Parker and Pals

I suppose I am a Graham Parker fan. I have as mp3s or stand-alones: Howlin’ Wind(1976), Heat Treatment (1976), Stick to Me (1977), Squeezing Out Sparks (1979), Up Escalator (1980), Mona Lisa’s Sister (1980), Steady Nerves (1985), Live! Alone in America (1989) Human Soul (1989), Live 02/91, Your Country (2004). I had some, at one time, as vinyl or cassette & replaced them with the versions I now have.

I was totally into his British r’n’b, soul rock mix. His band was hot & the horn section was excellent. He was one in a wave of British musicians along with Joe Jackson & Elvis Costello who energized the music scene with dynamic, fun work. I was instantly a fan of his British  r’n’b soul sound.

His lyrics were sexy with a film-noir sensibility  ‘Hotel Chamber Maid’ ‘Got A Lady Doctor’ if a bit sexist & very heteronormative. Clever, political & sardonic about love. I love those first couple of lps. The Up Escalator tried to give him more of a Costello sound which didn’t work. He stepped away from his horn sound to something more stripped down. In fact ‘Alive! Alone in America’ is him & his guitar. He’s still around & even more of a curmudgeon.

Also on the mp3 collection is Them: Best Of (1966-67) – Parker owes a lot to Them – solid Irish pub rock band that introduced the classic Gloria. Them influenced hundred of bands besides establishing Van Morrison. 

Out of the USA is Television: Marquee Moon (1977) (expanded) includes, Little Johnny Jewel – part of the CBGBs sound, this was a stunning, moody guitar based lp that inspired the many shoe-gazer bands that followed. Iron City Houserockers: Love’s So Tough (1979) – a fun Springsteen tough-guy rock.

Back to Britain with a fun lp by Wreckless Eric: Donovan of Trash (1991). Eric was a part of the Costello/Jackson wave but his sound was more music-hall with more humour as well. More about Eric when I get to ‘w’. Another gem are 

A friend of mine had an lp by The Housemartins that he had picked up on a visit to London & I love it. It was a year or so before it was released in NorthAmerica. I made a cassette dupe of it but eventually replaced it with mp3s of London 0 Hull4 (1986) (expanded), The People Who Grinned Themselves To Death (1987); – radio friendly, sweet, solid pop with surreal lyrics & great vocals – well worth discovering them if you are unfamiliar. 

The ever changing Peter Gabriel relaunched his career with So (1986) thanks to smart production & dynamic videos that dominated MTV for the rest of the decade. Security remains my fave but this is a great set too. Finally – another band that dominated MTV for decades is Culture Club: 2005 Singles & Remixes. I remember hearing a track of theirs – White Boys – at the Rivoli before they hit big & loving it. Who knew they would ride the wave of image, queers & great music for decades. 

Proof

some people demand

this solid confirmation

a set irrefutable facts data

that prove conclusively 

there either is or isn’t

something to believe in

they want incontestable truth

of the unseeable

of the unmeasurable

when that isn’t presented

to their satisfaction 

you are delusion 

intellectually weak

they want a tidy formula

that makes sense 

of what they don’t understand

of what they see as unfair 

cruel pointless merciless

that if there is a God 

an entity

a creative impulse 

behind our being

it may be responsible for 

the flowers and the torture

but human will 

isn’t part of the equation

unless it become robotic obedience 

to what can’t be defined 

confined refined controlled

why bother 

with the whole unqualifiable mess

better to be stoic 

self-sufficient

defense

or even self-destructive blundered

aimless enslaved to creature comfort

where indifference 

is all the proof we need

and damn the consequences

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Tales of Brave Trending

Oscar Wilde said something the effect that it doesn’t matter what people say about you, as long as they are talking about. Bad press is better that no press act all. It is better to be trending for being an asshole that not to be trending at all. The recent US President was a master of trending & seemed to get ‘fatter’ on the negativity than on praise.

A couple of rock legends have breathed life into their trending by being vocal anti-vaxxers. Releasing new music to articulate their stance. Eric Clapton, Van Morrison – as a duo & separately have chosen to stand up for the common people with their recent releases. 

I’ve listened to the songs, read the various comments & am more amused than impressed. Positive posters praise them for their anti-establishment stances & their decisions not to play where masks are mandatory etc. I want to say ‘Honey, these men are millionaires not anti-establishment spokespersons. They represent their own bottom line not your rights as an individual.’ Check out the ticket prices to their concerts.

As I said, I’ve listened to their brave anti-lockdown songs & you know, if they weren’t publicized as anti-safety-protocol songs it would easy to assume Eric is mildly peeved that his latte wasn’t milky enough. The music itself is low-energy, the singing is indifferent & the lyrics are cliche. 

Those who are critical of Eric & Van’s anti-establishment stance have derided them for being uninformed. There have been pics posted of their cds being tossed in the garbage. I want to say ‘Honey, these men are millionaires you can’t un-buy their music.’ 

I see all this more as p.r. than anything else. A way of seeming culturally relevant in ways their music isn’t, unless nostalgia is a radical construct. Their search for self-expression was rarely anti-establishment. A man who sold his soul to the devil at the crossroads turns out to be an anti-vaxxer. Gasp!

Civic Duty (2008)

I’m believin’ what Stephen has to say

Harper harping on what ordinary folks

think of the arts 

sad to say he’s right

ordinary guys are more interested 

getting in cheap dope

getting their hands on the latest xbox

than they are in 

Canadian Short Story anthologies

they want hockey scores 

blow jobs on demand

they don’t want no Canadian identity TV 

they want CSI not Little Mosque on the Prairie

they want Steven King 

not David Adams Richards 

<>

in fact Mr Harper 

you would do us all a favour 

if you out right banned 

anything that called itself Canadian 

who needs McLean’s 

when we can have People

who wants to see Canadians 

give us Linsey Lohan in a yellow thong

not Sarah McLaughlin in gossamer scarves

<>

the ordinary folks don’t give a crap about much 

they would really love it if 

you could see to it t

hat they never have to work

because they don’t like getting up

dragging their weary bones 

to some soul sucking job

so if you really want to get elected 

let us live in luxury 

without having to do anything

we don’t want no education 

studying is a total bore

and a waste of taxpayers money 

creating art elitists 

university degrees 

they only use to make them act superior 

to us ordinary Joes and Janes

whose backs they are climbing on 

to get to the opera

while we have to sit around Tim Horton’s

waiting for our Old Fashioned glazed 

to be digested

we want tv’s everywhere

free cable

free data plans

get rid of the cbc

give us all sports channels

free porn for my android

<>

it has to be free

if you want to get elected 

free beer for teens

that’s the ticket

give the ordinary folks 

what they truly desire 

a life free of want

free of any responsibility

the arts are the pretty tip

of that ugly iceberg

<>

I’m so believin’ 

what Stephen has to say 

glad someone had the balls 

to finally say those arts phonies 

are just cry babies 

who suck the vital masculinity 

from our country

we gotta get this country

back on track

take back Canada

redirect the wasted energy 

we put in to the arts

we finally have leader

who can lead out of the cave 

& into the deep dark forest

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Into the Van

Continuing to listen to the heartbeat of Van Morrison I have Wavelength 78, Into The Music 80, Beautiful Vision 82, Inarticulate Speech of the Heart 83, A Brand New Sense of Wonder 85, No Guru, No Method, No Teacher 86, Poetic Champions Compose 87, Irish Heartbeat 88, Avalon Sunset 89, Enlightenment 90, Hymns To The Silence 91, Too Long in Exile 93, Days Like These 95, Duets: Re-working the Catalogue 2015. 

So you could say I’m a fan 🙂 Some these I had as lps, some as cassettes & now some are stand-clones & others mp3. Wavelength was Van going out his period of transition & into what I consider his prime with a series of spiritually complex &  musically compelling albums with often astonishing lyrics. He accomplished the sort of mystic poetics that band like Moody Blues failed at.

The albums from 78 up to 91 follow an increasing Zen sense of being with assessable lyrics & sweet music. There are some tracks full of memories of his Irish childhood that become universal – who doesn’t remember listening to the radio late at night, who doesn’t remember poets who raved on to open them to new thoughts. Van plays his sax in some deceptively simple instrumentals on some of these lps. He fully embraces his Celtic roots on Irish Heartbeat. 

The later albums are more reflective of his musical career & he is clearly aware of his legacy, which he continues to add to. He always followed his own muse, there is never a sense that he is out to create hit songs. This is adult pop – like Robbie Robertson, Jackson Browne – to name a couple – who make music they want to make not what the market demands. 

This is a piece I wrote in the early 80’s.

Down The Drain

1

“It’s time we talked.”

“About what?”

“What do you think. About us. About what is going on & what’s to come of it.”

“About life & the superficial way so many people deal with it?”

“Don’t make fun. For once let’s be serious. Or does that make an unbearable demand on you?”

“I’m listening.”

We’d had this conversation once before. Then I’d only known Jim for almost four months, for me a remarkably long time. More than amazing was that nearly a year had passed since then & for the past few months I’d been expecting him to start another ‘serious’ talk.

Sitting on the sofa I pulled him close to me. 

“I’m listening.” I brush this moustache with mine, quickly darting my tongue along his lips. “Sex is all I can seriously think about when I’m with you.”

“I’m not complaining about that.” He pushed me away from him.

A vague tiredness came over me then, a sort of dismaying boredom, this time I knew he would corner me. I was used to slipping away. It wasn’t going be easy on either of us.

“Neither am I. Shoot.”

Jim seemed a bit surprised to find me receptive. He knew I preferred to avoid, or at least to cloud, emotional issues between us.

“Do you know where to begin?” I asked.

He shook his head. 

“Well, what it is? Does it something to do with me flip fucking you last night?”

“No.” He took a deep breath. “Weekends aren’t enough. You know I’d move in, we could …”

I silenced him with a finger on his lips. “Impossible. I couldn’t do anything with you around all day.”

“Fuck impossible! Do you know what it’s like for me when you aren’t around. You & your privacy. Selfish fucker you are.” He went to the window. “Sometimes I feel that what I want & what I feel aren’t really important to you, that this is all you want from me.” He gestured to his crotch.

“Okay, I’m selfish. I admit it. I want my own way, my own time & space. I can’t …”

“Jesus, Donald.” He punched the window frame.”You know how difficult it is for anyone of us to … You should understand …” Futility fused with a trace of tears challenged his usually placid composure. “I …I’m not blind. It’s not as if …”

He moved quickly, suddenly. My eyes blinked for the moment the back of his hand cracked against my cheek. I thudded heavily into the couch, my shoulders twisting as my head rebounded from his blow. I bounced a little into the next, slammed into the full force of his fist. I could taste blood.

The inside of my mouth was bleeding.

Silence.

I heard my breath.

Lungs bursting I inhaled blood & anger. Jim was crying, staring at his hands.

I wanted to talk, to say I understood his anguish, to explain how I invited this fury but I couldn’t. Words disappeared even before they could be conceived. I wanted to make a joke of this but I couldn’t.

Touching my nose I was relieved to find it wasn’t broken, merely bleeding. My left eye was numb, vision fuzzy, my bottom lip felt inches thick. Blood was dripping onto my t-shirt.

I tried to talk but gagged, spewing a self-swallowed mouthful of blood. Dazed I stood slowly. Jim backed away shocked & frightened.

(part 2 next week)

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Astral Van

I have been a Van Morrison fan since Moondance. Over the decades I have built a fairly complete collection, so large that I’m splitting it into two posts.  The first song of his I was familiar with was Gloria – though at the time I didn’t connect it with him. It was a cut on The Blues Magoos’ Electric Comic Book. 

His music journey has from from Irish garage-band rock with Them, to his early searching solo years after Astral Weeks, then Moondance, a return to traditional Irish, a transcendental mystic time of great spiritual discovery, to his present sense of looking back – even re-recording some of his early work. Each period has great work by this restless musical spirit.  

There are several books about him. I have read Astral Weeks: A Secret History of 1968 which is an excellent look at the pop scene of the time & his formative US years. Many of the songs it discusses are found on Bang Masters (67). I picked this up in February 1993. Brown Eyed Girl was his solo break-though. Mostly good solid soulful rock. The Bob Dylan inference shows on some tracks.

I have as mp3: Astral Weeks Expanded Edition 68 – which has extended versions a few tracks. The jazzy/chamber music setting is sweet &, at the time, quite revolutionary so radio stations didn’t know what to do with – musically a clear influence on the chamber rock of groups like Antony & the Johnsons. 

A stand-alones I have Moondance 70, His Band and The Street Choir 70, Tupelo Honey 71, St Dominic’s Preview 72, Hard Nose The Highway 73. At one time I had them as cassettes & upgraded to cd. Moondance remains a classic, timeless album. A more commercial recording than Astra Weeks. The music is celebratory, romantic & fun. The next ones are less hit-song driven, his sound changes from one to the next, choirs on one, more horns on another. I had most of these as cassettes at one time. Also mp3’s of Veedon Fleece 74, A Period of Transition 77.

Listening one can sense how his real life is reflected in his music. The end of his marriage, the wrestle with booze & drugs, his spiritual longings & his search for ways to express though lyrics & music his need to balance his expectations, fame & friends. In some ways a male version of Joni Mitchell but with a more rock sensibility. All of these are great albums but if you are unfamiliar start with Moondance & then Astral Weeks. 

More Van next week.

Anticipation 4

It was as he said ‘I want to know’ that he realized he did, in fact, accept The Book. It didn’t matter what he did, he couldn’t avoid his fate so he might as well start living to enjoy it. It didn’t matter what he did as long as he did something. The idea of making a decision that was not escape frightened him. That was also in The Book – ‘Martin will make the fearful choice after death.’ He regretted that it was someone else’s death.

So, this was the day. Overcast & slushy. No Michelangelo skies. As he dressed he wondered exactly what he would be doing at the moment of impact, the fulcrum of healing? Saving a drowning child? Taking a good shit? ‘What becomes the healing the world the most?’ he inhaled ‘God’, held it; breathed out, ‘Thank you.’ Then reversed the order.

Recently he had been pre-occupied by what would become of him after that moment. The Book ended with ‘On that February 14 Martin will begin the healing of the world.’ Nothing followed. Not that The Book had even been helpful in any important way. He had frequently wished it had said things like ‘Martin will become a doctor, or ‘wear those blue shorts to the beach.’ It only commented ‘… will then no longer feel lost.’ The horoscope in the newspaper was more helpful.

He hoped that once he got the healing started he could begin to live his own life for himself.

A list of To Do Today on the fridge had only one item on it – ‘Replace plug on corner lamp.’ That meant a trip to the hardware store, people, uniformed sales clerks. All the things he’d rather avoid.

The elevator in his building wasn’t working, again. Luckily he only had a six flight walk. In the carpark he discovered his arial had been snapped off, again. At least this time they hadn’t scratched a map of the world on his roof.

He went the hardware store in the mall. Found what he wanted quickly then went over to Finest Burgers in the food court. Ordered one with works & found a quiet spot that faced the dining area.

He looked at the hamburger & the fries. Fries overcooked to just the brownness he liked. The first bite was perfection. He knew it wasn’t the most healthy food but the combination of salt, ketchup & grease exploded in his mouth in the most satisfying way. A way he knew alfalfa sprouts couldn’t come near.

The molecular structure of the grease changed & the cholesterol deposits in Martin’s arteries began to dissolve. 

Brenda’s doctor looked at the test results. “Gone! Completely in remission.”

Charles put the gun down.

Brian decided he could look after the kids without her.

The blood sample on the slide mutated, the helper cells began to win.

Sylvia decided not to have that last donut.

Martin glanced up & saw that it was just after one. The healing had begun! He looked around expecting to see transformation. All he saw was people eating. He bit into his hamburger, Perfection again. And so it should be, after all wasn’t this a perfect day. The first perfect day ever.

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Diggin’ Led Zeppelin

I picked up ‘Diggin’ My Potatoes’ a stand-alone compilation of Leadbelly tracks – original vintage recordings that have been sonically cleaned up. There were several such compilations of various blues artists released on the Blue Label. HMV had them on sale for $4.99 each. Excellent liner notes alone made it worth the price. The songs are classics – Rock Island Line, CC Rider – that have been recorded by so many rock, blues country groups it is good, & important, to hear these originals. Some of which are funnier & more sexual than expected.

One band that was influenced by Leadbelly is Led Zeppelin. I still remember hearing the first riffs of that first track when their first lp was released. I love it, I loved it all – though I did find the drum solo (on II) aimless & too long, but the guitar work was wicked. I have as stand-alones: I, II, III, IV, Houses of the Holy as mp3: Physical Graffiti, Live at the BBC.Each has tracks I love & some tracks I merely tolerate 🙂 I love the sonics on Houses Of The Holy – the songs are moodier it is my favourite of all the lps. The BBC sessions are amazing & shows Zeppelin’s prog rock side more clearly than any of the lps do.

On the mp3 collection that includes Physical Graffiti is: Donnie Elbert’s The Best Of: slightly obscure 60’s soul singer with a great voice. Best of The Big Bopper: a less obscure r’n’b rock singer with a string of well-know hits (Chantilly Lace). He has a great sexy voice that makes innocent into suggestive. Five Stair Steps: The First Family of Soul – best remembered for OOH Child they are the prototype for The Jacksons.

It made sense to me to add The Spiral Staircase’s More Than Yesterday here. Best remembered for that title song they produced fine blue-eyed soul. Unlike the rest is Zal Yanovsky’s Alive & Well In Argentina – a founding member of the Lovin’ Spoonful he left because of their commercial direction. He managed this one solo release which is fun but more for fans of the obscure like myself 🙂 Finally something a little more modern Van Morrison’s Duets: Re-Working the Catalogue. More about this when I get to M.

 

Snow

“Goddammit! We’re going to Hell in a handkerchief.” My gran stopped to take a breath.

“What?” I didn’t want to stop shovelling but I’d never her swear or ever heard that ‘handkerchief’ phrase.

“I said we’re all going to Hell in a handkerchief. The way folks complain, I mean, a little snow is no big thing but it’s top news story at six.”

I kept shovelling. The snow had been falling for two days when my Dad texted me to go over to shovel her out. After the two days of flurries I expected her to be snowbound. But she had already cleared a narrow path from her front door to the sidewalk. I was making the path wider.

“How are things in school?”

She was always on to me about school. I never knew what she wanted to know. If was going bad she tell me to be grateful there’s still schools to go to but if I was doing okay she’d just laugh and tell me enjoy it while it lasted.

“Fine Gran. No complaints from my students.”

The snow kept falling.

https://wp.me/P1RtxU-2f6

March
March 5 – Hot Damn! It’s Queer Slam – Buddies and Bad Times Theatre

April
April 3 – Hot Damn! It’s Queer Slam – Season 6 finales Buddies and Bad Times Theatre

May

Richard III – Stratford Festival

June

Capturing Fire 2020 – Washington D.C.  capfireslam.org 

July

All’s Well That Ends Well – Stratford Festival

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at Ted’s Bulletin in Washington DC

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#NikBeat Into The Mystic

The ‘farewell’ to Nik Beat at St. John of Norway Church, fell on the first day of autumn. It was warm and sunny, almost as if Nik had arranged it himself, to give us a warm goodbye.

church01 that’s a diet coke beside Nik’s guitar

When the celebration ended with the Beatles ‘In My Life’ combined with a touch of ‘Hello Goodbye’ I have to admit I teared up a bit. Both lyrics sum up a full life. The event, to me, was more of a bon voyage party – Nik was an explorer of the mystic; whether that was through angels, poetry, or music he was always seeking. The opening verse from Van Morrison’s ‘Into The Mystic’ played in my mind: ‘We were born before the wind/ Also younger than the sun/ Ere the bonnie boat was won as we sailed into the mystic/ Hark, now hear the sailors cry/Smell the sea and feel the sky/ Let your soul and spirit fly into the mystic’

church02 Nik’ll help this guy with his manuscript

The service was a deeply emotional journey held in the framework of a rather dry liturgy. The emotional chords of the music, poems and memories of Nik’s friends & family held, to me, much more spiritual resonance & relevance than the scriptural promise of an afterlife.

A sweet solo violin version of Danny Boy started things on a real emotional note. There were heartfelt poems, songs and even Nik himself, from his recently recorded cd, to remind us of what he was taking with him on his flow into the mystic.

church03 Nik’s new writing workshop group

Too many people present to name, besides this isn’t a performance or event review but a farewell note to Nik to take with him. He’s left a strong mark on the lives of many people with his generosity of spirit, time and talent. But he was always a seeker and now his seeking has taken him to the next amazing vista on his flow into the mystic.

(sorry that my church pictures are a bit out of focus. I tried to be unobtrusive and fast when taking them). My previous Nik Beat memory: http://wp.me/p1RtxU-Te

sky

This is a piece I wrote after the service for Jackie Burroughs – seemed fitting for Nik Beat as well.

. . . walk through . . .

her casket unadorned pine

pale

unvarnished for burning

heavy even with three on each side

the gentle struggle

to get it up church steps winded me

all glad to let go

let it glide on the gurney

through the narrow granite arch

into

the vaulted cathedral

massive stained glass window

images promised resurrection

 

we followed the minister

a slow steady pace

he held aloft a silver cross

each a single hand on the casket

oppressive organ music

muffling the simple choir

I longed for unadorned chant

then wanted the droning reverential

minister’s voice smothered

too much scripted polished scripture talk

and none of the real in the casket

 

suddenly

silence

 

then her voice

previously recorded

“… I walk through … ”

all breaths held

to take in

her reading “ … I fear no … ”

sobs for this real presence

I looked to the casket

expect it to shake   giggle

 

next the rites

holy water sprinkled

dense incense wafted

I choked   gasped

air thick

smothered through the rest of the ritual

 

we walk the casket out

again the gentle clumsy struggle

out the narrow granite arch

the dead weight down the steps

to the hearse

where we all took a deep breath

 

it drove off into the sun

sky

into the mystic

An Emotional Fish

An Emotional Fish is one of those Irish bands that got washed away by the tide of U2, even though they even opened for U2 and were under that corporate umbrella. They made no real North American break through. Another Irish band that got washed away was Hothouse Flowers (more about them when I get to the H’s).

shatter01 shattered & scattered

Released in 1990, I picked up this cd in May 1993 – mainly because of the band’s name so it must have been cheap enough that I was willing to take a gamble.

silver breaking the ice

The music is solid rock, sometimes pretty & always propulsive. I really liked a couple of the tracks: Grey Matter, Lace Virginia & can conjure them up in my head without having to put the cd on.

shatter02 shattered close up

Strong vocals, excellent production values and Irish without being overtly Celtic or too mystic a la Van Morrison (more about my Morrison collection when we get to the M’s). I did pick up another CD of their years later but nothing on it grabbed me enough to keep it.

samples

Goodbye

neither of us could say it  mean it

or could somehow make it stick

though we both knew it was in the air

we didn’t want to face the full implication

the only way

it could be come real

was for one of us to die

to move away

to vanish

 

the moment the word

might stray into the air between us

we knew that it would

never be uttered with conviction

with willingness

or with an intention

that it become a fact

 

it became an unspoken threat

if you don’t do x

then it’s goodbye

but when x wasn’t done

nothing much changed

some flicker of spite

then on to the next development

 

another word

is removed from the vocabulary

to be replace with the nod

the I’ll-be-seeing-you eyebrow

the till-tomorrow squeeze

the I-can’t-wait-till-you-call email

the tender animated gif

 

this the way of separation

the never dearly departed

the closeness one wishes for

that may never occur

hasn’t been enough

to make your goodbye take

 

I say that

because the same has been true for me

I’ve been ready to utter

but not prepared for the follow through

for the consequences

the door is too easy open

and comfort too simple

not to be real

to be lasting

but

it does have room to spare

time to allow change

though the change

seems to consume you more than me

 

the other side of farewell

is too dark and bleak

to consider

we both know that what lies there

isn’t the unknown

but a return to what was there

before the first glance   first hello

that tumbled us to bed

heart first

lips locked

too locked to mumble anything deeper

than

yes oh yes

 

what I might miss

is the sound of you sleeping

beside me or in a room nearby

a room I can peak in to watch

the rise  fall

the wriggle of a bare foot

out of the cover

the slip off of a too warm blanket

to reveal the the true moon

 

the impending goodbye

is kept at a distance

gives you the room to make a move

to bring you other opportunities

chances to explore

fears you never had to face with me

the fears of meeting someone with whom

goodbye would mean goodbye

here your goodbye won’t stand

it’ll merely meant

let’s try this way for now

bdoor very blue door

#Killdozer vs #ArcadeFire

spoon battery
spoon battery

Recently someone asked me what I was listening to on my iPod. I hesitated to answer because whatever it was they would jump to conclusions about me based on the music I was listening to – if I said The Beatles – I was living the past; if I said Lady Gaga – I was a real fag; if I said Coltrane – I was elitist pretentious; if I said – Chopin – I was was beyond comprehension.

pull yourself together
pull yourself together

There are some musicians or composers, who are always on my iPod. I think I have at least 10 days of listening without repeat on tap at any given time. Once a play list gets heard it gets replaced. Each play list, in general, is a mix of pop, jazz, classical.

spoon battery
spoon battery

Nearly always on one play list or the other is: The Beatles, The Stones, Van Morrison, Jacques Brel, Sinatra, John Coltrane, Miles Davis, Keith Jarrett, Chopin, Beethoven, Haydn, Schubert, Mendelssohn, Mozart. Frequently: The Animals, Procol Harum, Lou Reed, McCoy Tyner, Gabor Szabo, Bach, Dvorak. There’s one play list of Latino/French,/World Music music that often includes Otto, Osibisa, Santana, Boyo Boys, Piaf, Pizzicato Five.

When I was asked what I was listening, I replied: “Guess.” Because what they thought I was listening would tell me what they thought of me. They said Arcade Fire (am I a hipster?) when the truth was Killdozer.

sad plant
sad plant