Savoy Brown Signs

I had a couple of Savoy Brown cassettes that I bought at Radio Shack way back in the early 70’s. They had a store in the first mall in Sydney. I bought my first stereo there. They had racks of deleted cassettes by bands I’d never heard of. One was Savoy Brown. I have in an mp3 collection Blue Matter (1969); Raw Sienna (1970); Looking In (1970); Street Corner Talking (1971). 

Similar, at that time, to Fleetwood Mac they were a good bar blues band that changed as they lost members. Raw, Looking & street where the first I had. Blue I added decades later when I upgraded cassettes to mp3. The guitar sound is wonderful. Raw is my favourite. Looking, Street see the first changes in members & changes in direction as they move in a more r’n’b direction & on Street they cover songs like Can’t Get Next To You & Wang Dang Doodle. Raw Sienna is an underrated masterpiece.

In the mp3 collection is also Canada’s Five Man Electrical Band: Good Byes & Butterflies (1970) they had a big hit with ‘Signs.’ The rest of the lp is solid, slightly political/ecological songs. Here too is another one-hit group: Status Quo: Picturesque Matchstickable Messages from the Status Quo (1968). Pictures of Matchstick Men was a huge psychedelic hit & the lp is full of similar period songs including a cover of Green Tamborine. Throughout their career, they never achieved the same level of success in the USA as they have in Britain.

Next is Jimmy Cliff: retitled for US: Wonderful World Wonderful People (1969). A great ska sound by this Jamaican superstar. Besides the title song this set included the often covered ‘Many Rivers To Cross.’ Uplifting songs & great ska music. Back to Canada with The Guess Who: Best Of (1971). It’s hard to believe that the band that did the ultra jazzy Undone also rocked out with American Woman. Musical diversity that made it hard to label this band. Finally Fat Mattress (1969). anchored by Noel Redding (of Hendrix fame). Fat Mattress probably would never had surfaced without his fame. The music is unexceptional folk rock in the Traffic vein. Something for completists like myself.

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Rush to Mendocino

When I lived in Cape Breton I was in love with Tom Rush’s Wrong End Of The Rainbow. The gentle country-rock music & the sweetly poetic lyrics captivated me.  He fell between James Taylor & Jackson Browne. In face he did cover versions of songs by both of them. I picked up a cd that combined his first Self-Titled (1970) lp with Wrong End. The first is more folk rock & all cover versions: Jackson Browne’s These Days. Wrong End has originals like the title song, covers like James Taylor’s Riding on a Railroad. He’s still alive & performing – his last release was in 2018.

Next to Rush on the shelf is an lps to cd transfer of The Rutles: All You Need Is Cash (1978); and  Bubblerock Is Here To Stay (1972). The Rutles: is the soundtrack to Eric Idle’s pitch-perfect parody of the Beatles. Much like Spinal Tap, it captures changing musical styles of the 60’s & the absurdities of the rock industry. The songs are excellent & quickly transcend mere parody.  Bubblerock is a Jonathan King satire of pop music forms – Mr. Tamborine with a background of more tambourines than an octopus could shake; a mash up of led Zeppelin & The Supremes. Worth searching out.

Next on the shelf is an mp3 cd collection including Mitch Ryder & The Detroit Wheels: Breakout! (1966), Greatest Hits (1981), Get Out The Vote (1997). Mitch was a hit maker through the last half od the 60s with his masculine rock that owes much to Wilson Pickett etc. Here too is the cult favourite: Chocolate Watchband: 65-67 psychedelic and garage rock components compared to the Rolling Stones. A time when bands had ‘trippy names’ Vanilla Fudge, Strawberry Alarm Clock. They are better than their names suggests.

Also Eric Anderson’s debut lp Today Is The Highway (1965) folk originals except for Joe Williams’ ‘Baby, Please Don’t Go.’ A pretty boy with  pretty voice who never made it big but stuck around – changing labels & moved into a more country rock & eventually blues sound. I have other lps of his in other compilations. Finally Sir Douglas Quintet: Mendocino (1969). A Texas/California good time swamp rock band that had a few hits, none of which really charted in Canada. Classic rock like Mitch Ryder.

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Royal Sixties

Sadly the first version of this post got deleted 😦 so all my research – dates of release etc was lost – check these groups out on wiki for more info on them. The bulk of this is one of my mp3 collections of 60s hit-parade mostly one-hit wonders plus a few groups rolled by famous parents. A couple of performers never really crossed over from the r’n’b charts. 

Royal Teens: Lets Rock – remembered for their mega hit Short Shorts.

Best of The Jayettes: who might be remembered for ‘Sally Go Round’ – they lacked the glamour of The Supremes.

Dino, Desi & Billy- famous parents produced somewhat talented kids who managed some tolerable radio-fodder & even played their own instruments.

The same is true for Gary Lewis & The Playboys – expect their hits were bigger & better & more memorable than Dino, Desi & Billy. They also played their own instruments.

Keith: 98.6 was his one hit. He was a victim of a label that didn’t know how to package him or how to compete with the likes of Neil Diamond, BJ Thomas etc. 

Brenton Wood: 18 hits – Gimme A Little Sign was a cross over hit from the r’n’b charts but he couldn’t compete with white singer covers of his songs. Sweetly soulful but not as bluesy as Otis Redding.

Finally on this mp3 collection are The Turtles. Their songs frequently turn up in movies to establish a time era & a psychological mood. The band’s need to do ‘deeper’ material ended up with them leaving their label & the lead singers joined Frank Zappa’s Mothers of Invention.

A couple of stand-alones on the shelf: a double cd of Ruby and the Romantics: their one hit was Our Day Will Come – a brilliant romantic song. Ruby has a warm inviting voice but the band’s success was mainly on the r’n’b charts. Finally another stand alone that jumps us into 1990’s Rude Luck, out of PQ. Fun, soulful pop with a dash of hiphop. Bought in Montreal in 1993 as a part of my attempt to improve my French. 

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The Rolling Stones 2

After the death of Brian Jones the Stones moved in a slightly different direction as they adjusted to a new guitarist. Then when this hit the 80’s they seemed to get lost & their lps became more aimless – shall we say, uninspired attempts to remain relevant.

As either stand-alone or mp3 I have Let It Bleed (1969), Sticky Fingers (1971), Exile on Main Street (1972), French EPs, Goats Head Soup (1973), It’s Only R’n’R (1974), Black & Blue (1976) Some Girls (1978) Deluxe Edition, Emotional Rescue (1980), London Singles Collection (2002), Blue & Lonesome (2016).

Bleed & Fingers are well focused & have some of the best writing of their career. Richard’s guitar work is often amazing & I find myself going back to these lps with great pleasure. The set of French EP’s – as you might guess, were released in Europe & each had 3 songs on them – the mixes are different from the lps versions. They ended with the release of Exiles. The London Singles Collection – 3 cds that ends with Sympathy for the Devil. The singles were mixed for radio & the sonics are different & in some cases totally different from the lps versions (Honky Tony Women) – some were never on lp (We Love You/Dandelion) well worth having, whereas the French EP’s are for fanatics lol. Blue & Lonesome  (2016) is their last new release – they return to their roots with a fine set of blues. 

Rounding out the mp3 collection are The Troggs: Trogglodynamite (1967) best known for Wild Thing The Trigs never made it big in the USA but were relatively popular in Britain. Solid bar band stuff. The Rumour was Graham Parkers backup band for many years I did some recording with out him: Max (1977) is an excellent set that shows the band didn’t need him. 

The Beach Boys: Smiley Smile (1967) – more a cult favourite & the studio sessions that nearly destroyed the band. Sweet & sonically dense. Wolf Call! is a fun compilation of various rock-a-billy songs. Rock-a-billy being another of the prime influences on British rock. As are The Esquires: Very Best of  (2012) with funky songs like Get On Up, this is the sort of funky sound the Stones tried to achieve but failed. 

Secos & Molhados is an innovative Brazilian glam-rock band that defies real definition. YouTube videos are wild, the music is tight, rocky, experimental & fun. I have A Volta do Gato Preto (1988). Finally U2’s Songs of Innocence (2014). not one of my favourite bands but they were forcing this lp free on anyone, even those who didn’t want it I opted take it lol. Solid rock but unexceptional.

 

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Brothers Glen and Buddy

Between 1962-66 Righteous Brothers had a string of hits thanks to the production work of Phil Spector. They did record other songs but even those have often been given the Spector treatment. I have ‘Gold’ a great collection of their best & their not so best. Bobby Hatfield and Bill Medley had great voices but they were, as you might guess, not brothers. I have strong memories of hearing the hits on the radio but, at that time, wasn’t that taken by them – too adult & also it was considered romantic music for girls – not rock enough for boys. I’ve never heard a bad version of Unchained Melody – a song with a depth of longing that is hard to resist. The song was originally the theme song for the movie ‘Unchained’ about – of all things – a prison break.

Another hit-generator that just preceded my radio years is Buddy Holly (1936-59). On this mp3 compilation I have a hits collection ‘Gold’ & Rave On from June 2011, a tribute compilation with covers by the likes of Modest Mouse, Lou Reed etc. His tragic death turned him into an instant icon. His songs, for the most part are bouncy radio fodder. My favourite is Everyday. His clean-cut image is the opposite of  Elvis – Buddy was a safe idol for innocent teenage girls.

Yet another inescapable hit generator was Glen Campbell (1936-2017). Here I have The Best of, which includes Wichita Linesman. This was another singer I had little or no patience for in my teen years. Too laidback, too country, too romantic & banal. When he died in 2012 I gave a listen to some of those songs & the emotional pitch of his voice in Wichita Linesman is amazing. Subtle & sincere I suddenly wanted to have an affair with a linesman. lol.

I also downloaded his final studio lp Ghost on the Canvas  (2011) – recorded while he battling the Alzheimer’s which killed him. It’s a compelling, emotionally resonant & raw piece of work & stands well with similar ‘death bed’ works by David Bowie or Warren Zevon.  



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Quicksilver Spirit

It’s easy to think groups like King Crimson, ELP ‘invented’ progrock forgetting about the California explosion in the late 60’s. I am talking about two bands in particular: Quicksilver Messenger Service & Spirit. Adventurous, challenging & timeless. Though at the time I didn’t see them as ground breaking merely as interesting & psychedelic. I have two mp3 cd collections that pair them.

By Quicksilver Messenger Service I have: Quicksilver Messenger Service (1968), Happy Trails (1969), Shady Grove (1969), Just For Love (1970), What About Me (1970), Maiden Of The Cancer Moon (Live 1983). The first two & the Live ‘Moon’ reflect the more experimental side of the group with extended explorations that transcend standard pop into a sonic avant gard. On the other three lps they have added keyboard genius Nicky Hopkins to the group & the songs become more pop oriented with a more ELP sound. Some great moments but not as adventurous in the same way.

Quicksilver were progressive in an experimental way while Spirit went in a jazzier direction that influenced groups like Weather Report. Here I have Spirit(1968), The Family That Plays Together (1968), Clear (1969), Twelve Dreams of Dr. Sardonicus (1970), Feedback (1972). There is a definite change as the band matures. I loved the first two lps with amazing production work & jazz-rock instrumentals. One of the few non-folky bands at the time with a strong ecological message ‘Uncle Garbage.’ They even managed some radio friendly hits.

To round out this look at the psychedelic sound I’ve included the much more radio friendly Jefferson Airplane’s Live At The Fillmore East 1968 (released 1998 – just after After Bathing at Baxter’s was released this a great live lp. Finally the Electric Flag’s A Long Time Comin’ (1968) grounded by Mike Bloomfield’s guitar this was an ambitious mix of soul, blues, rock & horns. Not radio friendly though & over shadowed by Bloomfield’s work on Super Session.  

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Pink Floyd

By Pink Floyd I have Piper At The Gates Of Dawn 1967, Saucer Full Of Secrets 1968, Ummagumma 1969, Atom Heart Mother 1970, Live 1970, Meddle 1971, Live at Pompeii 1972, Dark Side of the Moon 1973, Wish You Were Here 1975, Animals 1977, The Wall 1979, Delicate Sound of Thunder 1988, The Division Bell 1994, Pulse 1995. And Return to the Dark Side of the Moon a tribute lp (2006). Some as stand-alones, others as mp3.

Ummagumma, Atom Heart Mother & Meddle are perhaps my favourites. Their first two lps were trippy pop songs, radio stuff but in those next three they they became experimental, stretching the notion of what rock pop could be. The mp3 of Atom Heart contains the full tracks, the lp had some of edited down to fit the limits of vinyl. I loved the choral work on it. The band owed more to Booker T & the MJs than was recognized at the time. Electronic groups like Underworld owe a debt of gratitude to Meddle.

Dark Side was their return to more ‘tradition’ song form & length & it was a stunning success. The Wall hit the right rebellious notes but I wasn’t that big a fan. The many live releases are excellent but they seem intent on reproducing studio work than expanding & exploring it. If you are unfamiliar with Pink Floyd I suggest you crawl out of your cave lol.

Mixed in with the mp3 collections are: Procol Harum: Home 1970 – they leave their organ based sound to embark on blistering guitar work; King Crimson: Starless & Bible Black 1974  – this is true progrock with amazing freeform – almost jazz like sonic explorations. Then the US band Formerly Anthrax: Show Of Hands 1970 – I had this sweet lp & eventually replaced it with mp3 – organ based pop. They are not to be confused with the British group Show Of Hands. I have a ‘hits’ compilation by them – Backlog 87-91. A version of Traffic. A band I only found searching for Formerly Anthrax 🙂

Give Me A Little Sign

<>

a bluejay feather dances over snow 

the first full moon of the new year

a silent wrap of smoke

forms the letters of a name

whose name   mine   yours 

our hopes for the future

a dangling curtain moving at dawn

a pale   handless shape

peers out into the fog

before the fire burns pure ashes 

to scatter sooty on the snow

for the next fitful omen

<>

a bus pulls up at the right moment

an old friend alive

where you least expected to see them

the number nine keeps popping up

how many times before it has meaning

like that bluejay feather 

it has to have a meaning

a good moment to do something

but I don’t know where to begin

play the lottery  submit that manuscript

make that phone call I’ve been putting off

<>

should I act blindly

or bide my time for a better opportunity

a voice in an empty room

a phone call that goes unanswered 

was that wrong number the right one

where are my lucky shoes

what do the stars have to say

<>

entrails of run over squirrel tell me 

it isn’t wise to dash across a busy street

grounds in the bottom of my Tim’s cup

tell me it’s time 

they cleaned that damn machine

that look in your eyes tells me 

it’s time to drop my guard

<>

will our clothes piled on the floor

the fold of pants legs and t-shirts

twined accidentally in the dark

be a sign of more than pleasure to be had

is there a message 

in the goosebumps on your back

in the fevered breath on my thigh

can I let a kiss be a kiss 

not the next fitful omen

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Peters and Pixies

By Swedish indie pop/rock band Peter, Bjorn and John I have stand-alone’s Writer’s Block (2006), Living Thing (2009). I read decent reviews of the band & having Swedish roots myself I felt it was time to nurture those roots with some music. There are many bands with a similar sound – wry lyrics, sweet melodies, song nicely with a solid, if gentle, rock beat. Think a slightly more rock, folk-rock Simon & Garfunkel. Two cds were enough to satisfy my roots.

The next on the shelf is Peter and Gordon: The Ultimate Collection. Tight harmonies, radio friendly songs & a direct line to The Beatles via Peter Asher’s sister Jane (who nearly married Paul McCartney). They had hits written by McCartney & charted too many songs to list here. The cd collection is a rich introduction to the British sound off the mid60’s. 

Though at the time they were regarded more as bubblegum than serious like, say, The Yardbirds, thanks in part to their often lush orchestral arraignments. The production work is still amazing on songs like A World Without Love & Woman. Once their moment passed Peter Asher went on to become one of the most influential music producers in California with several top of the charts lps by Linda Rondstadt, James Taylor, Cher.

Further along the shelf are Pixies who were critical darlings in the early 90’s. They influenced bands such as Nirvana & Radio head with their alt-rock sound that as a fun mix of surf, punk & experimental with surreal lyrics. I had as cassettes Doolittle & Bossanova – but, as all too often happened, both tapes stopped working. I eventually replaced them with a stand-alone best of compilation. 

Tracks from the first couple of lps often show up in movies, TV shows to quickly establish a character as a nerdy nonconformist who is more hip than the room. My favourite track is This Monkey Wants To Go To Heaven. Quirky fun music & worth tracking down if you want to be more hip than my blog 🙂

A Convenient Truth

it was the truth

at the time

I believed what I said

I believed your body told me

this would last forever 

but every moment comes to an end

<>

it all was so promising

the vast endless tract of future before us

hand in hand

heart to head

pushed to whatever was there

the opportunity was to discover

not to solve

<>

when it came down to solutions

neither of us was prepared 

to do more than we had done

which was enough for the moment

not enough for a life time

perhaps that moment

wasn’t meant to last forever

only to seel like it could

the comfort of hope

not the fulfillment of every demand

<>

I felt I could do and be all that

I know now I can’t

was I lying just to get more of you

while you faked it 

to keep from being alone

were we caught up 

in romantic fantasy

the Hollywood scam

of the right lighting

the perfect delicate song 

floats in the sunshine

<>

a song about fragility and sensitivity

a plaintive voice

plucks of an acoustic guitar 

a hum of harmony

one that makes it to weddings 

<>

we were never heading for a wedding

were we

that was what neither of us realized

something neither of us wanted

breaking dishes breaking windows

breaking hearts

rather than facing the truth

(Jan 2008)

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Nilsson Sparks Perth and the Frogs Beyond

Over a two cd mp3 collection if have Nilsson’s Aerial Pandemonium Ballet (1971) – reworking earlier material – “Without Her”; Nilsson Schmilsson (1971) “Without You” “Gotta Get Up”; Son of Schmilsson (1972) “You’re Breaking My Heart” “Joy”; A Little Touch of Schmilsson In The Night (1973) “Lazy Moon”. You might say I am a fan 🙂

Some of these I had as lp at the time, some were added later. He hit big with Everybody’s Talkin’ used in the film Midnight Cowboy. His songs run from ultra-romantic to hilariously bitter. His vocals on ‘Without You” are heartbreaking in a way Ed Sheeran can only dream about. Things apparently didn’t go well with her though, resulting in “You’re Breaking My Heart” – ‘so fuck you.’ On ‘Little Touch’ he does sublime work on classics while adding little touches of humour to them. A genius who got destroyed by booze, drugs & John Lennon.

‘Sparks’ Maels brothers group overflows with off kilter humour. Here I have Propaganda (1974) “Don’t Leave Me Alone With Her”; Indiscreet (1975) “Hospitality On Parade” “Tits.” Similar to the smart-ass 10 c.c. these guys are witty, musically gifted & relentless. The cover art on these is also amazing.

One of my mid60’s top-ten hit-parade loves was Crispian St. Peters’ ‘The Pied Piper’ the recorder was seductive & the engineering excellent. I may have had the 45 at the time. So a few years ago I tracked down his lps & here have The Pied Piper (1966) & Follow Me (1966). The 2nd has the radio mix  of “Pied Piper.” The earlier version is more sweetly folksy while the 2nd has more of a rock feel. His voice & other material is very Van Morrison Them period.

Alan Price made the Animals hit parade worthy & then departed the band. I have his lp with Georgie Fame and Alan Price: Together (1971); & the must have Oh Lucky Man soundtrack (1973). Fame is a British blues, r’n’b legend who never made it big in America; which is also true for Alan – except for the Lucky Man soundtrack. That lp was a must have thanks to the wild movie it is from. Price appears in the film – not seen it? Find it asap.

Barry McGuire: Anthology. If you are looking for a ‘lost’ Mamas & Papas lp his second is the one to find. Produced by John Philips & with all backing vocals by the M&P it is classic California flower power. The bulk of it is in this Anthology including the still relevant Eve of Destruction (by P.F. Sloan). After his initial pop splash he escaped rock evils into contemporary Christian music.

Another early 70’s must have Canada’s Perth County Conspiracy out of Stratford Ontario. I loved Does Not Exist (1970) & enjoyed Alive (1971). Sweet harmonies for a folk-rock commune when everybody wanted to love down on the farm & in a commune. Love songs, anti-war songs, amazing engineering. Free love overflows from these lps (now mp3s) though it was hetero love so the farms were safe for kids.

Not safe for kids was Jackie Shane: Live (1967) Jackie was a pioneer transgender performer who shook up the Toronto r.n.b scene. Think James Brown in drag (not be confused with Little Richard). Jackie became too popular & ended up deported back to the States. The music is solid soul with a fearless nod to queer lives. I have a collection of Jackie’s studios recording on another mp3 bonanza.

Finally is The Frogs: It’s Only Right & Natural (1989) gay garage band with cellos! Wildly funny, almost deconstructed pop with cellos! A clear influence on The Hidden Cameras. A track was posted on Tumblr & I had to have more. You want a slice of out queer music history this is for you.



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Kinks Kooper Pharaohs plus

This mp3 cd of retro fun contains Britain’s: The Kinks: Kinks (1964) – includes: You Really Got Me, Stop Your Sobbing. You Really Got Me has one of the classic guitar riffs which dominates this propulsive lps of basic muscular rock that has inspired countless bands. Tough songs of love & heterosexual triumph. Over the years the band has changed its sound, direction but always maintained powerful creative energy. This is where it all started.

The pop history of Al Kooper stretches back to the late 50’s but he really surfaced in the late 60’s thanks to his work with Bob Dylan & Blood Sweat & Tears. He released some of the first ‘super group’ lps. Here is his Kooper Sessions/Super Sessions 2 (1968): with Shuggie Otis (only 15 at the time) includes a great Bury My Body. Not quite as successful as Supersessions 1 but good.

The Left Banke (NY): There’s Gonna Be A Storm: Complete Recordings, the first 2 lps plus some singles i.e. Walk Away Renee. The sound baroque rock with strings/harpsichord. Because this was American it was never called progrock. A definite prelude to the chamber pop work of Antony & the Johnsons. Articulate love songs that aren’t cloying or condescending to women. 

Poco: (Los Angles) Crazy Eyes (1973) Richie Furay and Jim Messina after Buffalo Springfield – country rock at its finest. This is one of my favourite lps of the 70’s. I had the cassette, which finally gave way to tension & replaced its with the mp3 version. Each song is excellent. My favourite is the simmering Magnolia – you sweet thing. A must have for any collection.

Sam The Sham & The Pharaohs (Dallas): Their Second Album (1965) (Witchcraft; Love Potion #9); Anthology: Wooly Bully (1964) – was their Egyptian look cultural appropriation? The groups was mainly Latino musicians who specialized in novelty songs, like Little Red Riding Hood, with swampy/rock-a-billy sound. I loved hearing these guys on the radio & dancing to Wooly Bully. Lead singer Sam Samudio has a great Eric Burdon type voice. His solo lp ‘Hard and Heavy’ is good.

The Yardbirds (London): Roger The Engineer (1966) combines elements of blues rock and psychedelic rock on tracks like Over Under Sideways Down & my personal favourite: Hot House of Omagararshid. Jeff Beck was still with the band – Roger was their sound engineer (& no relation to The Who’s Ivor the engine driver). A rock version of Pink Floyd & this lp is a delight.

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