize myself

so you see the me beyond the dictionary

July 2007

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Distant Dances.02

Dances of Apocalypse 2

Hornpipe

one more morning

is all I need

to fill my sails

to sooth my lost feelings

with Neptune sensations 

ripped from the quaking mound

of the Virgin’s first child

Hornpipe because this is a short piece with sea references & Biblical allusions. Jesus filled the sail of the fishermen’s boat when needed to sooth their fears. Was I wondering what would rip me feeling from me? Melodrama mistaken for depth:-)

Cakewalk

Japanese pagoda

growing in Rome 

or was it Venice?

all jade fragile

amid marble columns

awaked by murky waters

steaming morning haze

when we roll off our pallets,

to silky cool

onto the the polished mosaic floor;

looking to the chiming clock,

listening to the pigeons fly.

open for daylight

onto freshly fallen snow

mingling white with the Pines,

or were they Spruce?

high in Smokey Ridge

deep in Twin Rock Valley

Cakewalk – not sure why this one ended up with this title. A piece about displacements, paradoxical dreamlike images that travel from Japan to Rome & end up in Twin Rock Valley – which is in Cape Breton. I had friends, draft-dodgers, who had bought a farm in the hippy get-back-to-the-land phase. The waking up to fresh snow is a real moment  Maybe the title refers to the fact that back-to-the-land was no Cakewalk for them.

Minuet

fame and fortune are not goals

merely drugs to opiate the system

to deaden the feelings of futility

of creating in the face of destruction

<>

let the pygmies of Paris eat me alive;

make them scourge the meat off my bones;

let the sniper with his random pulse

find me accidentally in his sights;

put the final, fleeting, flash blow

into someone else’s hands,

take the responsibility from me,

I handle these things so badly,

even when I remember what to do.

<>

the moment of truth (never now)

comes slow, to disturb the calm

to strengthen the desperate feeling

that destruction charges with energy.

Minuet – polite little dance – much like the dance of expectations, no wait, expectations are rarely polite. I grew up in the shadow of nuclear destruction, war in Vietnam, war protests & racial strife in the USA. Kennedy shot by a sniper. The randomness of violence was pretty far removed from me in Cape Breton but it was felt. Why create when we can annihilate the world in a moment?

Quadrille

impatience is the problem;

the waiting should be over

yet it persists in hiding,

making me lust in secret wanting;

words merely fall,

not for insight

but only to pass the time

before the curtain finally goes up.

Quadrille – this word makes me think of cotillions for some reason. The piece, as I see it now, is wanting to be an adult, ‘lust in secret’ is the itch to be out & making conversation to hide that fact. Like waiting for the plane to land – you want the flight to over.

The Last Waltz

bed-ridden, guilty-disappearer

alludes carpets backwards

into ember sparkling through cozy air,

crackling crystal cut perspectives

reflections held too closely eye-ward

making a pyramid of ink blotches

stretch out

turn in

till there is no border to be fought

only a multiplicity of images to sort.

<>

Nov. ‘73

The Last Waltz – the final piece in this sequence is both an invitation to look back before you go on then a warning that there’ll be even denser imagery to deal with in what follows. In looking at these I see a foreshadowing of of images to come with references to Africa, Japan, Egypt, Canadiana, water, music. When I first wrote these I was not conscious of these patterns. I also see various influences of pop lyrics, as opposed to ‘serious’ literary ones. 

I do have a limited number of the original Distant Music chapbook for sale for $25.00 each (includes surface mail postage). Send via the paypal above along with where to send it.

paypal.me/TOpoet 

Crazy-makers & Way.02

Into ‘week’ two of the Artist’s Way. ‘Week” as the book is done in weeks not chapters. I’m giving myself two weeks to do each section. Week One was okay, no great revelations but confirmations that the process I started with it decades ago has been productive. Some of my negative self-talk comes from more recent years that from my past. perhaps though it is echoes of that past bs that had seeped in.

Week Two deal with crazy makers as a way of avoiding creativity. Oddly enough one of my biggest crazy makers, no longer living in Toronto, had a major crisis as I was starting this Way chapter. A crisis that included: partner cheating, wedding is off, moving in with parents. Oh my! We exchanged a few texts as I was walking & I refused to be drawn in. I did say ‘you’re a survivor’ – supportive enough. I didn’t offer sympathy, advice or a plane ticket to Toronto :-). Two days later & all is ‘well’ with him. He sees it all as bipolar in love. I didn’t ask for details.

I know how not to invite crazy-makers too deeply into my life. Julia talks about how we use these situations as distractions or excuses & as a way to score points for being good, helpful, self-sacrificing saints. 

Today, thanks to recovery in a couple of 12 step programs, I’m okay with people thinking I’m stoic, uncaring & uncooperative. Productivity is more grounding than codependency.

I’ve taken myself on some fun artist dates. Simple things like a walk through the Williamson Ravine – made a trek to take pictures of the Dollhouse on Bertmount, near Queen & Jones – it is actually mentioned on Google maps. Stopped after the doll invasion at Bobbette & Belle  for an artist cupcake. I also consider Hot Damn! an artist date, even though I am there with several people I know, I’m pretty much by myself as one of few (if not the only) gay white cismales over 60 in the house.

Blind Sided

I’ve looked at this from all sides

taken your view

my view

the outsider’s view

the long short jaundiced

rear view

it doesn’t matter which side

I’m the one in the wrong

even if it is your fault

that I’m in this position

it’s still my fault for looking twice

when the first glance 

told me all I needed to know

I shouldn’t have taken a closer look

& let you pass me by

 

but what’s a man supposed to do

opportunities like you

don’t come my way everyday

not that this was my last chance 

but it was as good a chance

as I’ve had in some time

a stroke of luck

so here I am

the guilty party once again

someone who said what he shouldn’t 

at just the wrong time 

for the greatest effect

 

those names we called each other

were only meant to hurt

I didn’t believe them for a minute 

but you did

I’m just not as sensitive

one of my faults I know

cold heartless me

I’m too quick to react 

when my buttons get pushed

I should never have showed you 

where those buttons were 

never let your toothbrush 

in my bathroom

never let your socks under my bed

never say never again

 

it’s all my fault for making peace

for being the placater 

I should have let go 

when I first had a chance

rather prove that by holding on

I was really really serious about us

I had lots of opportunities 

to escape but I stayed

things will be different next time

I should have defended myself 

the second time 

changed my view the third

but I didn’t

to make sure you realized I cared

that I could be forgiving

now I’m looking from all sides

inside outside top bottom 

head-to-toe

the way I looked over you the first time

everything held the eye

I didn’t have enough eyes 

to take it all in 

no eye to a future

I knew it would come to no good

I would end up the heatless prick 

once more

I had to see if this time would be different

you wouldn’t be like all the others

you weren’t 

trouble was I was like all the others

you told me that over and over

every man you meet treats you this way

I was no better than any of them

 

for once

I’m glad you’re right

glad that over is over

trust me it’s over

I won’t make that mistake again

I won’t take it lying down 

standing up bending over backwards

or any which way 

if that’s what it takes

to be true to you 

I’d rather be a liar

because it doesn’t matter which side

the view is from

I’m the one in the wrong

https://wp.me/P1RtxU-2f6

April
April 3 – Hot Damn! It’s Queer Slam – Season 6 finales Buddies and Bad Times Theatre

May

Richard III – Stratford Festival

June

June 25-26-27 – Capturing Fire 2020 – Wooly Mammoth Theatre -Washington D.C.
 capfireslam.org 

July

All’s Well That Ends Well – Stratford Festival

Hey! You can give me $$$ to defray blog fees & buy coffee

at Ted’s Bulletin in Washington DC

at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

Way To Go Week One

Finished the introductions to both the book & the workbook. They echo each other. I find a few things to contradict but for the most part I choose not to argue & push on. I dislike the ‘informercial’ brag – so-so did this & now has two best-sellers, has a movie, an exhibition – the implication being that if you don’t get these results you are doing something wrong.

I appreciated the reinforcing of my thought that we mistake negative thinking for being realistic & positive thinking as delusional. This came up in the discussion round the use of affirmations – to think ‘I am never going to get anywhere’ is clearly factual, whereas ‘I am a productive writer’ is an egotistical brag not a fact.

Starting doing the week one tasks, as suggested, in long hand!! So I am following at least one of the suggestions, as I do my morning pages on my desktop. I do most of my writing via keyboard. The ‘Way’ theory is longhand slows the brain down to sort things out carefully – my theory is the faster I write the less my editor steps in & the more I am open to the flow.

My artist date last week was part of my morning walk – a stop at, I kid you not, Glory Hole Donuts – Gerrard E/Coxwell. These are not your average donuts. Not exactly out of my comfort zone either so future might take me more out of my routines. In winter I’m less inclined to go places where I’m trapped in my winter wear but I have been eye a few sort of trade shows that could be diverting. The ultimate artist date will be DC this June 🙂


The poems I’m currently posting on Mondays are thing I wrote in 2008 & am finally going back to take a look at – raw dough some of which needs carefully unravelling to translate from my typo or spell-check typo to English. This is sort of an an artist date with my past self.

F-Bombs Away

is there an emoticon to say 

what one doesn’t want to put into words

some cute little animated gif

that’ll take the sting out of the unspeakable

out of the unprintable

to remove any real pain

but says it all anyway

 

the vulgarity that curdles the bold

the sacrilege that shakes one’s belief system

reduced to a shruggy face

so that no one is offended

except those offended

by the sweet correctness of our times

where we dare not overstep

boundaries of taste

drop the f-bomb too much

or the deadly c-word

 

this fear of having people realize 

that we are as crass and boorish

as we are afraid we are

better to keep that self out of the public eye

off the printed page

unless that unguarded text moment

gets retweeted

shows up on You Tube

 

there has to be a way

of being offensive

without being offensive

without swearing 

making idle hand gestures

caught on cell phone videos

 

we are always on our toes

being as daring as we dare

pushing enough to let people know 

we can push

and that they should be grateful

we aren’t going as far as we’d like

that we could make them really uncomfortable

but aren’t out of politeness

yes politeness 

not out of fear of reprisal or judgement

without shooting them or ourselves 

in our pretty little heads

we want respect not dismay

for saying just the right unkind insult

https://wp.me/P1RtxU-2f6

March

March 5 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

March 13 –

April
April 3 – Hot Damn! It’s Queer Slam – Season 6 finales Buddies and Bad Times Theatre

May

Richard III – Stratford Festival

June

June 25-26-27 – Capturing Fire 2020 – Wooly Mammoth Theatre -Washington D.C.
 capfireslam.org 

July

All’s Well That Ends Well – Stratford Festival

Hey! You can give me $$$ to defray blog fees & buy coffee

at Ted’s Bulletin in Washington DC

at 2020’s capfireslam.org – sweet, eh? paypal.me/TOpoet

See You Later, Calculator

See You Later, Calculator

his look

calculated my worth

the cost of my shoes

was the measure

of his interest

his respect would be gauged 

by the tailoring of my shirt

by the cut of my jeans

by what he could see

and what he saw

clearly wasn’t up to his standards

which were clearly

the only ones that mattered

 

not that he was superficial

by any stretch of the imagination

he could discuss Hegel

he knew the Chinese poets

but would discuss them

with those whose status

was equal to his

my shoes just weren’t up to it

 

even though they were new shoes

even though my sheets

were freshly washed

they just didn’t have 

the right thread count

to support my point of view

as far as he was concerned 

 

once again

being poor pays off

In summer, one of the men I see, wears flip-flops & will take transit wearing them to my place for play. The thought going nearly barefoot on Toronto’s public transit, even walking on the sidewalks, fills me with, I want to say loathing, but with trepidation.  For one thing I hate flip-flops on men, in particular, anywhere other than pool side. This digression serves a prelude to my writing of this piece.

I do judge people by their footwear. I’m not as calculating at the ‘his’ in the piece though. I’m willing to overlook footwear if the wearer is otherwise presentable. One gets used to staring at shoes in transit to avoid actually looking at people. But the wrong shoes can unbalance a nice look. I avoid snap judgments. For me nice means shoes in decent shape in accordance to the rest the attire. Construction worker with battered Kodiaks is fine – stilettos with sweats is trashy 🙂

But I have meet people like the protagonist of this piece. Some are clerks in men’s wear stores who gauge their service, or lack thereof, according to my wear. I’ve encountered participants at various workshops who do the same thing. The better tailored the shirt I wear the more respect I get. I know the power of the button.

I’ve also met men who gauge prospect sex partners by thread-count. One man I saw briefly took great pleasure in talking about the amazing penthouse condo one of his conquests lived it & the man’s satin sheets. No satin in my house, at least not for bedding. He did know the Chinese poets & was ‘impressed’ when I pulled out an anthology of them to check out his favourites. I was not impressed. 

Hey! Now you can give me $$$ to defray blog fees & buy coffee in Washington at 2019’s capfireslam.org – sweet,eh? paypal.me/TOpoet

The Beginning of Wisdom

The Beginning of Wisdom

silence

is the beginning of wisdom

 

silence

often passes for depth

 

so I’ve learned

to keep my big mouth shut

not even speaking

when spoken to

delaying the opportunity

to opine

to give others the chance

to say enough to hang themselves

I’m well hung enough now

so there’s no need

to show that off by hanging myself

by having you

hang on to my every word

 

what gets imparted by my silence

isn’t my problem

it’s a real silence

it claims to be no more than that

it echoes your expectations

not my implications

if I have nothing to say

I do just that

 

if I have something to say

I keep it to myself

I’m not thoughtless

just thoughtful

not going to take up your time

so you have more to use

to display the breadth & depth

of your profound

expansive

realizations

 

I am wise enough to admit

that

I am merely saucer

to your bottomless well of endless wisdom

This pārājika deals with modesty,  not claiming to be more than one is – which in our culture is seems antithetical to the need to oversell ourselves constantly. This sort of easily exaggeration: it wasn’t just a bad movie but one of the worst one has ever seen. Enough just isn’t enough. If it is you are clearly settling for less, compromising for comfort & are probably boring. Intelligence must constantly be proved.

Actually I’m really speaking about myself – at least at one time – with the compulsion to establish my insights – often insights into things I knew nothing about anyway. Cynicism is a ‘fun’ way to entertain without needing to have a more complex grasp of anything.

I’ve have learned the lesson that ‘silence often passes for depth’ – what is he thinking? can be even more satisfying that telling people what you think, or even letting them know you think nothing. If someone is sure I’m thinking something, when I’m not, I don’t tell them otherwise. I keep my big mouth shut.

Some this comes from not caring that much what people think of me anyway. I let my shirts do the talking as they are frequently more memorable than anything I’ve ever said. Hey, may be this piece needs a rewrite ‘tailoring/is the beginning of wisdom.’ 🙂

Hey! Now you can give me $$$ to defray blog fees & buy coffee in Washington at 2018’s capfireslam.org – sweet,eh? paypal.me/TOpoet